KONRAD FIEDLER UND DIE KUNSTTHEORIE DER GEGENWART

Udo Kultermann

doi:10.1556/ahista.42.2001.1-4.14

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Acta Historiae Artium Academiae Scientiarum Hungaricae

Volume/Issue:: Volume 42: Issue 1-4

KONRAD FIEDLER UND DIE KUNSTTHEORIE DER GEGENWART

Author:

Udo Kultermann

Udo Kultermann 300 Mercer, 17 B. New York, N.Y. 10003

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Pages:: 187–196

Online Publication Date:: 01 Mar 2001

Publication Date:: 01 Mar 2001

Article Category:: Research Article

DOI:: https://doi.org/10.1556/ahista.42.2001.1-4.14

Keywords (German):: Konrad Fiedler; art theory; Martin Heidegger

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Available only in print. Until 2020, Acta Historiae Artium was published in print only, with basic information on its contents accessible on the website. Online articles have been available since Volume 62 (2021).

Summary

The Author emphasizes the importance of Fiedler's principle that art produces reality for both philosophy (Husserl, Heidegger), art theory and art of the 20th century. Another principle, that of the autonomy of the artistic can be deduced from the first. It is fundamental for the modern artist as well as the interpretation of reality as process, laying the basis for modern artistic phenomena as performance art, process art or happening. Fiedler had a key position between the tradition of German idealism and 20th century thougths on art.

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Acta Historiae Artium Academiae Scientiarum Hungaricae

Print ISSN:: 0001-5830

Online ISSN:: 1588-2608

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Acta Historiae Artium
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