Cover Studia Musicologica
Studia Musicologica
An International Journal of Musicology of the Hungarian Academy of Sciences  
 

Previously published as Studia Musicologica Academiae Scientiarum Hungaricae from 2000 to 2007.

Studia Musicologica, the international journal of musicology of the Hungarian Academy of Sciences is dedicated to the study of musicology in the broadest sense. The journal publishes longer studies, short essays, editions of documents with commentary, and reviews in English and German with special respect to subjects connected with the history of Hungarian and Central European music as well as folk (traditional) music of the region. Studia Musicologica welcomes articles on these topics using historical, historiographical and analytical perspectives based on archival research, contemporary fieldwork, and digital resources. The journal also considers review essays on thematically related books, music editions, and/or digital resources. Digitized or scanned music examples and plates are a welcome addition, yet authors are responsible for obtaining permission to include copyrighted material in any type of text published in the journal. Peer-review process in Studia Musicologica is double-blind; all submissions are evaluated by two readers. Original articles that are not under review elsewhere should be anywhere between 4,000 to 12,000 words (footnotes and bibliography included). Citations should follow the Guidelines for Contributors of the journal, which is online available here

 

Impact and ranking (2023)

Impact factor 0.1 (Q3) Scopus CiteScore 0.1 (Q4) Scimago SJR 0.114 (Q3)
“An Era More than Bleak”
György Ligeti and Ferenc Farkas in the 1940s
DOI:
https://doi.org/10.1556/6.2023.00015
Pages:
149–168
Restricted access
Correlating Symbolisms of Womanhood and Marriage in the Libretti of Schoenberg's Von heute auf morgen and Berg's Lulu
DOI:
https://doi.org/10.1556/6.2023.00019
Pages:
169–206
Restricted access
Conductors of the Belgrade Philharmonic Orchestra: A Centenary Overview
DOI:
https://doi.org/10.1556/6.2023.00013
Pages:
207–216
Restricted access
Across the Borders of Music Eras and Forms
Ritornello and Concerto-Sonata Forms in C. P. E. Bach's Concertos
DOI:
https://doi.org/10.1556/6.2023.00018
Pages:
217–239
Restricted access
Back to the Wild Frontier(s): Osek, Waṅhal and the Nature of the 18th-Century Music Catalog
DOI:
https://doi.org/10.1556/6.2023.00014
Pages:
241–267
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“This Musical Peace is Worse than War:” Cultural History, Musical Banality and Political Context in the Ballet Excelsior
DOI:
https://doi.org/10.1556/6.2023.00017
Pages:
269–286
Open access
Instrumentale Melodieanfänge und ihr Verhältnis zur Form am Beispiel historischer und gegenwärtiger ungarischer Tanzmelodien
DOI:
https://doi.org/10.1556/6.2023.00016
Pages:
287–301
Open access
Foreword
DOI:
https://doi.org/10.1556/6.2023.00006
Pages:
1–2
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Ligeti's Autobiographies
DOI:
https://doi.org/10.1556/6.2023.00002
Pages:
3–11
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Reports and Conjectures on Kylwiria
DOI:
https://doi.org/10.1556/6.2023.00007
Pages:
13–31
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“Breughelland”: Subverting the Antinomy of Utopia and Dystopia
DOI:
https://doi.org/10.1556/6.2023.00001
Pages:
33–41
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The Widow in the Old House or The Elevator is Out of Order
DOI:
https://doi.org/10.1556/6.2023.00011
Pages:
43–50
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Sándor Weöres's Poetry as a Catalyst for György Ligeti's Early Development
DOI:
https://doi.org/10.1556/6.2023.00012
Pages:
51–73
Open access
“Some Sort of Machine without a Body”
György Ligeti and Antoinette Vischer Explore the Modern Harpsichord
DOI:
https://doi.org/10.1556/6.2023.00005
Pages:
75–91
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The Hybrid Musical Landscape of Ligeti's Late Concertos
DOI:
https://doi.org/10.1556/6.2023.00009
Pages:
93–107
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Bartók and Scarlatti: A study of motives and influence
DOI:
https://doi.org/10.1556/smus.50.2009.1-2.1
Pages:
3–27
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Bartók’s wrists and 19th-century performance practice: An essay on the historicity of piano technique
DOI:
https://doi.org/10.1556/smus.53.2012.1-3.12
Pages:
161–170
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Liszt’s problems, Bartók’s problems, my problems
DOI:
https://doi.org/10.1556/6.2017.58.3-4.1
Pages:
301–319
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Haydn, Hoffmann, and the opera of instruments
DOI:
https://doi.org/10.1556/smus.51.2010.3-4.7
Pages:
325–346
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Imre Waldbauer, an Important but Little-Known Violinist Partner of Béla Bartók
DOI:
https://doi.org/10.1556/6.2021.00010
Pages:
149–173
Open access
A Triumph of Musical Order? Multiple Sources of Inspiration in “Prelude and Canon,” Forty-Four Duos no. 37
DOI:
https://doi.org/10.1556/6.2021.00008
Pages:
117–138
Open access
Transfigurations of The Miraculous Mandarin: The Significance of Genre in the Genesis of Bartók’s Pantomime
DOI:
https://doi.org/10.1556/6.2019.00003
Pages:
23–68
Open access
Bartók’s Sonatas for Violin and Piano nos. 1–2: The Compositional Process
DOI:
https://doi.org/10.1556/6.2021.00003
Pages:
25–54
Open access
Dorottya Fabian, A musicology of performance: Theory and method based on Bach’s Solos for violin
DOI:
https://doi.org/10.1556/6.2016.57.3-4.13
Pages:
485–490
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Dramaturgical, Theoretical, and Musical Associations between Max Brand’s Maschinist Hopkins and Alban Berg’s Operas
DOI:
https://doi.org/10.1556/6.2020.00015
Pages:
175–226
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Mid-section cadences in Haydn’s sonata-form movements
DOI:
https://doi.org/10.1556/smus.51.2010.1-2.7
Pages:
91–107
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In Beethoven's and Wagner's footsteps: Phrase structures and Satzketten in the instrumental music of Béla Bartók
DOI:
https://doi.org/10.1556/smus.48.2007.1-2.7
Pages:
113–131
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Central European Connections of Six Manuscript Organ Tablature Books of the Reformation Era from the Region of Zips (Szepes, Spiš)
DOI:
https://doi.org/10.1556/6.2015.56.1.1
Pages:
3–37
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The evolution of the idea of ‘National’ as a multi-level construct within 19th-century Croatian musical culture
DOI:
https://doi.org/10.1556/smus.52.2011.1-4.13
Pages:
179–188
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“Our song!” Nationalism in folk music research and revival in socialist Czechoslovakia
DOI:
https://doi.org/10.1556/6.2015.56.4.7
Pages:
397–405
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Music and Italian National Identity: Mme de Staël’s Corinne ou l’Italie
DOI:
https://doi.org/10.1556/smus.52.2011.1-4.18
Pages:
231–240
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Haydn’s sensibility
DOI:
https://doi.org/10.1556/smus.51.2010.1-2.2
Pages:
13–27
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Structural communication and predictability in the performance style of Bartók and Dohnányi
DOI:
https://doi.org/10.1556/smus.53.2012.1-3.13
Pages:
171–186
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Formenlehre goes to the opera: Examples from Armida and elsewhere
DOI:
https://doi.org/10.1556/smus.51.2010.3-4.10
Pages:
387–404
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Ancient song re-employed: The use of Regilaul in the music of Veljo Tormis
DOI:
https://doi.org/10.1556/6.2015.56.4.4
Pages:
343–353
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Senior editors

Editor(s)-in-Chief: Péter BOZÓ (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

Review Editor: Lynn HOOKER (Purdue University, West Lafayette, USA)

Assistant Editor(s):
Patrick DEVINE (Maynooth University, Maynooth, IRL)
Anna LASKAI (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

Editorial Board

  • Anja BUNZEL (Institute of Art History, Czech Academy of Sciences, CZ)
  • William A. EVERETT (Conservatory University of Missouri-Kansas City, USA)
  • Márta GRABÓCZ (University of Strasbourg, Strasbourg, F)
  • Denis HERLIN (Centre National de la Recherche Scientifique, Paris, F)
  • Vjera KATALINIĆ (HR)
  • Katalin KOMLÓS (professor emerita, Liszt Academy of Music, Budapest, H)
  • Valeria LUCENTINI (University of Bern, CH)
  • Tatjana MARKOVIĆ (Österreichische Akademie der Wissenschaften, Wien, A)
  • Pál RICHTER (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
  • László SOMFAI (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
  • László VIKÁRIUS (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

 

Editorial Secretary

  • István Csaba NÉMETH (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

STUDIA MUSICOLOGICA
Address: H–1250 Budapest, PO Box 9, Hungary
Fax: +36 1 375 9282
E-mail: studia@btk.mta.hu

Indexing and Abstracting Services:

  • Arts & Humanities Citation Index
  • International Bibliographies IBZ and IBR
  • JSTOR
  • Music Indev
  • RILM
  • SCOPUS

 

2023  
Web of Science  
Journal Impact Factor 0.1
Rank by Impact Factor Q3 (Music)
Journal Citation Indicator 0.17
Scopus  
CiteScore 0.1
CiteScore rank Q4 (Music)
SNIP 0.626
Scimago  
SJR index 0.114
SJR Q rank Q3

Studia Musicologica
Publication Model Hybrid
Submission Fee none
Article Processing Charge 900 EUR/article
Printed Color Illustrations 40 EUR (or 10 000 HUF) + VAT / piece
Regional discounts on country of the funding agency World Bank Lower-middle-income economies: 50%
World Bank Low-income economies: 100%
Further Discounts Editorial Board / Advisory Board members: 50%
Corresponding authors, affiliated to an EISZ member institution subscribing to the journal package of Akadémiai Kiadó: 100%
Subscription fee 2025 Online subsscription: 604 EUR / 664 USD
Print + online subscription: 684 EUR / 752 USD
Subscription Information Online subscribers are entitled access to all back issues published by Akadémiai Kiadó for each title for the duration of the subscription, as well as Online First content for the subscribed content.
Purchase per Title Individual articles are sold on the displayed price.

Studia Musicologica
Language English
French
German
Size B5
Year of
Foundation		 2007 (1961)
Volumes
per Year		 1
Issues
per Year		 4
Founder Magyar Tudományos Akadémia
Founder's
Address		 H-1051 Budapest, Hungary, Széchenyi István tér 9.
Publisher Akadémiai Kiadó
Publisher's
Address		 H-1117 Budapest, Hungary 1516 Budapest, PO Box 245.
Responsible
Publisher		 Chief Executive Officer, Akadémiai Kiadó
ISSN 1788-6244 (Print)
ISSN 1789-2422 (Online)