Neohelicon
Volume/Issue:
Volume 33: Issue 1
Incendies de Wadji Mouawad: les méandres de la mémoire
Author:
Rainier Grutman Université d’Ottawa Heba Alah Ghadie, Département des lettres françaises 60, rue Université K1R 5H3 Ottawa Ontario Canada

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Pages:
91–108
Online Publication Date:
15 Dec 2007
Publication Date:
15 Mar 2006
Article Category:
Research Article
DOI:
https://doi.org/10.1007/bf02766251
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Abstract  

While memory guarantees a degree of continuity between past and present, it is not without shortcomings. Powerless in the face of the future and threatened by oblivion, memory has the ability to imprison individuals and communities alike in a version of the past that has been promoted to the level of historical truth. This is why the work of Lebanese-Canadian playwright Wajdi Mouawad (a rising figure in the world of French-language theatre) generally prefers the international kind of memory provided by literature to the historical ties commonly invoked in family retellings of the past. Mouawad’s reworking of memory is particularly present in his best-known play,Littoral (1997), which addresses the various ways in which institutionalized forms of memory prevent the development of individual identities. This article concentrates on his more recent playIncendies (2003), where historical memory no longer yields to literary memory, but rather superimposes itself on an intertextual canvas. While obviously rewriting the Oedipus myth as told by Sophocles (whoseOedipus Rex becomes a “palimpsestuous” plot forIncendies), Mouawad’s text is also replete with references to the civil war in his native Lebanon. Most historical episodes (e.g. the burnt-out bus of 1975, the Sabra and Chatila refugee camp massacres of 1982) are reworked in function of the dramatic plot, and it would be unfair to reduceIncendies to a “message” or any other traditional form of “commitment”. Yet Mouawad does not fit the profile of Jean-Paul Sartre’s “irresponsible” writer either: Lebanon’s civil war, far from being a mere screen onto which the action is projected, informs this play as much as the oedipal plot does. It is indeed the combination of both semantic networks that allows a real working through of memory, which is what is at stake here.

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Cover Neohelicon
Neohelicon
Print ISSN:
0324-4652
Online ISSN:
1588-2810

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Neohelicon
Language English
Size B5
Year of
Foundation		 1973
Volumes
per Year		 1
Issues
per Year		 2
Founder Akadémiai Kiadó
Founder's
Address		 H-1117 Budapest, Hungary 1516 Budapest, PO Box 245.
Publisher Akadémiai Kiadó
Springer Nature Switzerland AG
Publisher's
Address		 H-1117 Budapest, Hungary 1516 Budapest, PO Box 245.
CH-6330 Cham, Switzerland Gewerbestrasse 11.
Responsible
Publisher		 Chief Executive Officer, Akadémiai Kiadó
ISSN 0324-4652 (Print)
ISSN 1588-2810 (Online)

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