The Hungarian poet Sándor Petőfi was neither the nature boy oriented only to folk song nor the proto-socialist revolutionary as the German reception in the 19th and 20th centuries saw him. The short poems of the “Clouds” cycle published in 1846, for example, are aphoristically pointed pessimistic meditations. In the piece presented (Itt állok a rónaközépen…, Here I stand in the middle of the plain…), the speaker recognises the deep gulf between himself and “the other”. Both a death symbolism can be attributed to “the other” and Sartre's phenomenology of the gaze can be applied to his perception, revealing a complexity of Petőfi's poetry that suggests its reassessment.
Danto, A.C. (1992). Sartre. Steidl, Göttingen.
Horváth, J. (1922). Petőfi Sándor. Pallas, Budapest.
Métayer, G. (2013). La „Saison en enfer“ de Sándor Petőfi. Hungarian Studies, 27(1): 125–132.
Petőfi, A. (1864). Alexander Petőfi’s Lyrische Gedichte. Erster Band: 1842–1846. Deutsch von Theodor Opitz. Heckenast, Pest.
Petőfi, S. (2003). Összes költeményei (1845. augusztus – 1846). Kritikai kiadás. S. a. r. Kerényi Ferenc. (Petőfi Sándor összes művei 4). Akadémiai, Budapest.
Sartre, J.-P. (1993). Der Blick. In: Sartre, J.-P. (Ed.), Das Sein und das Nichts: Versuch einer phänomenologischen Ontologie. (Gesammelte Werke in Einzelausgaben. Philosophische Schriften 3). Rowohlt, Hamburg, pp. 457–538.
Vadai, I. (2000). Tükörben tükröződő tükör. A Tiszatáj diákmelléklete, 68: 1–11.