Cover Acta Historiae Artium Academiae Scientiarum Hungaricae
Acta Historiae Artium

Academiae Scientiarum Hungaricae

 

Published as print only

The journal presents papers on history of art extending from the Middle Ages to contemporary art. Includes critical analyses of Hungarian and international research publications in the appropriate field. Publishes book reviews and advertisements.

Ernő Marosi (1940–2021) • In Memoriam
Zsombor Jékely
DOI:
https://doi.org/10.1556/170.2021.00001
Pages:
5–10
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Susan Urbach (1933–2020) • In Memoriam
János Végh
DOI:
https://doi.org/10.1556/170.2021.00002
Pages:
11–15
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Jean de Berry’s Croix Couverte at Beaucaire (Gard) in its Pan-European Architectural-Cultural Contexts
Achim Timmermann
DOI:
https://doi.org/10.1556/170.2021.00003
Pages:
17–38
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Mary of Burgundy Alive or Dead
Anna Eörsi
DOI:
https://doi.org/10.1556/170.2021.00004
Pages:
39–61
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Neapolitan Cardinal in Early Renaissance Hungary • The Role of Giovanni D’aragona (1456–1485) in the Art Patronage of Matthias Corvinus, King of Hungary
Péter Farbaky
DOI:
https://doi.org/10.1556/170.2021.00005
Pages:
63–104
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St. James the less or St. Bartholomew the Apostle? A Work by El Greco and his Workshop from the Collection of Edmund Bourke
Éva Nyerges
DOI:
https://doi.org/10.1556/170.2021.00006
Pages:
105–110
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Johann Lucas Kracker: Neue Funde
Anna Jávor
DOI:
https://doi.org/10.1556/170.2021.00007
Pages:
111–155
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In the Depths of Perception • István Nagy, the “Hungarian Van Gogh”
Csilla Markója
DOI:
https://doi.org/10.1556/170.2021.00008
Pages:
157–170
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Bortnyik und die „Műhely“ • Das gebrauchsgrafische schaffen von Sándor Bortnyik (1893–1976) und das „Ungarische Bauhaus“
Katalin Bakos
DOI:
https://doi.org/10.1556/170.2021.00010
Pages:
171–366
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From France to Central Europe. Jean Pépin De Huy and A Group of Fourteenth-Century Sculptures in Hungary and Poland
Zoltán Gyalókay
DOI:
https://doi.org/10.1556/170.2020.00001
Pages:
5–18
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“Imaige A La Vierge Marie” The Hours of Mary Of Burgundy, Her Marriage, and Her Painter, Hugo Van Der Goes
Anna Eörsi
DOI:
https://doi.org/10.1556/170.2020.00002
Pages:
19–53
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Thomas De Coloswar. On The Esztergom Altarpiece and An Addition to His Oeuvre
Stefano L’occaso
DOI:
https://doi.org/10.1556/170.2020.00003
Pages:
55–67
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Della Robbia’s Majolicas in Portugal Devotion, Collecting and Musealisation
Clara Moura Soares
DOI:
https://doi.org/10.1556/170.2020.00004
Pages:
69–80
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“This Single Slab of Marble Does Not Show you One Single Face”. • Funerary Monuments From the Saint Michael Cathedral in Alba Iulia from the Sixteenth and Seventeenth Centuries
Dóra Mérai
DOI:
https://doi.org/10.1556/170.2020.00005
Pages:
81–148
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A History of the Jewish Community of Tállya and of Their Synagogue
Júlia Csejdy
DOI:
https://doi.org/10.1556/170.2020.00006
Pages:
149–179
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From Mini to Maxi: The Evolution of A Monograph of Architecture.
Eszter Baldavári and Eszter Szilvia Paár
DOI:
https://doi.org/10.1556/170.2020.00014
Pages:
267–281
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A History of the Jewish Community of Tállya and of Their Synagogue
Júlia Csejdy
DOI:
https://doi.org/10.1556/170.2020.00006
Pages:
149–179
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Book Reviews
Géza Galavics
DOI:
https://doi.org/10.1556/170.2019.60.1.12
Pages:
321–335
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Strzygowski's Coptic Art
László Török
DOI:
https://doi.org/10.1556/ahista.47.2006.1-4.20
Pages:
305–311
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“This Single Slab of Marble Does Not Show you One Single Face”. • Funerary Monuments From the Saint Michael Cathedral in Alba Iulia from the Sixteenth and Seventeenth Centuries
Dóra Mérai
DOI:
https://doi.org/10.1556/170.2020.00005
Pages:
81–148
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ETUDES SUR GANNEVAL
István Bibó
DOI:
https://doi.org/10.1556/ahista.42.2001.1-4.13
Pages:
169–186
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The reception of the allegorical poem the three gypsies by Nikolaus Lenau in the fine arts during the nineteenth century
Júlia Papp
DOI:
https://doi.org/10.1556/170.2018.59.1.8
Pages:
233–247
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Franz Anton Maulbertsch als Chronist? Allegorie und Zeitgeschehen im Fresko der Verleihung des St. Stephansordens
Monika Dachs-Nickel
DOI:
https://doi.org/10.1556/ahista.50.2009.1.11
Pages:
107–118
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Da Medea attraverso l'Amore a Tersìcore. Nuovi appunti alle rapresentazioni delle muse nello studiolo della Villa Belfiore
Anna Eörsi
DOI:
https://doi.org/10.1556/ahista.45.2004.1-4.1
Pages:
3–23
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The New Aesthetic of the Late Nineteen Twenties Reconsidering the Periodization of the Interwar Avant-Gardes
Éva Forgács
DOI:
https://doi.org/10.1556/170.2020.00008
Pages:
201–216
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Spätmittelalterliche Erztaufbecken in Nordungarn: in der Zips und in Bartfeld
Mária Verő
DOI:
https://doi.org/10.1556/ahista.43.2002.1-4.10
Pages:
113–190
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La » couronne grecque « dans son contexte
Etele Kiss
DOI:
https://doi.org/10.1556/ahista.43.2002.1-4.5
Pages:
39–51
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The Glass Cabinet An essay about the place of the Hungarian crown
Sándor Radnóti
DOI:
https://doi.org/10.1556/ahista.43.2002.1-4.9
Pages:
83–111
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L'apport de l'iconographie à l'interprétation de la „corona graeca”
Catherine Jolivet-Lévy
DOI:
https://doi.org/10.1556/ahista.43.2002.1-4.3
Pages:
22–32
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Offiziere und Rivalen Albrechts von Waldstein als Stifter von Bauwerken in der Zeit des Dreißig-jährigen Kriegs in Böhmen und Mähren
Ivana Panochová
DOI:
https://doi.org/10.1556/ahista.47.2006.1-4.11
Pages:
139–151
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Von der „Erfindung“ der Renaissance zur Praxis der Neorenaissance. Paris – Dresden – Berlin – Budapest
Henrik Karge
DOI:
https://doi.org/10.1556/ahista.49.2008.1.41
Pages:
378–407
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The Hungarian Country House 1840–1914
József Sisa
DOI:
https://doi.org/10.1556/ahista.51.2010.1.7
Pages:
139–205
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Die Entstehung des Begriffs der Volkskunst in den Kunstgewerbemuseen des Zeitalters des Positivismus Ornament als Nationalsprache
Katalin Sinkó
DOI:
https://doi.org/10.1556/ahista.46.2005.1-4.6
Pages:
205–259
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An enthroned Tyche statue from Gadara / Umm Qais, Jordan
Eyad Almasri, Yahya Alshawabkeh, Fadi Balaawi, and Allaa Shwater
DOI:
https://doi.org/10.1556/170.2017.58.1.1
Pages:
5–20
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Remarks on the filigree of the Holy Crown of Hungary
Béla Zsolt Szakács
DOI:
https://doi.org/10.1556/ahista.43.2002.1-4.6
Pages:
52–61
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The author instruction is available in PDF.

Please, download the file from HERE

 

Senior editors

Editor-in-Chief: Lővei, Pál

Editorial Board

  • Lővei Pál (Bölcsészettudományi Kutatóközpont, Művészettörténeti Intézet)
  • Beke László (Bölcsészettudományi Kutatóközpont, Művészettörténeti Intézet)
  • Bodnár Szilvia (Szépművészeti Múzeum)
  • Galavics Géza (Bölcsészettudományi Kutatóközpont, Művészettörténeti Intézet)
  • Marosi Ernő (Bölcsészettudományi Kutatóközpont, Művészettörténeti Intézet)
  • Sisa József (Bölcsészettudományi Kutatóközpont, Művészettörténeti Intézet)
  • Takács Imre (ELTE BTK Művészettörténeti Intézet)
  • Evelin Wetter (Abegg-Stiftung)

Acta Historiae Artium
P.O. Box 27
HU–1250 Budapest,Hungary
Phone: (06 1) 375 0493
Fax: (06 1) 356 1849
E-mail: Lovei.Pal@btk.mta.hu

Indexing and Abstracting Services:

  • Historical Abstracts
  • International Bibliographies IBZ and IBR

 

 

2019  
WoS
Cites		 2
CrossRef
Documents		 12

 

Acta Historiae Artium
Publication Model Hybrid
Submission Fee none
Article Processing Charge 1100 EUR
Printed Color Illustrations 40 EUR (or 10 000 HUF) + VAT / piece
Subscription fee 2022 Print subscription: 513 EUR / 640 USD
Subscription fee 2023 Online subsscription: 468 EUR / 566 USD
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Acta Historiae Artium
Language English
French
German
Italian
Size A4
Year of
Foundation		 1953
Volumes
per Year		 1
Issues
per Year		 1
Founder Magyar Tudományos Akadémia   
Founder's
Address		 H-1051 Budapest, Hungary, Széchenyi István tér 9.
Publisher Akadémiai Kiadó
Publisher's
Address		 H-1117 Budapest, Hungary 1516 Budapest, PO Box 245.
Responsible
Publisher		 Chief Executive Officer, Akadémiai Kiadó
ISSN 0001-5830 (Print)
ISSN 1588-2608 (Online)