Studia Musicologica
Volume/Issue:
Volume 51: Issue 3-4
Die deutschsprachigen Fassungen von Haydns Stabat mater
Author:
Clemens Harasim Joseph Haydn-Institut Blumenthalstraße 23 D-50670 Köln Deutschland

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Pages:
259–275
Online Publication Date:
27 Sep 2010
Publication Date:
01 Sep 2010
Article Category:
Research Article
DOI:
https://doi.org/10.1556/smus.51.2010.3-4.3
Keywords:
Haydn; Stabat mater; adaptations; cantata; passion-music
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The first print of Joseph Haydn’s Stabat mater was the Schwickert piano-reduction from 1781. It includes only the German text by Johann Adam Hiller. Two years earlier Hiller brought his German version to its first performance at the university-church in Leipzig. He wanted to make this work known in Protestant churches of Germany, where Latin was “not appropriate”. The German text minimizes the reference to Mary and accentuates the Protestant-typical Christo-centrism. 1803 Breitkopf sets in the first print of the score both the Latin and the German text. Some different versions (for instance by Findeisen and Christmann) were also successful efforts adapting the work into the Protestant liturgy, like J. S. Bach did with Pergolesi’s Stabat mater . Indeed, some sources include choral settings between the original numbers, resembling the form of a typical Protestant church-cantata. Translations and adaptations were prerequisites of wide reception in Protestant parts of Middle and Northern Germany, where the requirement of sophisticated passion-music in form of cantatas was considerably, also after 1800.

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Cover Studia Musicologica
Studia Musicologica
Print ISSN:
1788-6244
Online ISSN:
1789-2422

Senior editors

Editor(s)-in-Chief: Péter BOZÓ (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

Review Editor: Lynn HOOKER (Purdue University, West Lafayette, USA)

Assistant Editor(s):
Patrick DEVINE (Maynooth University, Maynooth, IRL)
Anna LASKAI (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

Editorial Board

  • Anja BUNZEL (Institute of Art History, Czech Academy of Sciences, CZ)
  • William A. EVERETT (Conservatory University of Missouri-Kansas City, USA)
  • Márta GRABÓCZ (University of Strasbourg, Strasbourg, F)
  • Denis HERLIN (Centre National de la Recherche Scientifique, Paris, F)
  • Vjera KATALINIĆ (HR)
  • Katalin KOMLÓS (professor emerita, Liszt Academy of Music, Budapest, H)
  • Valeria LUCENTINI (University of Bern, CH)
  • Tatjana MARKOVIĆ (Österreichische Akademie der Wissenschaften, Wien, A)
  • Pál RICHTER (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
  • László SOMFAI (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
  • László VIKÁRIUS (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

 

Editorial Secretary

  • István Csaba NÉMETH (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

STUDIA MUSICOLOGICA
Address: H–1250 Budapest, PO Box 9, Hungary
Fax: +36 1 375 9282
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2023  
Web of Science  
Journal Impact Factor 0.1
Rank by Impact Factor Q3 (Music)
Journal Citation Indicator 0.17
Scopus  
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CiteScore rank Q4 (Music)
SNIP 0.626
Scimago  
SJR index 0.114
SJR Q rank Q3

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Studia Musicologica
Language English
French
German
Size B5
Year of
Foundation		 2007 (1961)
Volumes
per Year		 1
Issues
per Year		 4
Founder Magyar Tudományos Akadémia
Founder's
Address		 H-1051 Budapest, Hungary, Széchenyi István tér 9.
Publisher Akadémiai Kiadó
Publisher's
Address		 H-1117 Budapest, Hungary 1516 Budapest, PO Box 245.
Responsible
Publisher		 Chief Executive Officer, Akadémiai Kiadó
ISSN 1788-6244 (Print)
ISSN 1789-2422 (Online)

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