The aim of my paper is to outline an overview of the collection of the Carmina popularia. In particular, I will criticise the modus operandi employed so far in arranging this corpus and meditate on what can be deemed ‘folk song’ in ancient Greece. As case studies, I shall take the five begging songs handed down to us. I shall also provide a revised text and a critical apparatus for each poem.
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Copyright Akadémiai Kiadó AKJournals is the trademark of Akadémiai Kiadó's journal publishing business branch.
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