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Éva Nyerges Spanish and Neapolitan paintings at Szépmûvészeti Múzeum, Budapest, Hungary

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Around 1808–1810, during his time in Madrid, the Danish Ambassador Edmund Bourke may have purchased the painting of St. Bartholomew the Apostle by El Greco which later appears in the 1821 inventory of the Esterházy collection. The Scottish-born George Augustus Wallis was one of the earliest enthusiasts of El Greco; this is proven by a letter he wrote to William Buchanan in 1808, in which he describes the then-unknown Spanish master. The knee-length figure of St. Bartholomew is closely connected to the so-called Study of a Head in the Museum of Fine Arts, Budapest, which is a fragment of a painting of St. Bartholomew likewise originating from a series of Apostles.

  • Álvarez Lopera, José: El Greco: Identity and Transformation, exh. cat. Madrid– Roma–Athens, New york: Rizzoli, 1999–2000.

  • Baudissin, Klaus Graf V.: Georg August Wallis Mahler aus Schottland (1768–1847). Aus Seitenpfaden der deutschen Kunstgeschichte mit einem Verzeichnis: Os-sian in der bildenden Kunst, Heidelberg: Carl Winters universitätsbuchhandlung, 1924.

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  • Bourke, Edmund: Notices sur les ruines les plus remarquables de Naples et ses environs, Paris: Imp. L. T. Cellot, 1823.

  • Braham, Allan: El Greco to Goya. The Taste for Spanish Paintings in Britain, London: National Gallery, 1981.

  • Brigstocke, Hugh: “William Buchanan: his Frinds and Rivals.The Importation of old Master Paintings into Great Britain during the first half of the Nineteenth Century”, Apollo September 1981, 7684.

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  • Brigstocke, Hugh (ed.): William Buchanan and the 19th-century Art Trade. 100 Letters to his Agents in London and Italy, London: The Paul Mellon Centre for Studies in British Art, 1982.

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  • Brigstocke, Hugh: British Travellers in Spain, 1766–1849, 2015. (Walpole Society vol. 77.)

  • Böckh, Franz Heinrich: Wiens lebende Schriftsteller, Künstler und Dilettanten im Kunstfache: dann Bücher-, Kunstund Naturschätze und anderer Sehenswürdigkeiten, Wien: B. Ph. Bauer, 1821.

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  • Buchanan, William: Memoirs of Painting with a Chronological History of the Exportation of Pictures by the Great Masters into England since the French Revolution, I–II. London: R. Ackerman, 1824.

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  • Camón Aznar, José: Dominico Greco, I–II. Madrid: Espasa-Calpe, 1950. davies 2003 – davies, David: El Greco, exh. cat., London: National Gallery, 2003.

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  • Didot, Firmin and Dr. Hoefer: Nouvelle Biographie Générale depuis les temps les plus reculés jusqu’à nos jours. Paris: Firmin Didot Frères, 1855.

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  • Engelstoft, Povl and Dahl, Svend (eds.): Dansk Biografik Leksikon, 2nd ed., I–III. Copenhagen, 1934.

  • Ferino-Pagden, Sylvia: El Greco and his Contemporaries (15411614), exh. cat. Wien: Kunsthistorsisches Museum, 2001.

  • Garas, Klára: „von der Kunstkammer zum Kunstmuseum. Die Gemaldegalerie Esterházy und das Museum der Bildenden Künste Budapest”, in: Von Rafael bis Tiepolo. Italienische Kunst aus der Sammlung des Fürstenhauses Esterházy, exh. cat. ed. by Barkóczi, István, Frankfurt am Main, 1999, 8290.

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  • Garas, Klára: „Die Geschichte der Gemaldegalerie Esterházy”, in: Mraz, GerdaGalavics, Géza (eds.): Von Bildern und anderen Schatzen. Die Sammlungen der Fürsten Esterházy, Wien: Böhlau, 1999. (Esterházy-Studien, 2.), 101–174.

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  • García Felguera, María De Los Santos: Viajeros, eruditos y artistas: los europeos ante la pintura española del siglo de oro, Madrid: Alianza, 1991.

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  • Glendinning, Nigel and Macarteney, Hillary (eds.): Spanish Art in Britain and Ireland 1750–1920. Studies in reception, London: Tame-sis, 2010.

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  • Gudiol, José: Doménikos Theotokópoulos El Greco (1541–1614), Barcelona: Ediciones Poligrafa S. A., 1971.

  • Haraszti Takács, Marianne: „His-tory of the Spanish Collection in the Budapest Museum of Fine Arts”, The New Hungarian Quarterly vol. X. no. 35. 1969, 180187.

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  • Kagane, Ludmilla: Bartolomé Esteban Murillo, Bournemouth: Parkstone Press, 1995.

  • Kagane, Ludmilla: Spanish Paintings: Fifteenth to Nineteenth Centuries, Florence: Giunti, 1997. (The Hermitage Catalogue of Western European Paintings Iv.)

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  • Körner, Stefan: Nikolaus II Esterházy (17651833) und die Kunst. Biografie eines manischen Sammlers, Wien: Böhlau, 2013.

  • López- Rey, José: Velázquez Catalogue Raisonné, Köln: Taschen, 1996.

  • Meller, Simon: Az Esterházy Képtár története, Budapest: Hornyánszky, 1915.

  • Michaud: Biographie Universelle (Michaud) Ancienne et Moderne. Paris: Michaud, 1843.

  • Nyerges, Éva: „La colección española en el Museo de Bellas Artes de Budapest. Historia de las pintuas españolas en Hungría”, in: Obras maestras del arte español. Museo de Bellas Artes de Budapest, exh. cat. Madrid and Bilbao: Banco Bilbao vizcaya, 1996–1997. 2141.

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  • Pérez Sánchez, Alfonso Emilio: El Greco conocido y redescubierto, exh. cat. Sevilla–Madrid–oviedo. oviedo: Museo de Bellas Artes de Asturias, 1998.

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  • Pérez Sánchez, Alfonso Emilio and Navarrete Prieto, Benito: El Greco. Apostolados, exh. cat. A Coruña: Fundación Pedro Barrié de la Maza, 2002.

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  • Pigler, Andor: Katalog der Galerie alter Meister I–II. Museum des Bildenden Künste, Budapest: Akadémiai Kiadó, 1967.

  • Ponz, Antonio: Viaje de España, I. Madrid: M. Aguilar, 1947.

  • Sachs, HanneloreBadstübner, ErnstNeumann, Helga: Christliche Ikonographie in Stichworten, Leipzig: Koehler & Ame-lang, 1973.

  • Spinosa, Nicola: Grazia e tenerezza ’in posa’. Bernardo Cavallino e il suo tempo, 1616–1656. Roma: ugo Bozzi Editore, 2013.

  • Museum of Fine Arts Budapest. Old Masters’ Gallery. Vol. I.: A Summary Catalogue of Italian, French, Spanish and Greek Paintings, ed. by Tátrai, Vilmos, London: visual arts Publishing, 1991.

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  • Teter, Patricia A.: „English gold, Corsican brass, and French iron” : opportunities for Collecting Art in Spain during the Napoléonic Wars, in: La circulation des oeuvres d’art. The Circulation of Works of Art in the Revolutionary Era 1789–1848, Actes du colloque international „Redistribution : Révolution, politique, guerre et déplacement de l’art / Revolution, Politics, War, and the Movement of Art 1789–1848”, Paris: Institut national de l’histoire de l’art, 9–11. décembre 2004, sous la dir. panzanelli, Roberta – preti-hamard, Monica, Paris: Institut national de l’histoire de l’art, 2004.

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  • Thieme, UlrichBecker, Felix: Allemeines Lexikon der bildenden Künstler von der Antiken is zur Gegenwart, XXXv, Leipzig: W. Engelmann, 1924.

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  • Turner, Jane S.: The Dictionary of Arts, v., New york: Grove Dictionaries, 1996.

  • Van Vliet, P.: „Spaanse schilderijen in het Rijksmuseum afkomstig van schenkingen van Koning Willem I.”, Bulletin van het Rijksmuseum 14. no. 4. 1996, 131149.

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  • Viardot, Louis: Les Musées d’Allemagne et de Russie, guide et mémento de l’artiste et du voyageur…, Paris: Paulin, 1844.

  • Walker, John: The National Gallery of Art, Washington. New york: Harry N. Abrams Inc., 1975.

  • Wethey, Harold Edwin: El Greco and His School, I–II. Princeton: Princeton university Press, 1962.

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REVIEW

HELMUT PHILIPP RIEDL: ANTIVEDUTO DELLA GRAMMATICA (1570/71–1626). LEBEN UND WERK München–Berlin: Deutscher Kunstverlag, 1998, 241 S., 8 Farbtafeln, 135 Schwarz-weiß Abbildungen

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