Author:
James Webster Cornell University 104 Lincoln Hall Ithaca NY 14853-4101 USA

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Recent interpretations of both Haydn’s personality (as a man) and his musical style (or ‘persona’) have focused on the two opposed categories earnestness and wit . The present essay adds a third category on both sides of the equation: sensibility (German Empfindsamkeit ), and argues that it is equally important. The various meanings of sensibility are laid out and their applicability to Haydn discussed, including his rich and varied relationships with lovers and intimate friends. The problematics of the possible correlations between an artist’s personality and his style are discussed; it is argued that, contrary to recent theories of their separation into different domains, these are in fact closely related. Sensibility was a central aspect of mid- and late 18th-century aesthetics, both in ideas about ideal human behavior, and in prose fiction, opera and drama, etc. — as well as instrumental music (Carl Philipp Emanuel Bach). In Haydn’s case, not surprisingly, it has so far been located in genres destined primarily for private use: keyboard music and lieder; this is illustrated by an analysis and interpretation of “Das Leben ist ein Traum” (Hob. XXVIa:21; published 1784). In such works we may imagine Haydn as ‘speaking to’ the dedicatee of the work, as well as the sympathetic listener. However, sensibility is also an important aspect of style in the string quartet and symphony, where it has almost never been considered relevant. Examples are discussed in the slow movements from the quartet op. 76 no. 5 and the symphonies nos. 75, 88, 92, 98, 99, and 102. It is argued that the old notion of ‘Classical style’ (fortunately now on the decline), with its rigid demarcation of ‘high’ instrumental genres from both vocal music (Haydn’s operas) and earlier instrumental Empfindsamkeit (Emanuel Bach), was the primary reason that scholars and listeners have until now remained unmoved by Haydn’s sensibility.

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Senior editors

Editor(s)-in-Chief: Péter BOZÓ (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

Review Editor: Lynn HOOKER (Purdue University, West Lafayette, USA)

Assistant Editor(s):
Patrick DEVINE (Maynooth University, Maynooth, IRL)
Anna LASKAI (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

Editorial Board

  • Anja BUNZEL (Institute of Art History, Czech Academy of Sciences, CZ)
  • William A. EVERETT (Conservatory University of Missouri-Kansas City, USA)
  • Márta GRABÓCZ (University of Strasbourg, Strasbourg, F)
  • Denis HERLIN (Centre National de la Recherche Scientifique, Paris, F)
  • Vjera KATALINIĆ (HR)
  • Katalin KOMLÓS (professor emerita, Liszt Academy of Music, Budapest, H)
  • Valeria LUCENTINI (University of Bern, CH)
  • Tatjana MARKOVIĆ (Österreichische Akademie der Wissenschaften, Wien, A)
  • Pál RICHTER (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
  • László SOMFAI (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
  • László VIKÁRIUS (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

 

Editorial Secretary

  • István Csaba NÉMETH (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

STUDIA MUSICOLOGICA
Address: H–1250 Budapest, PO Box 9, Hungary
Fax: +36 1 375 9282
E-mail: studia@btk.mta.hu

Indexing and Abstracting Services:

  • Arts & Humanities Citation Index
  • International Bibliographies IBZ and IBR
  • JSTOR
  • Music Indev
  • RILM
  • SCOPUS

 

2022  
Web of Science  
Total Cites
WoS
56
Journal Impact Factor 0.1
Rank by Impact Factor

n/a

Impact Factor
without
Journal Self Cites
0.1
5 Year
Impact Factor
0.1
Journal Citation Indicator 0.08
Rank by Journal Citation Indicator

Music (Q4)

Scimago  
Scimago
H-index
5
Scimago
Journal Rank
0.1
Scimago Quartile Score

Music (Q4)

Scopus  
Scopus
Cite Score
0.1
Scopus
CIte Score Rank
Music 154/167 (8th PCTL)
Scopus
SNIP
0.240

2021  
Web of Science  
Total Cites
WoS
67
Journal Impact Factor not applicable
Rank by Impact Factor not applicable
Impact Factor
without
Journal Self Cites
not applicable
5 Year
Impact Factor
not applicable
Journal Citation Indicator 0,04
Rank by Journal Citation Indicator Music 100/112
Scimago  
Scimago
H-index
5
Scimago
Journal Rank
0,101
Scimago Quartile Score Music (Q4)
Scopus  
Scopus
Cite Score
0,1
Scopus
CIte Score Rank
Music 130/153 (Q4)
Scopus
SNIP
0,000

2020  
Scimago
H-index
3
Scimago
Journal Rank
0,100
Scimago
Quartile Score
Music Q4
Scopus
Cite Score
5/56=0,1
Scopus
Cite Score Rank
Music 118/147 (Q4)
Scopus
SNIP
0
Scopus
Cites
11
Scopus
Documents
0
Days from submission to acceptance 112
Days from acceptance to publication 413

 

2019  
Scimago
H-index
3
Scimago
Journal Rank
0,100
Scimago
Quartile Score
Music Q4
Scopus
Cite Score
1/66=0
Scopus
Cite Score Rank
Music 122/142 (Q4)
Scopus
SNIP
0,000
Scopus
Cites
4
Scopus
Documents
0

 

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Studia Musicologica
Language English
French
German
Size B5
Year of
Foundation
2007 (1961)
Volumes
per Year
1
Issues
per Year
4
Founder Magyar Tudományos Akadémia
Founder's
Address
H-1051 Budapest, Hungary, Széchenyi István tér 9.
Publisher Akadémiai Kiadó
Publisher's
Address
H-1117 Budapest, Hungary 1516 Budapest, PO Box 245.
Responsible
Publisher
Chief Executive Officer, Akadémiai Kiadó
ISSN 1788-6244 (Print)
ISSN 1789-2422 (Online)