Author:
Jared Jonathan Luna Choreomundus — International Master in Dance Knowledge, Practice and Heritage, 1101, Quezon City, B101, Hardin, Bougainvillea, Philippines

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As a cultural movement with a global reach, hip-hop and its assimilation outside America draws discourse from globalised perspectives. At the same time, African-American vernacular dances such as breaking, krumping, locking, vogue among others, often classified under hip-hop or street dance, have received scholarly attention in the past few years. This project is concerned with how hip-hop and street dance freestyle improvisations are shaped and localized in a post-American-colonial setting. Based on a two-month fieldwork in Manila, Philippines, this research analyzes the All Styles Battle as a convergence of various assimilated movement systems, and local dance practice. The methods implemented in gathering data include formal and informal interviews, and participant observation. This paper draws out evidences of the recurring negotiations between practicing pure versus hybridized versions of hip-hop and street dance genres with the help of movement analysis. By incorporating elements such as ‘Burns’, dancers in Manila are able to adapt modified versions of street dance genres to activities such as battling in street dance. As such, this research also touches on pertinent issues within hip-hop discourse as it aims for a deeper understanding of cultural production, assimilation, authenticity and intangible cultural heritage.

  • Desmond, J. 1993: Embodying Difference: Issues in Dance and Cultural Studies. Cultural Critique. USA: University of Minnesota Press. No 26. 3363.

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  • Dimalanta, J. 1006: The Adaptation and Development of Street Dance in the Philippine Setting. Quezon City: University of the Philippines Diliman. Masters thesis.

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  • Fogarty, M. 1010: Dance to the Drummer’s Beat: Competing Tastes in International B-boy/B-girl Culture. Edinburgh: University of Edinburgh. Ph.D Dissertation.

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  • Jackson, J. 1001: Improvisation in African-American Vernacular Dancing. Dance Research Journal 33(2), 4253.

  • Karjalainen, M. 1009: “It’s All in the Name of Getting that First Place!” — Movement in the Competitive Context. In: Dance Movement Mobility: 9th International Nofod Conference Proceedings, 23–26 October 2008. Tampere, Finland: University of Tampere, Department of Music Anthropology, 8589.

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  • Macpherson, B.Curtis, J.Loy, J. 1989: The Social Significance of Sport: An Introduction to the Sociology of Sports. USA: Human Kinetic Books.

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  • Perillo, J. L. 1013: Theorising Hip-Hop Dance in the Philippines: Blurring the Lines of Genre, Mode and Dimension. International Journal of Asia Pacific Studies 9(1), 6996.

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  • Schloss, J. 1009: Foundation. New York: Oxford University Press.

  • Zanfagna, C. 1009: The Multi-Ringed Cosmos of Krumping: Hip-Hop Dance at the Intersection of Battle Media and Spirit. In Malnig, J. (ed.): Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader. USA: University of Illinois, 337353.

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Senior Editors

Editor-in-Chief: Ágnes FÜLEMILE
Associate editors: Fruzsina CSEH;
Zsuzsanna CSELÉNYI

Review Editors: Csaba MÉSZÁROS; Katalin VARGHA

Editorial Board
  • Balázs BALOGH (Institute of Ethnology, Research Centre for the Humanities)
  • Elek BARTHA (University of Debrecen)
  • Balázs BORSOS (Institute of Ethnology, Research Centre for the Humanities)
  • Miklós CSERI (Hungarian Open Air Museum, the Skanzen of Szentendre)
  • Lajos KEMECSI (Museum of Ethnography)
  • László KÓSA (Eötvös University, Budapest)
  • lldikó LANDGRAF (Institute of Ethnology, Research Centre for the Humanities)
  • Tamás MOHAY (Eötvös University, Budapest)
  • László MÓD (University of Szeged)
  • Attila PALÁDI-KOVÁCS (Institute of Ethnology, Research Centre for the Humanities and Eötvös University, Budapest)
  • Gábor VARGYAS (Institute of Ethnology, Research Centre for the Humanities and University of Pécs)
  • Vilmos VOIGT (Eötvös University, Budapest)
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  • Helena RUOTSALA (Turku, Finland)
  • Mary N. TAYLOR (New York, NY USA)
  • András ZEMPLÉNI (Paris, France)

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Translators: Elayne ANTALFFY; Zsuzsanna CSELÉNYI; Michael KANDÓ
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Acta Ethnographica Hungarica
Institute of Ethnology
Research Centre for the Humanities
Hungarian Academy of Sciences
H-1453 Budapest, Pf. 33
E-mail: actaethnographicahungarica@gmail.com

Reviews:
Mészáros, Csaba or Vargha, Katalin review editors
Institute of Ethnology
Research Centre for the Humanities
Hungarian Academy of Sciences
H-1453 Budapest, Pf. 33
E-mail: meszaros.csaba@btk.mta.hu or vargha.katalin@btk.mta.hu

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2024  
Scopus  
CiteScore  
CiteScore rank  
SNIP  
Scimago  
SJR index 0.159
SJR Q rank Q2

2023  
Scopus  
CiteScore 0.6
CiteScore rank Q2 (Music)
SNIP 0.369
Scimago  
SJR index 0.164
SJR Q rank Q2

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Acta Ethnographica Hungarica
Language English
Size B5
Year of
Foundation
1950
Volumes
per Year
1
Issues
per Year
2
Founder Magyar Tudományos Akadémia
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Address
H-1051 Budapest, Hungary, Széchenyi István tér 9.
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ISSN 1216-9803 (Print)
ISSN 1588-2586 (Online)