Acta Ethnographica Hungarica
Volume/Issue:
Volume 60: Issue 1
The role of dance and what it teaches about the transcendence in possession and efficacy among the Brekete Gatsi cult
Author:
Senyo Okyere Choreomundus — International Master in Dance Knowledge, Practice and Heritage Nana Achempong, 107 Kensington Ave, Apt 102 Jersey City, NJ 07304E-mail: cecil.s.okyere@hotmail.com

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Pages:
25–41
Online Publication Date:
Jun 2015
Publication Date:
01 Jun 2015
Article Category:
Journal Article
DOI:
https://doi.org/10.1556/022.2015.60.1.4
Keywords:
dance; ritual; religion; possession
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This research was conducted on the Brekete Gatsi cult in Ghana to investigate the use of the body in action during the dance in the ritual context. Brekete is a possession cult found among the Ewe’s of the Volta Region-Ghana. Devotees in this cult worship the deities Kunde and Ablewa on every Friday, Sunday and during ceremonial days. They also propitiate other pantheons who are children of Kunde and Ablewa. During ritual moments they call on these deities, who manifest themselves by embodying trained mediums to enter into an act of communion with the religious community. This state of embodiment is manipulated by rhythms paralleled with ritual sacrifices and dance which the community believes attains efficacy through possession.

Therefore, this article will discuss the role of two dances which are performed during the ritual of the cult. Both dances occur during the same ritual events but may be distinguished by the fact that one of them is accompanied by possession and the other is not. I have therefore labelled them as Wu (Dance) and Trɔwo le ewu du (deities are dancing). It is through the analysis of these dances that it is possible for the reader to understand the relationship between the mundane world and the supernatural world of the people who perform in this cult. The methodology used has been that of classical anthropological research approach and more particularly of participant observation of events of which I had no prior knowledge due to my Christian urban upbringing. I wish to highlight the exoticism of the experience for a researcher who, despite his own upbringing, tackled a different religious phenomenon irrespective of his social and religious affiliations.

Thus, with my focus on the bodily actions and how they are used to gain access into the celestial world, I identify dance as an instrument and a medium by which the physical evidence of possession comes about. To that effect, and through the phenomenon that religious possession dance is laden with complexities and meaning, this article will hereby develop how the ritual processes and the differences between the movement of “Wu and Trɔwo le ewu du” teaches us about the ritual efficacy of possession dance. I argue here that both possession dance and the dance without possession (i) are contra-kinetically constructed, (ii) have movement sequences employing sagittal symmetrical principles, and (iii) although they have limited motifs of the steps and arm gesture, the possession dance has many variations.

Finally, the Wu serves as a prelude to Trɔ di amedzi (deity has embodied or mounted its medium) and Trɔwo le ewu du, which has the concept of possession among the Brekete Gatsi cult based on the philosophy of repetitive motif characterised by intense energy, rhythmic tempo and musicality (multidi-mensional, accentuation and phrasing) from the brekete drum.

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Cover Acta Ethnographica Hungarica
Acta Ethnographica Hungarica
Print ISSN:
1216-9803
Online ISSN:
1588-2586

Senior Editors

Editor-in-Chief: Ágnes FÜLEMILE
Associate editors: Fruzsina CSEH;
Zsuzsanna CSELÉNYI
Review Editors: Csaba MÉSZÁROS; Katalin VARGHA

Editorial Board
  • Balázs BALOGH (Institute of Ethnology, Research Centre for the Humanities)
  • Elek BARTHA (University of Debrecen)
  • Balázs BORSOS (Institute of Ethnology, Research Centre for the Humanities)
  • Miklós CSERI (Hungarian Open Air Museum, the Skanzen of Szentendre)
  • Lajos KEMECSI (Museum of Ethnography)
  • László KÓSA (Eötvös University, Budapest)
  • lldikó LANDGRAF (Institute of Ethnology, Research Centre for the Humanities)
  • Tamás MOHAY (Eötvös University, Budapest)
  • László MÓD (University of Szeged)
  • Attila PALÁDI-KOVÁCS (Institute of Ethnology, Research Centre for the Humanities and Eötvös University, Budapest)
  • Gábor VARGYAS (Institute of Ethnology, Research Centre for the Humanities and University of Pécs)
  • Vilmos VOIGT (Eötvös University, Budapest)
Advisory Board
  • Marta BOTÍKOVÁ (Bratislava, Slovakia)
  • Daniel DRASCEK (Regensburg, Germany)
  • Dagnoslaw DEMSKI (Warsaw, Poland)
  • Ingrid SLAVEC GRADIŠNIK (Ljubljana, Slovenia)
  • Dmitriy A. FUNK (Moscow, Russia)
  • Chris HANN (Halle, Germany)
  • Krista HARPER (Amherst, MA USA)
  • Anya PETERSON ROYCE (Bloomington, IN USA)
  • Ferenc POZSONY (Cluj, Romania)
  • Helena RUOTSALA (Turku, Finland)
  • Mary N. TAYLOR (New York, NY USA)
  • András ZEMPLÉNI (Paris, France)

Further credits

Translators: Elayne ANTALFFY; Zsuzsanna CSELÉNYI; Michael KANDÓ
Layout Editor: Judit MAHMOUDI-KOMOR
Cover Design: Dénes KASZTA

Manuscripts and editorial correspondence:

Acta Ethnographica Hungarica
Institute of Ethnology
Research Centre for the Humanities
Hungarian Academy of Sciences
H-1453 Budapest, Pf. 33
E-mail: actaethnographicahungarica@gmail.com

Reviews:
Mészáros, Csaba or Vargha, Katalin review editors
Institute of Ethnology
Research Centre for the Humanities
Hungarian Academy of Sciences
H-1453 Budapest, Pf. 33
E-mail: meszaros.csaba@btk.mta.hu or vargha.katalin@btk.mta.hu

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2024  
Scopus  
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Acta Ethnographica Hungarica
Language English
Size B5
Year of
Foundation		 1950
Volumes
per Year		 1
Issues
per Year		 2
Founder Magyar Tudományos Akadémia
Founder's
Address		 H-1051 Budapest, Hungary, Széchenyi István tér 9.
Publisher Akadémiai Kiadó
Publisher's
Address		 H-1117 Budapest, Hungary 1516 Budapest, PO Box 245.
Responsible
Publisher		 Chief Executive Officer, Akadémiai Kiadó
ISSN 1216-9803 (Print)
ISSN 1588-2586 (Online)

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