Fiktion und Geschichtlichkeit in der Ahnengalerie und in den Kupferstichen des Trophaeum s, der Familiengeschichte der Esterházy

Enikő Buzási

doi:10.1556/ahista.43.2002.1-4.13

Acta Historiae Artium Academiae Scientiarum Hungaricae

Volume/Issue:: Volume 43: Issue 1-4

Fiktion und Geschichtlichkeit in der Ahnengalerie und in den Kupferstichen des Trophaeum s, der Familiengeschichte der Esterházy

Author:

Enikő Buzási

Enikő Buzási Hungarian National Gallery, H-1250 Budapest 1, PoBox 31.

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Pages:: 227–246

Online Publication Date:: 01 Mar 2002

Publication Date:: 01 Mar 2002

Article Category:: Research Article

DOI:: https://doi.org/10.1556/ahista.43.2002.1-4.13

Keywords (German):: Baroque Painting; Portrait; Portrait Engraving

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Available only in print. Until 2020, Acta Historiae Artium was published in print only, with basic information on its contents accessible on the website. Online articles have been available since Volume 62 (2021).

Summary

The illustrated genealogy of the Esterházys was published in 1700 on behalf of Pál Esterházy (1635–1713) the first Prince of the Family. By constructing a genealogical series going back in the past they used beside the Mausoleum of 1664 a lot of different models. In this paper copies from the Ducum Brabantiae Chronica (1600) and from the late 17th century portraits of the Ancestors' Gallery (Burg Forchtenstein) are identified. The main source of the portrait paintings was the Theatrum Pictoricum by David Teniers, a series of graphic reproductions of famous paintings in the imperial collection.

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Acta Historiae Artium Academiae Scientiarum Hungaricae

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Acta Historiae Artium
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