Author:
Gabriella Gilányi Institute for Musicology of the Hungarian Academy of Sciences Táncsics M. u. 7 H-1014 Budapest Hungary

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As local traditions of the Catholic Church were suppressed in the 17th century, so Esztergom, the ecclesiastical centre of Hungary was deprived of its medieval rite and associated style of Gregorian chant. The place and function of the earlier repertory were assumed by a quite new type of chant, created from earlier curial melodies according to the humanist aesthetics of a new era. This revised repertory was transmitted by post-Tridentine printed chant books emanating from Italian, French and Dutch printers, which became prevalent all over Europe, including Hungary. The editions of the new cantus romanus that have emerged from various Hungarian libraries constitute material hitherto unknown to musical reception research. This study marks an initial attempt to summarize the early findings of a new examination of the sources and answer several questions: Which editions were ordered by which ecclesiastical institutions? How and in what quantities were the editions available? What types of liturgical chant books have survived in Hungarian collections? How can the editions be grouped chronologically? What do the possessor’s notes reveal? How do musical variants in the editions relate to each other?

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Senior editors

Editor(s)-in-Chief: Péter BOZÓ (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

Review Editor: Lynn HOOKER (Purdue University, West Lafayette, USA)

Assistant Editor(s):
Patrick DEVINE (Maynooth University, Maynooth, IRL)
Anna LASKAI (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

Editorial Board

  • Anja BUNZEL (Institute of Art History, Czech Academy of Sciences, CZ)
  • William A. EVERETT (Conservatory University of Missouri-Kansas City, USA)
  • Márta GRABÓCZ (University of Strasbourg, Strasbourg, F)
  • Denis HERLIN (Centre National de la Recherche Scientifique, Paris, F)
  • Vjera KATALINIĆ (HR)
  • Katalin KOMLÓS (professor emerita, Liszt Academy of Music, Budapest, H)
  • Valeria LUCENTINI (University of Bern, CH)
  • Tatjana MARKOVIĆ (Österreichische Akademie der Wissenschaften, Wien, A)
  • Pál RICHTER (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
  • László SOMFAI (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
  • László VIKÁRIUS (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

 

Editorial Secretary

  • István Csaba NÉMETH (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

STUDIA MUSICOLOGICA
Address: H–1250 Budapest, PO Box 9, Hungary
Fax: +36 1 375 9282
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Indexing and Abstracting Services:

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  • SCOPUS

 

2023  
Web of Science  
Journal Impact Factor 0.1
Rank by Impact Factor Q3 (Music)
Journal Citation Indicator 0.17
Scopus  
CiteScore 0.1
CiteScore rank Q4 (Music)
SNIP 0.626
Scimago  
SJR index 0.114
SJR Q rank Q3

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Studia Musicologica
Language English
French
German
Size B5
Year of
Foundation
2007 (1961)
Volumes
per Year
1
Issues
per Year
4
Founder Magyar Tudományos Akadémia
Founder's
Address
H-1051 Budapest, Hungary, Széchenyi István tér 9.
Publisher Akadémiai Kiadó
Publisher's
Address
H-1117 Budapest, Hungary 1516 Budapest, PO Box 245.
Responsible
Publisher
Chief Executive Officer, Akadémiai Kiadó
ISSN 1788-6244 (Print)
ISSN 1789-2422 (Online)