MARTINO ROTA: BILDNIS DES ZACHARIAS MOSSÓCZY (1577) UND DAS HUMANISTISCHE PORTRÄT IN UNGARN

Géza Galavics

doi:10.1556/ahista.42.2001.1-4.7

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Acta Historiae Artium Academiae Scientiarum Hungaricae

Volume/Issue:: Volume 42: Issue 1-4

MARTINO ROTA: BILDNIS DES ZACHARIAS MOSSÓCZY (1577) UND DAS HUMANISTISCHE PORTRÄT IN UNGARN

Author:

Géza Galavics

Géza Galavics MTA Muvészettörténeti Kutatóintézet, Budapest

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Pages:: 65–82

Online Publication Date:: 01 Mar 2001

Publication Date:: 01 Mar 2001

Article Category:: Research Article

DOI:: https://doi.org/10.1556/ahista.42.2001.1-4.7

Keywords (German):: Hungary; Vienna; Renaissance; portrait; Martino Rota; Zacharias Mossóczy; 16th century; Prague; Zacharias Mossóczy

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Available only in print. Until 2020, Acta Historiae Artium was published in print only, with basic information on its contents accessible on the website. Online articles have been available since Volume 62 (2021).

Summary

The time of Reformation was important for the spread of humanistic portraits in Hungary. The poetical interpretation of these portraits in classical terms also belonged to humanistic culture. The artist of the portrait of Zacharias Mossóczy (1577), which was recently identified in a unique print of the Albertina in Vienna, was Martino Rota, a very influential painter in the Prague circle of Emperor Rudolph II. He was also active in the service of Hungarian patron's. His portrait engraving corresponds to the topoi of author's representation.

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Acta Historiae Artium Academiae Scientiarum Hungaricae

Print ISSN:: 0001-5830

Online ISSN:: 1588-2608

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