Studia Musicologica
Volume/Issue:
Volume 63: Issue 3-4
Piano Works of Transcarpathian Composers of the 20th and Early 21st Centuries: The Phenomenon Research Algorithms
Authors:
Marija Yarko Drohobych Ivan Franko State Pedagogical University, St. M. Hrushevskyi bldg. 64, apart. 56, Drohobych, 82106, Ukraine

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Maria Borysenko Department of Music Theory of the Kharkiv National Kotlyarevsky University of Arts, Amosova str. 1-603, Kharkiv, 61171, Ukraine

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Lianna Buchok Kartosz Private Conservatory, Martina Benku Str. 7, Prešov, 08001, Slovakia

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Maria Karalius Drohobych Ivan Franko State Pedagogical University, Sambirska str. 8-3, Dhorobych, 82100, Ukraine

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Pages:
209–239
Online Publication Date:
05 May 2023
Publication Date:
19 Jun 2023
Article Category:
Research Article
DOI:
https://doi.org/10.1556/6.2022.00005
Keywords:
modern modality of style formation; Transcarpathian composers
Restricted access

Abstract

The purpose of this article is to study the continuity of musical thinking professionalization on examples of piano works by Transcarpathian composers, which are very significant for the formation of the Transcarpathian compositional tradition as a historical phenomenon of mastery development by Transcarpathian composers (Zsigmond Lengyel, Dezső Zádor, István Márton, Emil Kobulei, Mykola Popenko, Volodymir Volontyr, Anatoly Zatin, Viktor Telychko) regarding their compliance with the academic norms of musical thinking and with historically composed stylistic invariants. The approach to the research phenomenon is monadological, which means the intention to diagnose a mentally peculiar discourse of the stylistic design, combining the assimilation of historically relevant thought forms and the intonational stock of a multiethnic folklore of the Transcarpathian region. We come to the conclusion that the piano works of Transcarpathian composers reflect a historically determined manoeuvre of “catching up” with the stylistic initiatives of the whole twentieth century with its idea of a global cultural synthesis and reinterpretation/neo-restoration of traditions. It has been found that the starting point for the professionalization of music composition in Transcarpathia was the modern modality of style – a position that is usually characterized as a “post-Romantic reaction” to all the traditional and total renewal of musical thinking in order to innovate. At the same time, for the style-forming initiatives of Transcarpathian composers the discourse of stylization became most relevant – a special type of musical thinking that created the newest representation of the “intonation image of the world” and found its rather original embodiment in the postmodern phase under the guise of “intellectual performance.”

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Cover Studia Musicologica
Studia Musicologica
Print ISSN:
1788-6244
Online ISSN:
1789-2422

Senior editors

Editor(s)-in-Chief: Péter BOZÓ (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

Review Editor: Lynn HOOKER (Purdue University, West Lafayette, USA)

Assistant Editor(s):
Patrick DEVINE (Maynooth University, Maynooth, IRL)
Anna LASKAI (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

Editorial Board

  • Anja BUNZEL (Institute of Art History, Czech Academy of Sciences, CZ)
  • William A. EVERETT (Conservatory University of Missouri-Kansas City, USA)
  • Denis HERLIN (Centre National de la Recherche Scientifique, Paris, F)
  • Vjera KATALINIĆ (HR)
  • Katalin KOMLÓS (professor emerita, Liszt Academy of Music, Budapest, H)
  • Valeria LUCENTINI (University of Bern, CH)
  • Tatjana MARKOVIĆ (Österreichische Akademie der Wissenschaften, Wien, A)
  • Pál RICHTER (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
  • László SOMFAI (Institute for Musicology, Research Centre for the Humanities, Budapest, H)
  • László VIKÁRIUS (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

 

Editorial Secretary

  • István Csaba NÉMETH (Institute for Musicology, Research Centre for the Humanities, Budapest, H)

STUDIA MUSICOLOGICA
Address: H–1476 Budapest, PO Box 410, Hungary
Fax: +36 1 375 9282
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Indexing and Abstracting Services:

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2023  
Web of Science  
Journal Impact Factor 0.1
Rank by Impact Factor Q3 (Music)
Journal Citation Indicator 0.17
Scopus  
CiteScore 0.1
CiteScore rank Q4 (Music)
SNIP 0.626
Scimago  
SJR index 0.114
SJR Q rank Q3

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Studia Musicologica
Language English
French
German
Size B5
Year of
Foundation		 2007 (1961)
Volumes
per Year		 1
Issues
per Year		 4
Founder Magyar Tudományos Akadémia
Founder's
Address		 H-1051 Budapest, Hungary, Széchenyi István tér 9.
Publisher Akadémiai Kiadó
Publisher's
Address		 H-1117 Budapest, Hungary 1516 Budapest, PO Box 245.
Responsible
Publisher		 Chief Executive Officer, Akadémiai Kiadó
ISSN 1788-6244 (Print)
ISSN 1789-2422 (Online)

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