My purpose in this article is to propose a new reading of Sappho fr. 1 by suggesting that the poetic “I”, in fact, intends to rupture her ties with the past and to break her previous erotic habits by asking from the goddess of love to assist her in a relationship that will prove to be permanent and stable this time instead of her multiple and rather casual affairs that had thus far predominated in her love life.
Beattie, A.J. (1957). Review of Poetarum Lesbiorum Fragmenta, Griechisch und deutsch herausgegeben and Sappho and Alcaeus. Journal of Hellenic Studies ,77: 320–322.
Bolling G.M. (1958). Ποικίλος and Θρόνα. American Journal of Philology ,79: 275–282.
Bowra, C.M. (1961). Greek Lyric Poetry. From Alcman to Simonides. Oxford.
Burnett, A.P. (1983). Three Archaic Poets. Archilochus, Alcaeus, Sappho .Cambridge MA.
Calame, C. (1977). Les choeurs des jeunes filles en Grèce archaїque .Rome.
Campbell, D.A. (1967). Greek Lyric Poetry. A Selection of Early Greek Lyric, Elegiac and Iambic Poetry. Bristol.
Castle, W. (1958). Observations on Sappho’s To Aphrodite. Transactions and Proceedings of the American Philological Association ,89: 66–76.
Cialdini, R.B. (1993). Influence. The Psychology of Persuasion. New York.
de Vries, G.J. – Slings, S.R. (1991). Sappho fr. 1, 8 V: Golden House or Golden Chariot? Mnemosyne ,44: 404–410.
Du Bois, P. (1995). Sappho is Burning .Chicago and London.
Gerber, D.E. (1970). Euterpe: An Anthology of Early Greek Lyric, Elegiac, and Iambic Poetry. Amsterdam.
Giacomelli, A. (1980). The Justice of Aphrodite in Sappho fr. 1. Transactions and Proceedings of the American Philological Association ,110: 135–142.
Hutchinson, G.O. (2001). Greek Lyric Poetry. A Commentary on Selected Larger Pieces. Oxford.
Johnson, M. (2007). Sappho. Bristol.
Kirkwood, G.M. (1974). Early Greek Monody. The History of a Poetic Type .Ithaca and London.
Koniaris, G.L. (1965). On Sappho, fr. 1 (Lobel-Page). Philologus ,109: 30–38.
Lawler, L.B. (1960–61). Pepoikilmena Ζoia. The Classical Journal ,56: 349–351.
Marry, J.D. (1979). Sappho and the Ηeroic Ιdeal: ἔρωτος ἀρετή. Arethusa ,12: 71–92.
Mc Evilley, T. (2008). Sappho .Putnam.
Nagy, G. (1996). Poetry as Performance. Homer and Beyond .Cambridge.
Obbink, D. (2016). The Newest Sappho: Text, Apparatus Criticus, and Translation. In: Bierl, A. – Lardinois, A. (eds.), The Newest Sappho (P. Sapph. Obbink and P. GC inv. 105, Frs. 1–4). Leiden, pp. 13–33.
Pack, R.A. (1974). Sappho and Aphrodite. Classical Quarterly ,69: 213–215.
Page, D. (1955). Sappho and Alcaeus. An Introduction to the Study of Ancient Lesbian Poetry. Oxford.
Petropoulos, J.C.B. (1993). Sappho the Sorceress – Another Look at fr. 1 (LP). Zeitschrift für Papyrologie und Epigraphik ,97: 43–56.
Putnam, M.C.J. (1960–61): Throna and Sappho 1.1. The Classical Journal ,56: 79–83.
Renehan. R. (1984). Ποικιλόθρονος in Sappho: The First Word of Poem 1. In: Boegehold, A.L., et al. (eds.), Studies Presented to Sterling Dow on his Eightieth Birthday. Durham NC, pp. 255–258.
Rissman, L. (1983). Love as War: Homeric Allusion in the Poetry of Sappho .Königstein.
Rivier, A. (1967). Observations sur Sappho, 1, 19 sq. Revue des études grecques ,80: 84–92.
Schlesier, R. (2016). Loving, but not Loved: The New Kypris Song in the Context of Sappho’s Poetry. In: Bierl, A. – Lardinois, A. (eds.), The Newest Sappho (P. Sapph. Obbink and P. GC inv. 105, Frs. 1–4) .Leiden, pp. 368–395.
Segal, C. (1974). Eros and Incantation: Sappho and Oral Poetry. Arethusa, 7: 139–160.
Skiadas, A.D. (1981). Αρχαϊκός λυρισμός 2 .Athens.
Slings, S.R. (1988). Sappho fr. 1,19. Zeitschrift für Papyrologie und Epigraphik ,72: 19-20.
Stehle, E. (2009). Once and Now. Temporal Markers and Sappho’s Self-Representation. In: Greene, E. – Skinner, M. (eds.), The New Sappho on Old Age. Textual and Philosophical Issues. Cambridge MA and London, pp. 118–130.
Svenbro, J. (1984). La Stratégie de l’Amour. Modèle de la Guerre et Théorie de l’Amour dans la Poésie de Sappho. Quaderni di storia ,19: 57–79.
Thomas, B.M. (1999). The Rhetoric of Prayer in Sappho’s Hymn to Aphrodite. Helios, 26: 3–10.
Van Bennekom, R. (1972). Sappho I, 18–19. Mnemosyne, 25: 113–122.
Voigt, E.-M. (1971). Sappho et Alcaeus. Fragmenta. Amsterdam.
West M.L. (1970). Burning Sappho. Maia ,22: 307–330.
Winkler, J.J. (1990). The Constraints of Desire. The Anthropology of Sex and Gender in Ancient Greece. New York and London.
Zellner, H. (2008). Sappho’s Sparrows. The Classical World, 101: 435–442.
Zellner, H. (2010). The Poetic Style of the Greek Poet Sappho. Lewiston, Queenston and Lampeter.