Author:
Author:
Per F. Broman
Per F. Broman
College of Musical Arts, Bowling Green State University, Bowling Green, OH, 43403-0290, USA, pbroman@bgsu.edu
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Abstract
Recent studies of formal structure in themes in the Classical repertoire (William Caplin) as well as the music of Wagner (Matthew BaileyShea) point towards the enormous importance and potential of the Sentence phrase structure with its hybrid forms for analyzing tonal music. Initially described by Schoenberg, a Sentence is phrase consisting two main events of equal length, a presentation phrase (consisting of one repeated basic idea) and a continuation phrase. In this paper I will demonstrate Bartók's dependence upon Classical and Romantic phrase structures, including the Sentence, and also the Classical Period (consisting of an antecedent and consequent phrase). In both his small-and large-scale works, Bartók's sentences display a Classical coherence, despite the lack of a functional harmonic framework, due to their clear formal articulation and clearly defined modal pitch centers. Bartók also utilized chains of Sentences, Satzketten, in several works including Concerto for Orchestra. I will describe the different paradigmatic types utilized by Bartók in works such as Divertimento, the String Quartets, along with the Violin and Piano Concertos. Particularly significant is how Bartók alters the repeated basic idea and elaborates the continuation phrase and the creation of compound forms.
STUDIA MUSICOLOGICA
Address: H–1250 Budapest, PO Box 9, Hungary
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Indexing and Abstracting Services:
- Arts & Humanities Citation Index
- International Bibliographies IBZ and IBR
- JSTOR
- Music Indev
- RILM
- SCOPUS
| 2022 | |
|---|---|
| Web of Science | |
| Total Cites WoS |
56 |
| Journal Impact Factor | 0.1 |
| Rank by Impact Factor |
n/a |
| Impact Factor without Journal Self Cites |
0.1 |
| 5 Year Impact Factor |
0.1 |
| Journal Citation Indicator | 0.08 |
| Rank by Journal Citation Indicator |
Music (Q4) |
| Scimago | |
| Scimago H-index |
5 |
| Scimago Journal Rank |
0.1 |
| Scimago Quartile Score |
Music (Q4) |
| Scopus | |
| Scopus Cite Score |
0.1 |
| Scopus CIte Score Rank |
Music 154/167 (8th PCTL) |
| Scopus SNIP |
0.240 |
| 2021 | |
|---|---|
| Web of Science | |
| Total Cites WoS |
67 |
| Journal Impact Factor | not applicable |
| Rank by Impact Factor | not applicable |
| Impact Factor without Journal Self Cites |
not applicable |
| 5 Year Impact Factor |
not applicable |
| Journal Citation Indicator | 0,04 |
| Rank by Journal Citation Indicator | Music 100/112 |
| Scimago | |
| Scimago H-index |
5 |
| Scimago Journal Rank |
0,101 |
| Scimago Quartile Score | Music (Q4) |
| Scopus | |
| Scopus Cite Score |
0,1 |
| Scopus CIte Score Rank |
Music 130/153 (Q4) |
| Scopus SNIP |
0,000 |
| 2020 | |
|---|---|
| Scimago H-index |
3 |
| Scimago Journal Rank |
0,100 |
| Scimago Quartile Score |
Music Q4 |
| Scopus Cite Score |
5/56=0,1 |
| Scopus Cite Score Rank |
Music 118/147 (Q4) |
| Scopus SNIP |
0 |
| Scopus Cites |
11 |
| Scopus Documents |
0 |
| Days from submission to acceptance | 112 |
| Days from acceptance to publication | 413 |
| 2019 | |
|---|---|
| Scimago H-index |
3 |
| Scimago Journal Rank |
0,100 |
| Scimago Quartile Score |
Music Q4 |
| Scopus Cite Score |
1/66=0 |
| Scopus Cite Score Rank |
Music 122/142 (Q4) |
| Scopus SNIP |
0,000 |
| Scopus Cites |
4 |
| Scopus Documents |
0 |
| Studia Musicologica | |
|---|---|
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| Studia Musicologica | |
|---|---|
| Language | English French German |
| Size | B5 |
| Year of Foundation |
2007 (1961) |
| Volumes per Year |
1 |
| Issues per Year |
4 |
| Founder | Magyar Tudományos Akadémia |
| Founder's Address |
H-1051 Budapest, Hungary, Széchenyi István tér 9. |
| Publisher | Akadémiai Kiadó |
| Publisher's Address |
H-1117 Budapest, Hungary 1516 Budapest, PO Box 245. |
| Responsible Publisher |
Chief Executive Officer, Akadémiai Kiadó |
| ISSN | 1788-6244 (Print) |
| ISSN | 1789-2422 (Online) |
Monthly Content Usage
| Abstract Views | Full Text Views | PDF Downloads | |
|---|---|---|---|
| Apr 2023 | 14 | 1 | 2 |
| May 2023 | 1 | 1 | 2 |
| Jun 2023 | 4 | 0 | 0 |
| Jul 2023 | 1 | 0 | 0 |
| Aug 2023 | 12 | 0 | 0 |
| Sep 2023 | 1 | 0 | 0 |
| Oct 2023 | 0 | 0 | 0 |
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