Opere giordanesche in Ungheria

Éva Nyerges

doi:10.1556/ahista.43.2002.1-4.12

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Acta Historiae Artium Academiae Scientiarum Hungaricae

Volume/Issue:: Volume 43: Issue 1-4

Opere giordanesche in Ungheria

Author:

Éva Nyerges

Éva Nyerges Museum of Fine Arts, H-1146 Budapest, Dózsa György út 41.

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Pages:: 207–225

Online Publication Date:: 01 Mar 2002

Publication Date:: 01 Mar 2002

Article Category:: Research Article

DOI:: https://doi.org/10.1556/ahista.43.2002.1-4.12

Keywords (Italian):: Aristocratic collections with Neapolitan painting in Hungary; Luca Giordano; Giuseppe Simonelli; iconography of the Disarmed Justice and Venus and Adonis

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Available only in print. Until 2020, Acta Historiae Artium was published in print only, with basic information on its contents accessible on the website. Online articles have been available since Volume 62 (2021).

Summary

From the former Hungarian collections of the Princes Esterházy and of Count János Pállfy a greater number of Giordano paintings entered the Museum of Fine Arts Budapest. Beside that the Christian Museum Esztergom possesses several paintings of Giordano from the Capece Zurlo di San Marco collection. The paper deals with the iconography and authenticity of Justice disarmed, and Venus and Adonis. The former is an allegory on the loss of Crete in 1669 and the unjust peace between Venice and Turkey. The latter shows the influence of Cambiaso drawings. A further source of Giordanos is the former Brunswick collection. The painting Joseph and Potiphar's Wife attributed to Giuseppe Signorelli allows assuring a lost canvas painted by Giordano of the same topic. Only Desplaces has engraved it. Several paintings published in the paper were attributed to Giordano, respective to his pupils. Giordano's or his workshop's copies after Ribera were presented in a catalogue. The same was done with the copies after Giordano.

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Acta Historiae Artium Academiae Scientiarum Hungaricae

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Acta Historiae Artium
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