Author:
Brigitta Pesti Universität Wien, Austria

Search for other papers by Brigitta Pesti in
Current site
Google Scholar
PubMed
Close
https://orcid.org/0000-0002-3523-5585
Restricted access

Abstract

In the 18th century, as political and economic relations with the East strengthened, and the first travelogues on Turkey and various other works on ethnological, geographical and cultural topics were published, a particularly positive reception of the Orient became widespread, originating from the southern and south-eastern Europe. As a result, the image of the threatening apocalyptic enemy, the “bloodhound”, was replaced by the stereotype of an attractive and exotic foreigner.

The euphoric reception of Ottoman culture was initially manifested in the presentation of operas and Turkish feasts held in noble and royal courts, but was also exhibited in portraits of people in Turkish clothes, posing among oriental backdrops. Depictions of harems and odalisque (harem ladies) were important motifs of these paintings from the very start. At the beginning of the fashion of Orientalism, the theme of the harem, also known as Turquerie, appeared only in the circles of the highest aristocracy, as a spicy bit of its self-representation, but by the 19th century, the identification of harem and erotica and, in many cases, harem and open sexuality, had become widespread in European fine arts.

In my study, I aim to review briefly the appearances of the motif of the harem in literature and the fine arts, as well as the literary and cultural historical development of its erotic connotations, and offer its interpretation in a Central European context.

  • Al Wazzan, R. (2011). Kunstwerk Odaliske. Der Harem – ein verbotener Ort. Novum, Neckenmarkt.

  • Ambrozovics, D. (1903). Eisenhut Ferenc. Művészet, II: 252255 (online: http://epa.oszk.hu/00000/00009/00010/muveszet_02_eisenhut.htmletzter Zugriff: 23. 03. 2022).

    • Search Google Scholar
    • Export Citation
  • Belgin, T. (Ed.) (2005). Harem. Geheimnis des Orients. Katalog zur Ausstellung Harem – Geheimnis des Orients, Kunsthalle Krems. 14. August – 13. November 2005. Kunsthalle, Krems.

    • Search Google Scholar
    • Export Citation
  • Belon, P. (1553). Observations de plusieurs singularitez et choses memorables trouvées en Grèce, Asie, Judée, Egypte, Arabie et autres pays étranges. Paris.

    • Search Google Scholar
    • Export Citation
  • Boissard, J.-J. (1546). Vitae et Icones Sultanorum Turcicorum…. Theodor de Bry, Frankfurt. https://gallica.bnf.fr/ark:/12148/bpt6k15203800/f1.item.

    • Search Google Scholar
    • Export Citation
  • Coco, C. (1997). Harem. Sinnbild orientalischer Erotik. Belser, Stuttgart–Zürich.

  • Davies, K. (2005). The Orientalists. Western Artists in Arabia, the Sahara, Persia & India. Laynfaroh, New York.

  • Desprez, F. (1567). Recueil de la diversité des habits, qui sont de present en usage, tant es pays d’Europe, Asie, Affrique et Isles sauuaiges, Le tout fait apres le naturel. Richard Breton, Paris.

    • Search Google Scholar
    • Export Citation
  • Ferriol, C. de (1714). Recueil de 100 estampes representent Differentes Nations du Levant…. Basan, Paris.

  • Fülemile, Á. (1989). Viseletábrázolások a 16–17. századi grafikában. Ars Hungarica, 2: 115133.

  • Fülemile Á. (2015). Az „odaliszk”. Egy orientalizáló képzőművészeti téma jelentésének és recepciójának változásai. Ethno-Lore. A Magyar Tudományos Akadémia Néprajzi Kutatóintézetének Évkönyve ,32: 69144.

    • Search Google Scholar
    • Export Citation
  • [Gárdonyi, G.] (n.d.). A szépség titkai. Budapest.

  • Gárdonyi, J. (1934). Az élő Gárdonyi. 1. kötet. Az ólombetűk felé. Dante, Budapest.

  • Gost, R. (2002). Die Geschichte des Harems. Albatros, Düsseldorf 2002.

  • Hanum, D. (1991). Harem. Erinnerungen der Prinzessin Djavidan Hanum, frühere Gemahlin des Khediven von Ägypten .Taschenbuch, München.

    • Search Google Scholar
    • Export Citation
  • Les mille et une (1705). Les mille et une nuits. Contes arabes traduits en français par Galland. Paris.

  • Melman, B. (1992). Women’s Orients. English women and the Middle East 1718–1918. Sexuality, religion and work. Macmillan, Basingstoke.

    • Search Google Scholar
    • Export Citation
  • Nicolay, N. de (1567). Les quatre premiers livres des navigations et peregrinations orientales, de N. de Nicolay avec les figures au naturel…. G. Rouille, Lyon. https://gallica.bnf.fr/ark:/12148/bpt6k79258f/f1.item.

    • Search Google Scholar
    • Export Citation
  • Ninkov, O. (2009). Eisenhut Ferenc (1857–1903) élete és munkássága. Dissertation. ELTE, Budapest.

  • Ott, C. (2004). Tausendundeine Nacht als Kultbuch der arabischen Literatur. In: underRudolf Freiburg, Markus May und Roland Spiller (Ed.), Kultbücher. Königshausen und Neumann, Würzburg, pp. 1530.

    • Search Google Scholar
    • Export Citation
  • Pape. M. E. (1987). Die Turquerie in der bildenden Kunst des 18. Jahrhunderts. Universität, Köln.

  • Pesti, B. (2018). Turkophilie am Wiener Hof Maria Theresias. Hungarian Studies ,32: 187204.

  • Pollig, H. (1987). Exotische Welten. Europäische Phantasien. In: Hermann, P. (Ed.), Exotische Welten. Europäische Phantasien. Cantz, Stuttgart.

    • Search Google Scholar
    • Export Citation
  • Postel, G. (1560). De la Republique des Turcs, et là ou l’occasion s’offrera, des meurs & loy de tous Muhamedistes I–III. Poitiers.

    • Search Google Scholar
    • Export Citation
  • Said, E. (1979). Orientalism. Vintage Books, New York.

  • Said, E. (2010). Orientalismus. 2nd ed. Fischer, Frankfurt a. Main.

  • Sancta Clara, A. (1703). Neu-eröffnete Welt-Galleria. Christoph Weigel, Nürnberg.

  • Schmidt-Haberkamp, B. (Ed.) (2011). Europa und die Türkei im 18. Jahrhundert. Vandenhoeck & Ruprecht Unipress, Bonn.

  • Tausendundeine (2018 12). Tausendundeine Nacht – Das arabische Original erstmals in deutscher Übersetzung. (Übersetzt von Claudia Ott). C. H. Beck, München.

    • Search Google Scholar
    • Export Citation
  • Ulrich, C. (1945). Von Poussin zu Ingres und Delacroix. Scientia, Zürich.

  • Walsh, B. M. I. (2014). Exotik, Erotik und Haremkultur: Zur Gender-Problematik im deutschen Orientalismus des 19. und frühen 20. Jahrhunderts. Dissertation. ProQuest, Ann Arbor.

    • Search Google Scholar
    • Export Citation
  • Winklbauer, A. (2005). Kunstwerk Odaliske. Über eine Männerphantasie der Moderne .Belgin, 2005: 2232.

  • Collapse
  • Expand

Senior editors

Editor-in-Chief: Andrea Seidler

Editorial Board

  • Bíró, Annamária
  • Khavanova, Olga
  • de Montety, Henri
  • Áron Orbán

Nemzetközi Magyarságtudományi Társaság
Address: H-1097 Budapest, Tóth Kálmán u. 4. B.8.41.
Tel.: (36 1) 321 44 07, (36 1) 224 6700/4556
Web: http://hungarologia.net/

Scopus

2023  
Scopus  
CiteScore 0.1
CiteScore rank Q4 (General Arts and Humanities)
SNIP 0.03
Scimago  
SJR index 0.101
SJR Q rank Q4

Hungarian Studies
Publication Model Hybrid
Submission Fee none
Article Processing Charge 900 EUR/article
Printed Color Illustrations 40 EUR (or 10 000 HUF) + VAT / piece
Regional discounts on country of the funding agency World Bank Lower-middle-income economies: 50%
World Bank Low-income economies: 100%
Further Discounts Editorial Board / Advisory Board members: 50%
Corresponding authors, affiliated to an EISZ member institution subscribing to the journal package of Akadémiai Kiadó: 100%
Subscription fee 2025 Online subsscription: 426 EUR / 468 USD
Print + online subscription: 474 EUR / 522 USD
Subscription Information Online subscribers are entitled access to all back issues published by Akadémiai Kiadó for each title for the duration of the subscription, as well as Online First content for the subscribed content.
Purchase per Title Individual articles are sold on the displayed price.

Hungarian Studies
Language English
French
German
Size B5
Year of
Foundation
1985
Volumes
per Year
1
Issues
per Year
2
Founder Nemzetközi Magyarságtudományi Társaság -- International Association for Hungarian Studies
Founder's
Address
H-1097 Budapest, Tóth Kálmán u. 4. B.8.41.
Publisher Akadémiai Kiadó
Publisher's
Address
H-1117 Budapest, Hungary 1516 Budapest, PO Box 245.
Responsible
Publisher
Chief Executive Officer, Akadémiai Kiadó
ISSN 0236-6568 (Print)
ISSN 1588-2772 (Online)