Verbum
Volume/Issue:
Volume 3: Issue 2
L'approche acroamatique de la poésie de Simone Weil
Author:
Gizella Gutbrod Pázmány Péter katolikus Egyetem Bölcsészettudományi Kar, Francia Tanszék Piliscsaba 3. H-2087

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Pages:
427–439
Online Publication Date:
19 Jul 2005
Publication Date:
01 Dec 2001
Article Category:
Journal Article
DOI:
https://doi.org/10.1556/verb.3.2001.2.14
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In her essay Ms Gutbrod presents the poetry of Simone Weil from the point of view of its soundind and tries to rehabilitate the role of acoustic sensitivity on different levels of the interpretation. Simon Weil is rather neglected as a poet, although both her poetic practice and theory are highly remarkable. The turning point of her artistic development is a mystical experience after which she turns definitely to poetry and abandonsall themes expect for the representation of the mystical quest. To highlight the poetic aspect of this change Ms Gutbrod attempts to unfold the themes of cry and silence in Simone Weil's poerty: first she examines the acoustic universe of the poems (that is, the physical level of hearing), then she describes the role of listening in the process of reception. Finally she reflects on the notion of listening ment in an ontological sense.

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Cover Verbum
Verbum
Print ISSN:
1585-079X
Online ISSN:
1588-4309

Verbum
Publication
Programme		 ceased
Publisher Akadémiai Kiadó
Publisher's
Address		 H-1117 Budapest, Hungary 1516 Budapest, PO Box 245
Responsible
Publisher		 Chief Executive Officer, Akadémiai Kiadó
ISSN 1585-079X (Print)
ISSN 1588-4309 (Online)

 

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