Although the period of Liszt’s residency in Rome is marked by pivotal events, many aspects concerning his networks, activities, and relevance in the city’s musical life still await musicological scrutiny. The present paper examines which of Liszt’s compositions could have been heard in Rome by a broader audience during the time the composer had his permanent residence there, and which pieces received attention from the Italian press. Although the performances of the Dante Symphony in 1866 and Christus in 1867 are to be understood as key events in the Roman perception of Liszt as a composer of symphonic music, performances in this genre remained a rarity throughout the 1860s. By then, it was primarily Liszt’s piano music which was heard both in private and more public settings, mainly popularized by Liszt’s student Giovanni Sgambati. Together with the violinist Ettore Pinelli, Sgambati was also key to staging Liszt’s symphonic music with full orchestra during the 1870s and 1880s. Focusing on these decades, this paper eventually elaborates the consolidation and canonization of Liszt’s music and the lasting implications of the Liszt–Sgambati–Pinelli circle on Rome’s concert repertoire after the Italian unifcation.
Editor(s)-in-Chief: Péter BOZÓ (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
Review Editor: Lynn HOOKER (Purdue University, West Lafayette, USA)
Martin ELEK (University of Oxford, Oxford, GB)
Belinda ROBINSON (University of Cambridge, GB)
Viktória OZSVÁRT (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
Patrick DEVINE (Maynooth University, Maynooth, IRL)
Anja BUNZEL (Institute of Art History, Czech Academy of Sciences, CZ)
William A. EVERETT (Conservatory University of Missouri-Kansas City, USA)
Márta GRABÓCZ (University of Strasbourg, Strasbourg, F)
Denis HERLIN (Centre National de la Recherche Scientifique, Paris, F)
János KÁRPÁTI (professor emeritus, Liszt Academy of Music, Budapest, H)
Katalin KOMLÓS (professor emerita, Liszt Academy of Music, Budapest, H)
Valeria LUCENTINI (University of Bern, CH)
Tatjana MARKOVIĆ (Österreichische Akademie der Wissenschaften, Wien, A)
Pál RICHTER (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
László SOMFAI (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
László VIKÁRIUS (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
István Csaba NÉMETH (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
STUDIA MUSICOLOGICA Address: H–1250 Budapest, PO Box 9, Hungary Fax: +36 1 375 9282 E-mail: firstname.lastname@example.org
Regional discounts on country of the funding agency
World Bank Lower-middle-income economies: 50%
World Bank Low-income economies: 100%
Editorial Board / Advisory Board members: 50%
Corresponding authors, affiliated to an EISZ member institution subscribing to the journal package of Akadémiai Kiadó: 100%
Online subsscription: 516 EUR / 648 USD
Print + online subscription: 588 EUR / 736 USD
Online subscribers are entitled access to all back issues published by Akadémiai Kiadó for each title for the duration of the subscription, as well as Online First content for the subscribed content.
Purchase per Title
Individual articles are sold on the displayed price.
2020 Volume 61
Magyar Tudományos Akadémia
H-1051 Budapest, Hungary, Széchenyi István tér 9.
H-1117 Budapest, Hungary 1516 Budapest, PO Box 245.