The question how visual art absorbs music has been the subject of much investigation. The reverse question, namely how music absorbs visual art, has until now received little attention. Franz Liszt was perhaps the first to be inspired by visual art in his compositions. The starting point was his encounter with the art of Italy (Sposalizio and Il penseroso in book II of Années de pèlerinage), later followed symphonic poems (Hunnenschlacht based on Kaulbach and Von der Wiege bis zum Grabe probably based on Zichy); his Totentanz for piano and orchestra was inspired by Orcagna and Holbein. In Liszt it is a matter of the poetic content of music and the unification of the arts, where in principle music can be connected not just to literature, but to all branches of the arts. Linked with literature, it reflects the forms and structures of literature. The question is, therefore, whether all this is valid for visual art as well. Does Liszt just compose a ”story,“ or does he also take over the structures of art? And what influence did these works have on later composers?
Editor(s)-in-Chief: Péter BOZÓ (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
Review Editor: Lynn HOOKER (Purdue University, West Lafayette, USA)
Martin ELEK (University of Oxford, Oxford, GB)
Belinda ROBINSON (University of Cambridge, GB)
Viktória OZSVÁRT (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
Patrick DEVINE (Maynooth University, Maynooth, IRL)
Anja BUNZEL (Institute of Art History, Czech Academy of Sciences, CZ)
William A. EVERETT (Conservatory University of Missouri-Kansas City, USA)
Márta GRABÓCZ (University of Strasbourg, Strasbourg, F)
Denis HERLIN (Centre National de la Recherche Scientifique, Paris, F)
János KÁRPÁTI (professor emeritus, Liszt Academy of Music, Budapest, H)
Katalin KOMLÓS (professor emerita, Liszt Academy of Music, Budapest, H)
Valeria LUCENTINI (University of Bern, CH)
Tatjana MARKOVIĆ (Österreichische Akademie der Wissenschaften, Wien, A)
Pál RICHTER (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
László SOMFAI (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
László VIKÁRIUS (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
István Csaba NÉMETH (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
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2020 Volume 61
Magyar Tudományos Akadémia
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