View More View Less
  • 1 Slovak National Gallery, Bratislava
Restricted access

The text deals with the work of Jana Želibská (1941 Olomouc) — flanêuse in the 1960s and the priestess of the Great Mother (Nature) in the 1970s. Želibská took a central position among male protagonists of neo-avant-garde in Slovakia. Her approach has been labeled ‘latent feminism’ because no real feminist platform existed during socialism in Slovakia. Želibská used the language of pop art and New Realism and their iconography mixed with the local folklore motifs in a quite different way. Pop art and New Realism entered the oeuvre of many artists simultaneously with experiments in conceptual art (Stano Filko, Peter Bartoš, Július Koller, Jana Želibská). After 1968, Želibská shifted the focus of her activities to land as an open structure outside of official supervision. Želibská made several statements regarding experiencing the magic of the present moment and experience with landscape through concepts and events that emphasized connection with nature. Photography helped her to work with continuity and causality in photo-sequences of situations and events. The path through ‘rooms of her own’ and other spatial concepts from the female labyrinth to the architecture of the temple in the 1960s, through changing open structures outdoors in her concept and land art in the 1970s, photography in 1980s, reached installation and video in the 1990s. Installations in the 1980s were built mainly on the artist’s experience with and in nature, or on the typical postmodernist contrast of the urban and natural. Puberty and virginity, which interested her in the land art events in 1970s, appeared again in her video art in a monumental demonstration of ‘girl power.’ In 1997 Želibská took the position behind the camera, shooting a naked male body without identity and face in the video installation Her View of Him. Thus she completed her shift from the ‘girl power’ of the 1960s and early 1970s agenda to fully articulated ‘woman power’.

 

The author instruction is available in PDF.

Please, download the file from HERE

 

Senior editors

Editor-in-Chief: Lővei, Pál

Editorial Board

  • Lővei Pál (Bölcsészettudományi Kutatóközpont, Művészettörténeti Intézet)
  • Beke László (Bölcsészettudományi Kutatóközpont, Művészettörténeti Intézet)
  • Bodnár Szilvia (Szépművészeti Múzeum)
  • Galavics Géza (Bölcsészettudományi Kutatóközpont, Művészettörténeti Intézet)
  • Marosi Ernő (Bölcsészettudományi Kutatóközpont, Művészettörténeti Intézet)
  • Sisa József (Bölcsészettudományi Kutatóközpont, Művészettörténeti Intézet)
  • Takács Imre (ELTE BTK Művészettörténeti Intézet)
  • Evelin Wetter (Abegg-Stiftung)

Acta Historiae Artium
P.O. Box 27
HU–1250 Budapest,Hungary
Phone: (06 1) 375 0493
Fax: (06 1) 356 1849
E-mail: Lovei.Pal@btk.mta.hu

Indexing and Abstracting Services:

  • Historical Abstracts
  • International Bibliographies IBZ and IBR

 

 

2019  
WoS
Cites
2
CrossRef
Documents
12

 

Acta Historiae Artium
Publication Model Print Only
Submission Fee none
Article Processing Charge  
Printed Color Illustrations 40 EUR (or 10 000 HUF) + VAT / piece
Regional discounts on country of the funding agency  
Further Discounts  
Subscription fee 2021 Print subscription: 501 EUR / 626 USD
Subscription fee 2022 Print subscription: 513 EUR / 640 USD
Purchase per Title  

Acta Historiae Artium
Language English
French
German
Italian
Size A4
Year of
Foundation
1953
Publication
Programme
2021 Volume 62
Volumes
per Year
1
Issues
per Year
1
Founder Magyar Tudományos Akadémia
Founder's
Address
H-1051 Budapest, Hungary, Széchenyi István tér 9.
Publisher Akadémiai Kiadó
Publisher's
Address
H-1117 Budapest, Hungary 1516 Budapest, PO Box 245.
Responsible
Publisher
Chief Executive Officer, Akadémiai Kiadó
ISSN 0001-5830 (Print)
ISSN 1588-2608 (Online)