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Romuald Kaczmarek Wrocław, Poland

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Available only in print. Until 2020, Acta Historiae Artium was published in print only, with basic information on its contents accessible on the website. Online articles have been available since Volume 62 (2021).

Abstract

The Author turns back to a dating of the Tomb of St. Marguerite, represented by numerous fragments found on site in the ruins of the Dominican Nuns'convent on the Danube Island near Buda, to the late 13th century, about the middle of the 1270ies. He returns to the main source, to the witness by the Vicar Michael OFP in 1276 in the canonisation process of the Saint, about the work by the Lombards Albert and Peter. He rejects the thesis about the attribution to a Neapolitan follower of Tino di Camaino, accepted by actual Hungarian art history, and proposes a comparison with followers of Nicola Pisano, mainly Arnolfo di Cambio. The Lombardian stylistic characteristics of the marble fragments of Buda are compared with works by Fra Guglielmo and with Genuese works of the Campionesi.

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  • 9. Duccio 2003Duccio. Alle origini della pittura senese (Ausstellungskatalog, Siena, Santa Maria della Scala – Museo dell’Opera del Duomo, 2003–2004), ed. A. Bagnoli, R. Bartalini, L. Bellosi, M. Laclotte, Milano 2003.

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  • 16. Gerevich 1974Gerevich, László, Tendenze artistiche nell’Ungheria Angioina, (in:) Colloquio italo-ungherese sul thema: Gli Angioini di Napoli e di Ungheria, Roma 1974, S. 121157.

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  • 17. Horváth 1941Horváth, Henrik, Középkori budai fejek, Budapest 1941.

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  • 20. Inquisitio super vita 1896Inquisitio super vita, conversatione et miraculis beatae Margarethae virginis, Belae IV. Hungarorum regis filiae, sanctimonialis monasterii virginis gloriosae de insula Danubii, ordinis Praedicatorum, Vesprimiensis diocesis, (in:) Monumenta Romana Episcopatus Vesprimiensis 1896, S. 163383.

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  • 21. King 1995King, Catherine, The arts of carving and casting, (in:) Siena, Florence and Padua. Art, Society and Religion 1280–1400, vol. I, Interpretative Essays, Diana Norman (ed.), London 1995, S. 97121.

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  • 22. L’Europe des Anjou 2001L’Europe des Anjou. Aventure des princes angevins du XIIIe au XVe siècle [Austellungskatalog, Abbaye royale de Fontevrauld 15. 06. – 16. 09. 2001], Paris 2001.

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  • 23. Lővei 1980Lővei, Pál, The sepulchral Monument of Saint Margaret of the Arpad Dynasty, Acta Historiae Artium 26(1980), S. 175221.

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  • 24. Lővei 1987Lővei, Pál, A Margit-síremlék, (in:) Magyarországi művészet 1300–1470 körül, red. Ernő Marosi, Budapest 1987, t. 1, S. 341342.

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  • 25. Marosi 1982Marosi, Ernő, A 14. századi Magyarország udvari művészete és Közép-Európa, (in:) Művészet I. Lajos király korában 1342–1382. Katalógus, ed. E. Marosi, M. Tóth, L. Varga, Budapest 1982, S. 5177, 379381.

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  • 26. Marosi 1995Marosi, Ernő, Rezenzi: Pannonia Regia. Művészet a Dunántúlon 1000–1541 [Kunst und Architektur in Pannonien 1000–1541. Katalog der Ausstellung, Ungarische Nationalgalerie, Oktober 1994 – April 1995], Hg. A. Mikó, I. Takács, Budapest 1994, Acta Historiae Artium 37 (1994–95), S. 328345.

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  • 27. Marosi 2001Marosi, Ernő, L'art à la cour Angevine de Hongrie, (in:) L’Europe des Anjou. Aventure des princes angevins du XIIIe au XVe siècle [Ausstellungskatalog l’Abbaye royale de Fontevrauld 15. 06. – 16. 09. 2001], Paris 2001, S. 179193.

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  • 28. Middeldorf Kosegarten 1984Middeldorf Kosegarten, Antje, Sienesische Bildhauer am Duomo Vecchio. Studien zur Skulptur in Siena 1250–1330 [Italienische Forschungen hrsg. v. Kunsthistorischen Institut in Florenz, 3. Folge, Bd. XIII], München 1984.

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  • 29. Moskowitz 1991Moskowitz, Anita Fiderer, Giovanni di Balduccio's Arca di San Pietro Martire: Form and Function, Arte lombarda 96(1991), S. 718.

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  • 30. Moskowitz 2001Moskowitz, Anita Fiderer, Italian Gothic Sculpture, c. 1250–c.1400, Cambridge Univ. Press 2001.

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  • 32. Poeschke 2000Poeschke, Joachim, Die Skulptur des Mittelalters in Italien, Bd. 2, Gotik, München 2000.

  • 33. Romanini 1980Romanini, Angiola Maria, Arnolfo di Cambio e lo “stil novo” del gotico italiano, Firenze 1980 (1 Aufl. 1969).

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  • 34. Schmidt 1990Schmidt, Gerhard, Typen und Bildmotive des spätmittelalterlichen Monumentalgrabes, (in:) Skulptur und Grabmal des Spätmittelalters in Rom und Italien [Akten des Kongresses “Scultura e monumento sepolcrale del tardo Medioevo a Roma e in Italia” Rom, 4.–6. Juli 1985], Jörg Garms, Maria Angiola Romanini (Hg.), Wien 1990, S. 1382.

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  • 35. Varga/Lővei 1992Varga, Lívia / Lővei, Pál, Funerary Art in Medieval Hungary, Acta Historiae Artium 35 (1990/92), S. 115167.

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  • 36. Williamson 1995Williamson, Paul, Gothic Sculpture 1140–1300, New Haven – London 1995.

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Senior editors

Editor-in-Chief: Lővei, Pál

Editorial Board

  • Lővei, Pál (Bölcsészettudományi Kutatóközpont, Művészettörténeti Intézet)
  • Bodnár, Szilvia (Szépművészeti Múzeum)
  • Boreczky, Anna (Országos Széchényi Könyvtár)
  • Sisa, József (Bölcsészettudományi Kutatóközpont, Művészettörténeti Intézet)
  • Takács, Imre (ELTE BTK Művészettörténeti Intézet)
  • Wetter, Evelin (Abegg-Stiftung)

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Acta Historiae Artium
Language English
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Size A4
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1953
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per Year
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Founder Magyar Tudományos Akadémia   
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REVIEW

HELMUT PHILIPP RIEDL: ANTIVEDUTO DELLA GRAMMATICA (1570/71–1626). LEBEN UND WERK München–Berlin: Deutscher Kunstverlag, 1998, 241 S., 8 Farbtafeln, 135 Schwarz-weiß Abbildungen

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