Author:
Csilla Markója Institute for Art History, Research Centre for the Humanities, Hungarian Academy of Sciences, Budapest

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Abstract

The intellectual-emotional community or even symbiosis of the friends György Lukács and Leó Popper was fuelled by irresolvable antagonisms as well. Popper's concept of form, “form as event” inevitably withstands any attempt at historicizing or theorizing. Popper's was a deeply anti-theory aesthetic attitude, which reveals a lot about the ethos of the psychology of creation, but the first and foremost tenet of this morality is “the will of form will be done”. The will of form and not the will of the thinker, however close one may come to the morality of Lukács's demand for the detachment of the personality. The contradistinction between life and work becomes the antagonistic opposition between “work as life” and thinking. This opposition is timeless, supra-historical. Popper's principal intellectual legacy is not the idea of double misunderstanding, even if Lukács promotes him to be a forerunner of the aesthetics of reception and “an anticipator of modern hermeneutics”. A very talented person needn't even be present when he creates – this was Popper's opinion.

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2019  
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Cites
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Acta Historiae Artium
Language English
French
German
Italian
Size A4
Year of
Foundation
1953
Volumes
per Year
1
Issues
per Year
1
Founder Magyar Tudományos Akadémia   
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Address
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ISSN 0001-5830 (Print)
ISSN 1588-2608 (Online)