Author:
Ana Tamara Dević Faculty of Philosophy, University of Novi Sad, Dr Zorana Djindjica 2, 21000 Novi Sad, Serbia

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Abstract

In this paper the musicographic significance of the essays on music and the musical criticism of Hungarian novelist Géza Csáth is discussed on the basis of lexicographic entries and the few scholarly papers in which some of his views are present. The picture of this music critic is completed by a brief account of the problems of a stylistic determination of his literary œuvre, as well as of the importance of psychoanalysis for his artistic creativity and activity. There are three main problems in Csáth's writings on music: support of modernism in music, advocacy of national style in artistic music, and emphasis on the importance of artistic individualism; while the first two problems are mentioned in several scholarly works, the third – Csáth's insistence on artistic individualism – has not been the subject of musicological consideration. Likewise, Géza Csáth's aesthetic views on music have not even been identified, though he was a highly educated critic who was among the first to recognize the importance of Béla Bartók and to support impressionism, expressionism and tendencies towards atonal music. Csáth's aesthetic attitudes were clearly influenced by Darwinism and the positivism of the late nineteenth century; yet, in his essays on music, we find much more than an organicistic and psychologistic interpretation, and that is a deeper understanding of the connection between artistic music, the cultural climate, and the changing needs of audiences at the turn of the nineteenth and twentieth centuries.

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Senior editors

Editor(s)-in-Chief: Péter BOZÓ (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

Review Editor: Lynn HOOKER (Purdue University, West Lafayette, USA)

Assistant Editor(s):
Patrick DEVINE (Maynooth University, Maynooth, IRL)
Anna LASKAI (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

Editorial Board

  • Anja BUNZEL (Institute of Art History, Czech Academy of Sciences, CZ)
  • William A. EVERETT (Conservatory University of Missouri-Kansas City, USA)
  • Denis HERLIN (Centre National de la Recherche Scientifique, Paris, F)
  • Vjera KATALINIĆ (HR)
  • Katalin KOMLÓS (professor emerita, Liszt Academy of Music, Budapest, H)
  • Valeria LUCENTINI (University of Bern, CH)
  • Tatjana MARKOVIĆ (Österreichische Akademie der Wissenschaften, Wien, A)
  • Pál RICHTER (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
  • László SOMFAI (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
  • László VIKÁRIUS (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

 

Editorial Secretary

  • István Csaba NÉMETH (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

STUDIA MUSICOLOGICA
Address: H–1476 Budapest, PO Box 410, Hungary
Fax: +36 1 375 9282
E-mail: studia@btk.mta.hu

Indexing and Abstracting Services:

  • Arts & Humanities Citation Index
  • International Bibliographies IBZ and IBR
  • JSTOR
  • Music Indev
  • RILM
  • SCOPUS

 

2024  
Scopus  
CiteScore  
CiteScore rank  
SNIP  
Scimago  
SJR index 0.111
SJR Q rank Q3

2023  
Web of Science  
Journal Impact Factor 0.1
Rank by Impact Factor Q3 (Music)
Journal Citation Indicator 0.17
Scopus  
CiteScore 0.1
CiteScore rank Q4 (Music)
SNIP 0.626
Scimago  
SJR index 0.114
SJR Q rank Q3

Studia Musicologica
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Studia Musicologica
Language English
French
German
Size B5
Year of
Foundation
2007 (1961)
Volumes
per Year
1
Issues
per Year
4
Founder Magyar Tudományos Akadémia
Founder's
Address
H-1051 Budapest, Hungary, Széchenyi István tér 9.
Publisher Akadémiai Kiadó
Publisher's
Address
H-1117 Budapest, Hungary 1516 Budapest, PO Box 245.
Responsible
Publisher
Chief Executive Officer, Akadémiai Kiadó
ISSN 1788-6244 (Print)
ISSN 1789-2422 (Online)