Available only in print. Until 2020, Acta Historiae Artium was published in print only, with basic information on its contents accessible on the website. Online articles have been available since Volume 62 (2021).
The third Earl of Shaftesbury accorded a political mission to the arts capable of evoking rational moral visions in an enlightened public that have learnt to trust their natural moral sense and sociability. His rational, neo-classicist art theory contains a program for the education of taste leading to the experience of the plastic truth of artworks and to aesthetic pleasure in their natural simplicity. The family portrait paintings and the engraved emblematic frontispieces to Characteristicks,commissioned by Shaftesbury, relied on a particular form of cooperation between patron and artist. The nine engravings present a visual argument for the freedom of thought, the last of which is shown to refer to Locke's unpublished Defence of Nonconformity. The reconstruction of Shaftesbury's ‘virtuoso’ knowledge and classicist art theory is set against Karl Mannheim's sociological theory of connoisseurship.