Studia Musicologica
Volume/Issue:
Volume 58: Issue 1
Spuren organaler Mehrstimmigkeit in Ungarischen einstimmigen melodien. Erkenntnisse aus gesangbüchern des 16.−18. jahrhunderts
Author:
Ilona Ferenczi Ungarische Akademie der Wissenschaften, Táncsics Mihály u. 7, H-1014 Budapest, Ungarn

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Pages:
3–14
Online Publication Date:
Mar 2017
Publication Date:
01 Mar 2017
Article Category:
Research Article
DOI:
https://doi.org/10.1556/6.2017.58.1.1
Keywords:
Monophony; traces of polyphony; organum; Gál Huszár’s songbook (1574); Eperjes Gradual (1635); Cantus Catholici (1651, 1655); Tabulatura Vietoris (ca 1675); Kolozsvár hymnbook (1744)
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Among the European countries, Hungary had the richest corpus of plainchant in vernacular in the 17th century. The complete liturgy was put down with a musical notation for the first time in Gál Huszár’s songbook (1574). The Eperjes Gradual (1635) acquired a special position among the Protestant graduals in Hungarian by being the only Lutheran gradual and the only one containing polyphonic pieces. A comparison of the Magne Deus-melody in both sources concludes that the differences of the two monophonic melodies can be interpreted as reminiscences of an organum-like polyphonic practice. This hypothesis is sustained by a series of examples including not only melodies of Gregorian origin but also Hungarian-texted monophonic hymns from the 16th to the 18th centuries.

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Cover Studia Musicologica
Studia Musicologica
Print ISSN:
1788-6244
Online ISSN:
1789-2422

Senior editors

Editor(s)-in-Chief: Péter BOZÓ (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

Review Editor: Lynn HOOKER (Purdue University, West Lafayette, USA)

Assistant Editor(s):
Patrick DEVINE (Maynooth University, Maynooth, IRL)
Anna LASKAI (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

Editorial Board

  • Anja BUNZEL (Institute of Art History, Czech Academy of Sciences, CZ)
  • William A. EVERETT (Conservatory University of Missouri-Kansas City, USA)
  • Márta GRABÓCZ (University of Strasbourg, Strasbourg, F)
  • Denis HERLIN (Centre National de la Recherche Scientifique, Paris, F)
  • Vjera KATALINIĆ (HR)
  • Katalin KOMLÓS (professor emerita, Liszt Academy of Music, Budapest, H)
  • Valeria LUCENTINI (University of Bern, CH)
  • Tatjana MARKOVIĆ (Österreichische Akademie der Wissenschaften, Wien, A)
  • Pál RICHTER (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
  • László SOMFAI (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
  • László VIKÁRIUS (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

 

Editorial Secretary

  • István Csaba NÉMETH (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

STUDIA MUSICOLOGICA
Address: H–1250 Budapest, PO Box 9, Hungary
Fax: +36 1 375 9282
E-mail: studia@btk.mta.hu

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2023  
Web of Science  
Journal Impact Factor 0.1
Rank by Impact Factor Q3 (Music)
Journal Citation Indicator 0.17
Scopus  
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CiteScore rank Q4 (Music)
SNIP 0.626
Scimago  
SJR index 0.114
SJR Q rank Q3

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Studia Musicologica
Language English
French
German
Size B5
Year of
Foundation		 2007 (1961)
Volumes
per Year		 1
Issues
per Year		 4
Founder Magyar Tudományos Akadémia
Founder's
Address		 H-1051 Budapest, Hungary, Széchenyi István tér 9.
Publisher Akadémiai Kiadó
Publisher's
Address		 H-1117 Budapest, Hungary 1516 Budapest, PO Box 245.
Responsible
Publisher		 Chief Executive Officer, Akadémiai Kiadó
ISSN 1788-6244 (Print)
ISSN 1789-2422 (Online)

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