Studia Musicologica
Volume/Issue:
Volume 52: Issue 1-4
Die erste Rezeption russischer Opern in Italien: Ein Leben für den Zaren in Mailand
Author:
Vincenzina Ottomano Universität Bern Institut für Musikwissenschaft Hallerstraße 5 CH-3012 Bern Schweiz

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Pages:
143–156
Online Publication Date:
20 Sep 2012
Publication Date:
01 Mar 2011
Article Category:
Research Article
DOI:
https://doi.org/10.1556/smus.52.2011.1-4.10
Keywords:
Glinka; A Life for the Tsar ; crisis of Italian opera; Slavic repertoire
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A Life for the Tsar by Michail Glinka was staged on 20 May 1874 at the Teatro dal Verme in Milan. The paper discusses the impact this opera had on the Italian public, including some of the echoes in the foreign press. The style and dramaturgical content of Glinka’s masterpiece sparked off an authentic querelle which was similar to — indeed perhaps even more violent than — the one caused by Wagner’s operas, which were also receiving their first hearings in Italy. The increasingly frequent staging of operas from the Slavic repertoire brought to the fore a fundamental problem in this transition period. The insinuation of an extraneous element — which in the case of Italy immediately found a casus belli in Glinka’s A Life for the Tsar — necessarily meant acknowledging the inescapable crisis of everything which had heretofore been confined within national borders or had relied on a substantially Euro-centric viewpoint.

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Cover Studia Musicologica
Studia Musicologica
Print ISSN:
1788-6244
Online ISSN:
1789-2422

Senior editors

Editor(s)-in-Chief: Péter BOZÓ (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

Review Editor: Lynn HOOKER (Purdue University, West Lafayette, USA)

Assistant Editor(s):
Patrick DEVINE (Maynooth University, Maynooth, IRL)
Anna LASKAI (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

Editorial Board

  • Anja BUNZEL (Institute of Art History, Czech Academy of Sciences, CZ)
  • William A. EVERETT (Conservatory University of Missouri-Kansas City, USA)
  • Márta GRABÓCZ (University of Strasbourg, Strasbourg, F)
  • Denis HERLIN (Centre National de la Recherche Scientifique, Paris, F)
  • Vjera KATALINIĆ (HR)
  • Katalin KOMLÓS (professor emerita, Liszt Academy of Music, Budapest, H)
  • Valeria LUCENTINI (University of Bern, CH)
  • Tatjana MARKOVIĆ (Österreichische Akademie der Wissenschaften, Wien, A)
  • Pál RICHTER (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
  • László SOMFAI (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
  • László VIKÁRIUS (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

 

Editorial Secretary

  • István Csaba NÉMETH (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

STUDIA MUSICOLOGICA
Address: H–1250 Budapest, PO Box 9, Hungary
Fax: +36 1 375 9282
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2023  
Web of Science  
Journal Impact Factor 0.1
Rank by Impact Factor Q3 (Music)
Journal Citation Indicator 0.17
Scopus  
CiteScore 0.1
CiteScore rank Q4 (Music)
SNIP 0.626
Scimago  
SJR index 0.114
SJR Q rank Q3

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Studia Musicologica
Language English
French
German
Size B5
Year of
Foundation		 2007 (1961)
Volumes
per Year		 1
Issues
per Year		 4
Founder Magyar Tudományos Akadémia
Founder's
Address		 H-1051 Budapest, Hungary, Széchenyi István tér 9.
Publisher Akadémiai Kiadó
Publisher's
Address		 H-1117 Budapest, Hungary 1516 Budapest, PO Box 245.
Responsible
Publisher		 Chief Executive Officer, Akadémiai Kiadó
ISSN 1788-6244 (Print)
ISSN 1789-2422 (Online)

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