Allen, Roger. “Performance, Conductors,” in The Cambridge Wagner Encyclopedia, ed. by Nicholas Vazsonyi (Cambridge: Cambridge University Press, 2019), 399–405.

Allen, Roger. “Performance, Conductors,” in The Cambridge Wagner Encyclopedia, ed. by Nicholas Vazsonyi (Cambridge: Cambridge University Press, 2019), 399–405.)| false
• Search Google Scholar
• Export Citation

Breckbill, David. The Bayreuth Singing Style around 1900 (PhD diss., Berkeley, CA: University of California, 1991).

Breckbill, David. The Bayreuth Singing Style around 1900 (PhD diss., Berkeley, CA: University of California, 1991).)| false
• Search Google Scholar
• Export Citation

Breckbill, David. “Wagner on Record,” in Wagner in Performance, ed. by Barry Millington and Stewart Spencer (New Haven, CT: Yale University Press, 1992), 153–167.

Breckbill, David. “Wagner on Record,” in Wagner in Performance, ed. by Barry Millington and Stewart Spencer (New Haven, CT: Yale University Press, 1992), 153–167.)| false
• Search Google Scholar
• Export Citation

Breckbill, David. “Performance, Singers,” in The Cambridge Wagner Encyclopedia, ed. by Nicholas Vazsonyi (Cambridge: Cambridge University Press, 2019), 412–418.

Breckbill, David. “Performance, Singers,” in The Cambridge Wagner Encyclopedia, ed. by Nicholas Vazsonyi (Cambridge: Cambridge University Press, 2019), 412–418.)| false
• Search Google Scholar
• Export Citation

Deathridge, John and Carl Dahlhaus. The New Grove Wagner (New York, NY: Norton, 1984).

Deathridge, John and Carl Dahlhaus. The New Grove Wagner (New York, NY: Norton, 1984).)| false
• Search Google Scholar
• Export Citation

Fifield, Christopher. “Conducting Wagner: The Search for Melos,” in Wagner in Performance, ed. by Barry Millington and Stewart Spencer (New Haven, CT: Yale University Press, 1992), 1–14.

Fifield, Christopher. “Conducting Wagner: The Search for Melos,” in Wagner in Performance, ed. by Barry Millington and Stewart Spencer (New Haven, CT: Yale University Press, 1992), 1–14.)| false
• Search Google Scholar
• Export Citation

Fischer, Jens Malte. “Die Meistersänger – Zur Geschichte des Wagner-Gesangs,” in Richard Wagner und seine Wirkung (Vienna: Zsolnay, 2013), 68–109.

Fischer, Jens Malte. “Die Meistersänger – Zur Geschichte des Wagner-Gesangs,” in Richard Wagner und seine Wirkung (Vienna: Zsolnay, 2013), 68–109.)| false
• Search Google Scholar
• Export Citation

Fischer, Jens Malte. “Sprechgesang oder Belcanto? Wagners Sänger und die Bayreuther Schule. Ein Beitrag zur Geschichte der Gesangkunst,” in Richard Wagner 1883–1983: Die Rezeption im 19. und 20. Jahrhundert, Gesammelte Beiträge des Salzburger Symposions, ed. by Ulrich Müller, Franz Hundsnurscher and Cornelius Sommer (Stuttgart: Heinz, 1984), 475–490.

Fischer, Jens Malte. “Sprechgesang oder Belcanto? Wagners Sänger und die Bayreuther Schule. Ein Beitrag zur Geschichte der Gesangkunst,” in Richard Wagner 1883–1983: Die Rezeption im 19. und 20. Jahrhundert, Gesammelte Beiträge des Salzburger Symposions, ed. by Ulrich Müller, Franz Hundsnurscher and Cornelius Sommer (Stuttgart: Heinz, 1984), 475–490.)| false
• Search Google Scholar
• Export Citation

La Grange, Henry Louis de. Gustav Mahler, vol. 4: A New Life Cut Short (1907–1911) (New York, NY: Oxford University Press, 2008).

La Grange, Henry Louis de. Gustav Mahler, vol. 4: A New Life Cut Short (1907–1911) (New York, NY: Oxford University Press, 2008).)| false
• Search Google Scholar
• Export Citation

Grey, Thomas. “Wilhelmine Schröder-Devrient and Wagner’s Dresden,” in Wagner and His World, ed. by Thomas Grey (Princeton, NJ: Princeton University Press, 2009), 201–230.

Grey, Thomas. “Wilhelmine Schröder-Devrient and Wagner’s Dresden,” in Wagner and His World, ed. by Thomas Grey (Princeton, NJ: Princeton University Press, 2009), 201–230.)| false
• Search Google Scholar
• Export Citation

Mack, Dietrich. Cosima Wagner – Das zweite Leben: Briefe und Aufzeichnungen 1883–1930 (Munich: Piper, 1980).

Mack, Dietrich. Cosima Wagner – Das zweite Leben: Briefe und Aufzeichnungen 1883–1930 (Munich: Piper, 1980).)| false
• Search Google Scholar
• Export Citation

Millington, Barry. “Myths and Legends,” in The Wagner Compendium, ed. by Barry Millington (London: Thames and Hudson, 1992), 132–138.

Millington, Barry. “Myths and Legends,” in The Wagner Compendium, ed. by Barry Millington (London: Thames and Hudson, 1992), 132–138.)| false
• Search Google Scholar
• Export Citation

Mösch, Stephan. “Singendes Sprechen, sprechendes Singen. Aspekte des Wagner-Gesangs um 1900,” Wagnerspectrum no. 1 Schwerpunkt: Wagner-Gesang (2012), 9–29.

Mösch, Stephan. “Singendes Sprechen, sprechendes Singen. Aspekte des Wagner-Gesangs um 1900,” Wagnerspectrum no. 1 Schwerpunkt: Wagner-Gesang (2012), 9–29.)| false
• Search Google Scholar
• Export Citation

Seedorf, Thomas. “‘Deklamation’ und ‘Gesangswohllaut’ – Richard Wagner und der ‘deutsche Bel Canto’,” in ‘Mit mehr Bewußtsein zu spielen.’ Vierzehn Beiträge (nicht nur) über Richard Wagner, ed. by Christa Jost (Tutzing: Schneider, 2006), 181–206.

Seedorf, Thomas. “‘Deklamation’ und ‘Gesangswohllaut’ – Richard Wagner und der ‘deutsche Bel Canto’,” in ‘Mit mehr Bewußtsein zu spielen.’ Vierzehn Beiträge (nicht nur) über Richard Wagner, ed. by Christa Jost (Tutzing: Schneider, 2006), 181–206.)| false
• Search Google Scholar
• Export Citation

Stam, Emlyn. “Early Recordings as a Window onto Mahler’s 1903 Tristan,” in Wagner’s Tristan und Isolde in 1903 Vienna: Context, Impact, and Interpretation, ed. by Anastasia Belina and Anna Stoll Knecht (New York, NY: Routledge, forthcoming).

Stam, Emlyn. “Early Recordings as a Window onto Mahler’s 1903 Tristan,” in Wagner’s Tristan und Isolde in 1903 Vienna: Context, Impact, and Interpretation, ed. by Anastasia Belina and Anna Stoll Knecht (New York, NY: Routledge, forthcoming).)| false
• Search Google Scholar
• Export Citation

Stauss, Sebastian. “Bel Canto opera,” in The Cambridge Wagner Encyclopedia, ed. Nicholas Vazsonyi (Cambridge: Cambridge University Press, 2019), 55–58.

Stauss, Sebastian. “Bel Canto opera,” in The Cambridge Wagner Encyclopedia, ed. Nicholas Vazsonyi (Cambridge: Cambridge University Press, 2019), 55–58.)| false
• Search Google Scholar
• Export Citation

Stoll Knecht, Anna. “Wagner’s Apprenticeship,” in Wagner in Context, ed. by David Trippett (Cambridge: Cambridge University Press, 2024), 239–248.

Stoll Knecht, Anna. “Wagner’s Apprenticeship,” in Wagner in Context, ed. by David Trippett (Cambridge: Cambridge University Press, 2024), 239–248.)| false
• Search Google Scholar
• Export Citation

Voss, Egon (ed.). Richard Wagner: Über das Dirigieren (1869) (Tutzing: Schneider, 2015).

Voss, Egon (ed.). Richard Wagner: Über das Dirigieren (1869) (Tutzing: Schneider, 2015).)| false
• Search Google Scholar
• Export Citation

Wagner, Richard. My Life, transl. by Andrew Gay, ed. by Mary Whittall (Cambridge: Cambridge University Press, 1988).

Wagner, Richard. My Life, transl. by Andrew Gay, ed. by Mary Whittall (Cambridge: Cambridge University Press, 1988).)| false
• Search Google Scholar
• Export Citation

Wagner, Richard. “A Communication to my Friends” (1851), transl. by William Ashton Ellis (Lincoln, NE and London: University of Nebraska Press, 1993).

Wagner, Richard. “A Communication to my Friends” (1851), transl. by William Ashton Ellis (Lincoln, NE and London: University of Nebraska Press, 1993).)| false
• Search Google Scholar
• Export Citation

Wagner, Richard. “Actors and Singers” (1872), transl. by William Ashton Ellis (Lincoln, NE and London: University of Nebraska Press, 1995).

Wagner, Richard. “Actors and Singers” (1872), transl. by William Ashton Ellis (Lincoln, NE and London: University of Nebraska Press, 1995).)| false
• Search Google Scholar
• Export Citation

Wagner, Richard. “A Music-school for Munich” (1865), transl. by William Ashton Ellis (Lincoln, NE and London: University of Nebraska Press, 1995).

Wagner, Richard. “A Music-school for Munich” (1865), transl. by William Ashton Ellis (Lincoln, NE and London: University of Nebraska Press, 1995).)| false
• Search Google Scholar
• Export Citation

Wagner, Richard. Sämtliche Briefe, vol. 1, ed. by Gertrud Strobel and Werner Wolf (Leipzig: VEB Deutscher Verlag für Musik, 1967).

Wagner, Richard. Sämtliche Briefe, vol. 1, ed. by Gertrud Strobel and Werner Wolf (Leipzig: VEB Deutscher Verlag für Musik, 1967).)| false
• Search Google Scholar
• Export Citation

Wagner, Richard. “Wagner’s Autobiographical Sketch” (1843), in Wagner: A Documentary Study, ed. by Herbert Barth, Dietrich Mack and Egon Voss (New York, NY: Oxford University Press, 1975), 11–16.

Wagner, Richard. “Wagner’s Autobiographical Sketch” (1843), in Wagner: A Documentary Study, ed. by Herbert Barth, Dietrich Mack and Egon Voss (New York, NY: Oxford University Press, 1975), 11–16.)| false
• Search Google Scholar
• Export Citation

Walton, Chris. Richard Wagner’s Essays on Conducting: A New Translation with Critical Commentary (Rochester, NY: University of Rochester Press, 2021).

Walton, Chris. Richard Wagner’s Essays on Conducting: A New Translation with Critical Commentary (Rochester, NY: University of Rochester Press, 2021).)| false
• Search Google Scholar
• Export Citation