Beller-Mckenna, Daniel. “The Scope and Significance of the Choral Music,” in The Cambridge Companion to Brahms, ed. by Michael Musgrave (Cambridge: Cambridge University Press, 1999), 171–194.

Beller-Mckenna, Daniel. “The Scope and Significance of the Choral Music,” in The Cambridge Companion to Brahms, ed. by Michael Musgrave (Cambridge: Cambridge University Press, 1999), 171–194.)| false
• Search Google Scholar
• Export Citation

Beller-Mckenna, Daniel. “The Rise and Fall of Brahms the German,” Journal of Musicological Research 20/3 (2001), 187–210.

Beller-Mckenna, Daniel. “The Rise and Fall of Brahms the German,” Journal of Musicological Research 20/3 (2001), 187–210.)| false
• Search Google Scholar
• Export Citation

Botstein, Leon. Music and Its Public: Habits of Listening and the Crisis of Musical Modernism in Vienna, 1870–1914 (PhD dissertation, Cambridge, MA: Harvard University, 1985).

Botstein, Leon. Music and Its Public: Habits of Listening and the Crisis of Musical Modernism in Vienna, 1870–1914 (PhD dissertation, Cambridge, MA: Harvard University, 1985).)| false
• Search Google Scholar
• Export Citation

Botstein, Leon. “Brahms and Nineteenth-Century Painting,” 19th-Century Music 14/2 (1990), 154–168.

Botstein, Leon. “Brahms and Nineteenth-Century Painting,” 19th-Century Music 14/2 (1990), 154–168.)| false
• Search Google Scholar
• Export Citation

Botstein, Leon. “Time and Memory: Concert Life, Science, and Music in Brahms’s Vienna,” in Brahms and His World, ed. by Walter Frisch and Kevin C. Karnes (Princeton, NJ: Princeton University Press, 2009), 3–25.

Botstein, Leon. “Time and Memory: Concert Life, Science, and Music in Brahms’s Vienna,” in Brahms and His World, ed. by Walter Frisch and Kevin C. Karnes (Princeton, NJ: Princeton University Press, 2009), 3–25.)| false
• Search Google Scholar
• Export Citation

Brodbeck, David. Defining Deutschtum: Political Ideology, German Identity, and Music-Critical Discourse in Liberal Vienna (New York, NY: Oxford University Press, 2014).

Brodbeck, David. Defining Deutschtum: Political Ideology, German Identity, and Music-Critical Discourse in Liberal Vienna (New York, NY: Oxford University Press, 2014).)| false
• Search Google Scholar
• Export Citation

Cormac, Joanne. Liszt and the Symphonic Poem (Cambridge: Cambridge University Press, 2017).

Cormac, Joanne. Liszt and the Symphonic Poem (Cambridge: Cambridge University Press, 2017).)| false
• Search Google Scholar
• Export Citation

Davis, Fred. Yearning for Yesterday: A Sociology of Nostalgia (New York, NY: Free Press, 1979).

Davis, Fred. Yearning for Yesterday: A Sociology of Nostalgia (New York, NY: Free Press, 1979).)| false
• Search Google Scholar
• Export Citation

Kalbeck, Max. Johannes Brahms, vol. 4 (Berlin: Deutsche Brahms Gesellschaft, 1914).

Kalbeck, Max. Johannes Brahms, vol. 4 (Berlin: Deutsche Brahms Gesellschaft, 1914).)| false
• Search Google Scholar
• Export Citation

Kosáry, Domokos and Béla Németh. G. (eds.). A magyar sajtó története, vol. II/2 (Budapest: Akadémiai Kiadó, 1985).

Kosáry, Domokos and Béla Németh. G. (eds.). A magyar sajtó története, vol. II/2 (Budapest: Akadémiai Kiadó, 1985).)| false
• Search Google Scholar
• Export Citation

Lakner, Judit. Halál a századfordulón (Budapest: História / MTA Történettudományi Intézet, 1993).

Lakner, Judit. Halál a századfordulón (Budapest: História / MTA Történettudományi Intézet, 1993).)| false
• Search Google Scholar
• Export Citation

Lorbeer, Lukas and Andreas Marti. “526 – Jesus, meine Zuversicht,” in Liederkunde zum Evangelischen Gesangbuch, vol. 26, ed. by Martin Evang and Ilsabe Alpermann (Göttingen: Vandenhoeck & Ruprecht, 2020), 90–95.

Lorbeer, Lukas and Andreas Marti. “526 – Jesus, meine Zuversicht,” in Liederkunde zum Evangelischen Gesangbuch, vol. 26, ed. by Martin Evang and Ilsabe Alpermann (Göttingen: Vandenhoeck & Ruprecht, 2020), 90–95.)| false
• Search Google Scholar
• Export Citation

Notley, Margaret. “Brahms as Liberal: Genre, Style, and Politics in Late Nineteenth-Century Vienna,” 19th-Century Music 17/2 (1993), 107–123.

Notley, Margaret. “Brahms as Liberal: Genre, Style, and Politics in Late Nineteenth-Century Vienna,” 19th-Century Music 17/2 (1993), 107–123.)| false
• Search Google Scholar
• Export Citation

Notley, Margaret. “‘Volksconcerte’ in Vienna and Late Nineteenth-Century Ideology of the Symphony,” Journal of the American Musicological Society 50/2–3 (1997), 421–453.

Notley, Margaret. “‘Volksconcerte’ in Vienna and Late Nineteenth-Century Ideology of the Symphony,” Journal of the American Musicological Society 50/2–3 (1997), 421–453.)| false
• Search Google Scholar
• Export Citation

Notley, Margaret. “Musical Culture in Vienna at the Turn of the Twentieth Century,” in Schoenberg, Berg, and Webern: A Companion to the Second Viennese School, ed. by Bryan R. Simms (Westport, CT: Greenwood Press, 1999), 36–71.

Notley, Margaret. “Musical Culture in Vienna at the Turn of the Twentieth Century,” in Schoenberg, Berg, and Webern: A Companion to the Second Viennese School, ed. by Bryan R. Simms (Westport, CT: Greenwood Press, 1999), 36–71.)| false
• Search Google Scholar
• Export Citation

Notley, Margaret. Lateness and Brahms: Music and Culture in the Twilight of Viennese Liberalism (New York, NY: Oxford University Press, 2007).

Notley, Margaret. Lateness and Brahms: Music and Culture in the Twilight of Viennese Liberalism (New York, NY: Oxford University Press, 2007).)| false
• Search Google Scholar
• Export Citation