Péter Nádas’s novel published in the Hungarian language in 2005 deals with both European and Hungarian history, and validates a very specific view on history. The purpose of this paper is to reflect upon the question of relevance to the text concerning the body/body ideology aspects of Nádas’s historical approach. Differing representations of our sensuality in addition to placing the issue into a new context is one of the substantial undertakings of Parallel Stories, which in my opinion is worth approaching in the interrelationship of body – sensuality – body ideologies – history – power – novel structure. In my study, I start out from K. Theweleit’s theory, which combines the forceful exercise of power with the ideology of male camaraderie, I then analyse how this approach appears in different text levels, motifs, scenes of Nádas’s novel, up to the composition following the “chaos structure”.