Author:
Monica Spiridon 22, Bitolia St. P.O. 63 011 677 Bucharest Romania

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Abstract  

My contribution draws on the tenuous retrospective assessment of Bakhtin’s theoretical legacy, consistent with a wide array of epistemological agendas, that “interpreted” him in all the possible meanings of this word. It emphasizes Bakhtin’s early concerns for the axiomatic cooperation between aesthetics, theology, ethics and science, from his first important study Art and Answerability (1919) through the early seventies, unveiling the top-down dynamic of his thought which took off from anthropology and ethics towards cultural theory and linguistics rather than the other way around. The very core of his system, the most diversely interpreted and the most frequently misunderstood concept, remains the “dialogue” now almost embodied by him. As defined by Bakhtin, dialogism is a theatrical performance implying three main instances: a speaker, his targeted audience and a transcendental addressee. Bakhtin’s theoretical legacy legitimates a phenomenology of dialogism, apparently rooted in the text, but pointing to much wider horizons.

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Neohelicon
Language English
Size B5
Year of
Foundation
1973
Volumes
per Year
1
Issues
per Year
2
Founder Akadémiai Kiadó
Founder's
Address
H-1117 Budapest, Hungary 1516 Budapest, PO Box 245.
Publisher Akadémiai Kiadó
Springer Nature Switzerland AG
Publisher's
Address
H-1117 Budapest, Hungary 1516 Budapest, PO Box 245.
CH-6330 Cham, Switzerland Gewerbestrasse 11.
Responsible
Publisher
Chief Executive Officer, Akadémiai Kiadó
ISSN 0324-4652 (Print)
ISSN 1588-2810 (Online)

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