Author:
Ferenc Szolar , Peter-Rosegger-Gasse 2/4, 2650 Payerbach, Österreich

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https://orcid.org/0009-0002-1695-0337
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Abstract

The article deals with the stories of Pom-Pom, which appeared in Hungary from the beginning of the 1980s, initially in the media network of picture books and animated films. Since the 2010s, the characters have increasingly appeared in the public space of Budapest: first in the context of thematic playgrounds, then in the form of mini-sculptures, and finally street art murals. In terms of time, these events coincide on the one hand with the so-called critical threshold, that transition between communicative and cultural memory, and on the other hand they set in at a point in time initiated by the operational end as well as the incipient building decay of the renowned Pannónia film studios. The examples chosen solely according to the criterion of visibility in public space prove to be representations planned, supported and tolerated by the public authorities.

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Editor-in-Chief: Andrea Seidler

Editorial Board

  • Bíró, Annamária
  • Khavanova, Olga
  • de Montety, Henri
  • Áron Orbán

Nemzetközi Magyarságtudományi Társaság
Address: H-1097 Budapest, Tóth Kálmán u. 4. B.8.41.
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Scopus

2023  
Scopus  
CiteScore 0.1
CiteScore rank Q4 (General Arts and Humanities)
SNIP 0.03
Scimago  
SJR index 0.101
SJR Q rank Q4

Hungarian Studies
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Hungarian Studies
Language English
French
German
Size B5
Year of
Foundation
1985
Volumes
per Year
1
Issues
per Year
2
Founder Nemzetközi Magyarságtudományi Társaság -- International Association for Hungarian Studies
Founder's
Address
H-1097 Budapest, Tóth Kálmán u. 4. B.8.41.
Publisher Akadémiai Kiadó
Publisher's
Address
H-1117 Budapest, Hungary 1516 Budapest, PO Box 245.
Responsible
Publisher
Chief Executive Officer, Akadémiai Kiadó
ISSN 0236-6568 (Print)
ISSN 1588-2772 (Online)