The study discusses the possibilities of the scholarly processing of Hungarian queer literature. In particular, it takes into account the diversity of interpretive strategies and focuses on methods that can productively liberate canonized interpretations and act subversively against the expropriation and manipulation of literary texts. The imported categories of queer study of literature can often only be applied with modifications to Hungarian and Central European literature. The author argues that queer interpretation is not a stigma, nor is it a trademark, but a field of freedom.
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