Studia Musicologica
Volume/Issue:
Volume 56: Issue 1
Musical Speech Analogy in Ernő Dohnányi’s Der Schleier der Pierrette
Author:
Daniel-Frédéric Lebon Edmund-Siemers-Allee 1, D-20146 Hamburg, Deutschland

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Pages:
71–90
Online Publication Date:
Mar 2015
Publication Date:
01 Mar 2015
Article Category:
Research Article
DOI:
https://doi.org/10.1556/6.2015.56.1.3
Keywords:
Ernő Dohnányi; Der Schleier der Pierrette ; ballet d’action ; musique parlante
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Following a brief survey into the history of the ballet d’action, the article examines the techniques of musique parlante Dohnányi used in his pantomime Der Schleier der Pierrette. The subcategories illustrated with music examples include the direct speech imitation (focusing on the syllabic and rhythmic structure of single words) and the musical analogy of the question-answer complex. The analytical overview is extended to further indirect categories such as the recitative-like structures (built up not merely on speech, but on an already emancipated equivalent, the instrumental recitative) and the leitmotif technique which – although being more distant from speech – can, in some cases, still be seen as part of musique parlante. In an attempt to describe the position of Der Schleier der Pierrette in ballet music history, the author addresses Béla Bartók’s reception of Dohnányi’s pantomime and distinguishes the tradition followed by Dohnányi from the denial of musique parlante characteristic of the works Igor Stravinsky composed for the Ballets Russes.

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Cover Studia Musicologica
Studia Musicologica
Print ISSN:
1788-6244
Online ISSN:
1789-2422

Senior editors

Editor(s)-in-Chief: Péter BOZÓ (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

Review Editor: Lynn HOOKER (Purdue University, West Lafayette, USA)

Assistant Editor(s):
Patrick DEVINE (Maynooth University, Maynooth, IRL)
Anna LASKAI (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

Editorial Board

  • Anja BUNZEL (Institute of Art History, Czech Academy of Sciences, CZ)
  • William A. EVERETT (Conservatory University of Missouri-Kansas City, USA)
  • Márta GRABÓCZ (University of Strasbourg, Strasbourg, F)
  • Denis HERLIN (Centre National de la Recherche Scientifique, Paris, F)
  • Vjera KATALINIĆ (HR)
  • Katalin KOMLÓS (professor emerita, Liszt Academy of Music, Budapest, H)
  • Valeria LUCENTINI (University of Bern, CH)
  • Tatjana MARKOVIĆ (Österreichische Akademie der Wissenschaften, Wien, A)
  • Pál RICHTER (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
  • László SOMFAI (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
  • László VIKÁRIUS (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

 

Editorial Secretary

  • István Csaba NÉMETH (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

STUDIA MUSICOLOGICA
Address: H–1250 Budapest, PO Box 9, Hungary
Fax: +36 1 375 9282
E-mail: studia@btk.mta.hu

Indexing and Abstracting Services:

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2023  
Web of Science  
Journal Impact Factor 0.1
Rank by Impact Factor Q3 (Music)
Journal Citation Indicator 0.17
Scopus  
CiteScore 0.1
CiteScore rank Q4 (Music)
SNIP 0.626
Scimago  
SJR index 0.114
SJR Q rank Q3

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Studia Musicologica
Language English
French
German
Size B5
Year of
Foundation		 2007 (1961)
Volumes
per Year		 1
Issues
per Year		 4
Founder Magyar Tudományos Akadémia
Founder's
Address		 H-1051 Budapest, Hungary, Széchenyi István tér 9.
Publisher Akadémiai Kiadó
Publisher's
Address		 H-1117 Budapest, Hungary 1516 Budapest, PO Box 245.
Responsible
Publisher		 Chief Executive Officer, Akadémiai Kiadó
ISSN 1788-6244 (Print)
ISSN 1789-2422 (Online)

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