Author:
Andreas Friesenhagen Joseph Haydn-Institut Blumenthalstraße 23 D-50670 Köln Deutschland

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To this day, Joseph Haydn’s symphonies are often performed and recorded in a way that does not meet the composer’s intentions. This concerns certain variants of instrumentation, e.g. the rendering of violoncello obbligato with a single instrument, the use of trumpets and timpani or of horns in high C, respectively. Using the violoncello part of the slow movement of symphony Hob. I:102 as example, it is argued that Haydn in spite of the “solo” mark at the beginning of the movement did not intend the part to be played by one instrument alone. The same applies to most of the passages for violoncello “solo” in his late symphonies. Additionally, it can be established from the sources that before 1768 Haydn did not write for horns in high C and that the parts for trumpets and timpani in some of the early symphonies do not originate with the composer. That these alternatives of instrumentation, though not authentic, have found widespread acceptance in today’s performances is demonstrated by selected recordings from the 1950s to date. A short survey of the history of Haydn’s symphonies on record serves as an introduction to this essay.

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Senior editors

Editor(s)-in-Chief: Péter BOZÓ (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

Review Editor: Lynn HOOKER (Purdue University, West Lafayette, USA)

Assistant Editor(s):
Patrick DEVINE (Maynooth University, Maynooth, IRL)
Anna LASKAI (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

Editorial Board

  • Anja BUNZEL (Institute of Art History, Czech Academy of Sciences, CZ)
  • William A. EVERETT (Conservatory University of Missouri-Kansas City, USA)
  • Márta GRABÓCZ (University of Strasbourg, Strasbourg, F)
  • Denis HERLIN (Centre National de la Recherche Scientifique, Paris, F)
  • Vjera KATALINIĆ (HR)
  • Katalin KOMLÓS (professor emerita, Liszt Academy of Music, Budapest, H)
  • Valeria LUCENTINI (University of Bern, CH)
  • Tatjana MARKOVIĆ (Österreichische Akademie der Wissenschaften, Wien, A)
  • Pál RICHTER (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
  • László SOMFAI (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
  • László VIKÁRIUS (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

 

Editorial Secretary

  • István Csaba NÉMETH (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

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2023  
Web of Science  
Journal Impact Factor 0.1
Rank by Impact Factor Q3 (Music)
Journal Citation Indicator 0.17
Scopus  
CiteScore 0.1
CiteScore rank Q4 (Music)
SNIP 0.626
Scimago  
SJR index 0.114
SJR Q rank Q3

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Studia Musicologica
Language English
French
German
Size B5
Year of
Foundation
2007 (1961)
Volumes
per Year
1
Issues
per Year
4
Founder Magyar Tudományos Akadémia
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Address
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Chief Executive Officer, Akadémiai Kiadó
ISSN 1788-6244 (Print)
ISSN 1789-2422 (Online)