View More View Less
  • 1 Szépművészeti Múzeum, H-1146, Budapest, Dózsa György út 41.
Restricted access

Abstract

The sculpture, which the extant invoice claims to have originated from the Sant' Agostino church of Cremona, was bought by the museum from Achille Glisenti, a painter and art dealer, in 1895 (figs 1–2). The frontal pose and the compactness of the white marble sculpture of exquisite quality in composition and execution (h.: 52 cm, w.: 21 cm, d.: 16 cm), as well as the finish of the sides and the back clearly reveal that it was designed for some niche. The representation of the enthroned Christ Pantocrator was prevalent in Venetian sepulchral sculpture in Italy in the 14th century, mainly in the 1340s–60s. The Budapest sculpture is most closely analogous with specimens of this strain by virtue of the iconography and style. Just like the analogies, it was probably set in the middle of the longitudinal side of the sarcophagus recessed in the shape of an ornate throne. Although no Christ figure carved separately of the side of a sarcophagus is known, there are at least two specimens of the enthroned Madonna figures far more frequently featuring in Venetian sarcophagi in the same place (figs 3–4). These two Virgin figures were carved for an exceptionally representative type of sepulchral monuments “with acroteria”, which is attributable to one of the most notable local master of the period, Andriolo de Santi.

The closest analogy to the Budapest sculpture can also be found in this circle. Christ Pantocrator adorning the main portal of the San Lorenzo church in Vicenza made by Andriolo's workshop in 1342–44 is almost like a copy of the Budapest work (figs 5–6). It is however hard to decide whether it was made by the same hand or it is a copy. There is yet another carving – that of the enthroned Madonna in the tympan of the portal – that resembles even more closely the Budapest statue in terms of quality, overall form and certain details (fig. 8). Though there are hardly any clues as to the authorship of individual parts of the portal, it is not far-fetched to presume – in agreement with many researchers – that the tympan figures were in all likelihood carved by Andriolo. In this way it is possible to attribute the Budapest sculpture to him, too, and it may as well be presumed that it was made for an above-mentioned representative sarcophagus. Furthermore, the quality even permits the assumption that it might be the prototype for the Venetian Pantocrator series of the 1340s–60s.

All this confirms that the Christ statue and the respective tomb must have been made for a distinguished person. There is however no data in connection with the Sant' Agostino church of Cremona or the related sources that might be linked to this sepulchral monument in any way, therefore the identification of the person is not possible. The client must have been a Cremonese with close contacts to Venice, which may be why he imported the sepulchre to the Lombardian city. The phenomenon fits in well with the overall situation of sculpture in Cremona in the 14th century: there was probably no noteworthy stonecarving workshop in the city, at least all the surviving works are by masters active elsewhere.

 

Author instructions are available in PDF format.
Click here to download.

 

Senior editors

Editor(s)-in-Chief: Árpád MIKÓ

Bölcsészettudományi Kutatóközpont, Művészettörténeti Intézet
P.O. address: Budapest, 1250, 31, Hungary

 

Chair of the Editorial Board: Anna JÁVOR

Magyar Nemzeti Galéria
Budapest, 1250, 31, Hungary

 

Editorial Board

  • Géza GALAVICS (Bölcsészettudományi Kutatóközpont, Művészettörténeti Intézet)
  • Erika KISS (Magyar Nemzeti Múzeum)
  • András KOVÁCS (Babeș–Bolyai Tudományegyetem, Kolozsvár)
  • Ildikó NAGY (Budapest)
  • Enikő RÓKA (Budapesti Történeti Múzeum)

Művészettörténeti Értesítő
Hungarian Nationale Gallery
P.O. Box 31
HU–1250 Budapest, Hungary
Phone: (36 1) 375 8858 ---- Fax: (36 1) 375 8898
E-mail: javor.anna@mng.hu

2020  
CrossRef Documents 18
WoS Cites 3
Wos H-index 2

2018  
Scimago
H-index
3
Scimago
Journal Rank
0,100
Scimago
Quartile Score
History Q4
Visual Arts and Performing Arts Q4
Scopus
Cite Score
2/50=0
Scopus
Cite Score Rank
History 1111/1259 (Q4)
Visual Arts and Performing Arts 389/502 (Q4)
Scopus
SNIP
0,000
Scopus
Cites
2
Scopus
Documents
11

 

Művészettörténeti Értesítő
Publication Model Print Only
Submission Fee  
Article Processing Charge  
Printed Color Illustrations 40 EUR (or 10 000 HUF) + VAT / piece
Regional discounts on country of the funding agency  
Further Discounts  
Subscription fee 2021 Print subsscription: 146 EUR / 202 USD
Subscription fee 2022 Print subsscription: 150 EUR / 208 USD
Subscription Information Online subscribers are entitled access to all back issues published by Akadémiai Kiadó for each title for the duration of the subscription, as well as Online First content for the subscribed content.
Purchase per Title Individual articles are sold on the displayed price.

Művészettörténeti Értesítő
Language Hungarian
Size A4
Year of
Foundation
1952
Publication
Programme
2020 Volume 69
Volumes
per Year
1
Issues
per Year
2
Founder Magyar Régészeti és Művészettörténeti Társulat
Founder's
Address
H-1088 Budapest, Hungary, Múzeum krt. 14.
Publisher Akadémiai Kiadó
Publisher's
Address
H-1117 Budapest, Hungary 1516 Budapest, PO Box 245.
Responsible
Publisher
Chief Executive Officer, Akadémiai Kiadó
ISSN 0027-5247 (Print)
ISSN 1588-2802 (Online)