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Arts and Humanities
A tihanyi altemplom régészeti kutatása
The archaeological research of the medieval crypt of Abbey of Tihany
Absztrakt
A tanulmányban a tihanyi bencés apátság középkori altemplomának és az ott található temetkezéseknek a régészeti jellegű kutatásait és a legújabb, 2021. évi ásatás eredményeit mutatjuk be, különös tekintettel az alapító, I. András király sírhelyére.
In this study, we present the archaeological research of the medieval crypt of the Benedictine Abbey of Tihany and the burials there, and the results of the latest excavation in 2021, with a focus to the tomb of the founder, King Andrew I.
Abstract
In the German-language literature of the last twenty to thirty years, there has been a tendency to depict strangeness and integration. Through Melinda Nadj Abonji’s novel, this paper attempts to point out the phenomena that problematize integration and strangeness, which would be related to the space represented or which can be read from representations through space.
PLP Addenda: Die byzantinische Elite nach den Eroberungszügen des serbischen Herrschers Stefan Uroš IV. Dušan in Makedonien •
Die Zeugnisse der Register des Klosters Treskavac und der Kirche des heiligen Stefan in Konče
Abstract
The research about the Byzantine persons who do not appear in the Greek sources is one of the greatest desiderata of the prosopographical research of the Palaiologan period. The present study aims to show the situation of the Byzantine aristocracy after the Serbian occupation of Byzantine Macedonia. The data were collected from the Registers of the Treskavac Monastery and of the Church of Saint Stefan in Konče. The registers provide only basic information about the transaction of the property, so it is not entirely clear whether the Byzantine aristocracy sold or abandoned their estates in the region of Pelagonia or Kriva Lakavica. However, Byzantine noblemen are often mentioned in the border descriptions, which proves that they had a strong influence in the region even after the Serbian conquests.
Abstract
Artus de Bretagne is a French Arthurian prose romance: its hero, Arthur, son of the Duke of Brittany, is a descendant of Lancelot and the text reuses many Arthurian motifs. This romance was probably composed around 1300. The oldest preserved version is found in the manuscript Paris BnF 761. Having edited Artus de Bretagne and studied all the manuscripts, I hypothesised that this version consisted of an initial, unfinished version followed by a continuation. In this article, the stylistic method, adapted to the medieval text, makes it possible to confirm this hypothesis. Portraits are very different in the two parts. As this Arthurian romance adopts an original oriental setting, with a Greek toponymy, and as the supposed patron is Duke John II of Brittany, who is known to have travelled to the Byzantine area following the crusade led by his brother-in-law Edward I, King of England, the study of the portraits invites us to put forward (with caution) the hypothesis of an influence of the Byzantine romances, as a fairy, a princess and an automaton have the same appearance.
“From now on, Kolozsvár is always the way the train takes us home…” •
(The appearance of the Trianon theme in contemporary Hungarian fiction)
Abstract
One characteristic of fiction is its ability to shape collective knowledge of the past, to create images of the past that can persist for generations – and as a consequence, for generations without direct experience, these images embody the past. In my study, I seek to answer the question how the memory of the transitions of power that ended the First World War is represented in contemporary Hungarian novels (published after 2000), and what other concepts are linked to the notion of the Treaty of Trianon. In the novels of Barbara Bauer, Zsuzsa Selyem, Magda Szabó, Andrea Tompa, János Térey and Gábor Vida, the theme is conveyed with different approaches, a varying significance, in a prose language that is distinctly different in each case, but at the same time is integral to the individual oeuvre of each author.
Abstract
This paper demonstrates the application of surveying methodologies aiding the management of heritage properties, especially for UNESCO World Heritage sites. The objective of the current study is to provide an overview of the historical background of surveying a particular field of engineering and the related social environment. In Europe, all types of historic streets and avenues share a centuries-long common history. Investments financed by governments, capital or residential sources relating to these streets have provided opportunities for interesting architectural experiments. This study demonstrates the intensity of these investments and the morphological and functional changes in relation to their distance from the CBD. To achieve this objective, based on an on-line database of housing features and values, apartments (n = 1,031) from the range of Residential Real Estates in Teréz Town Budapest were collected. Data statistics tools included a Decision Tree and an Artificial Multi-layer Neural Network employed in order to analyse inequalities in price according to the condition of the property and available conveniences. The characteristics of monocentricity/polycentricity are shown to be adaptable elements that have been used historically in urban landscapes and can be implemented in urban design to enhance green spaces and improve the overall quality of urban life. As good examples, the Andrássy/Hübner - Court and the ICOMOS prize-winning renovation of the Wahrmann Palace are presented. Real estate can carry both real and philosophical meaning. Sometimes buildings express physical reality in the environment, at others, they have a symbolic meaning, e. g. an urban idyll, harmony with the habitat, local community, heritage property, wealth or poverty, integration or segregation of people or families. Functional changes support long-term decision-making for investors and city residents in search for better locations within global cityscapes.
Abstract
This article deals with the proposal to edit in French the Geoponica, issued by François de Neufchâteau in 1807, when he was president of the Society of Agriculture of Paris, in a document which I found in the National Library in France. This proposition, based on the Greek manuscript attributed to Constantine VII, would be a major scientific and editorial achievement, but it would also entail political issues, as it would respond to the dynastic evolution of the Napoleonic régime. This interest in Byzantine literature is uncommon but can be linked to the growing interest in the Orient and its past, which is an important aspect of the French imperial society under Napoléon. Those elements reveal the historical and scientific implications of such a proposition to edit a Byzantine text, a proposition that would remain unsuccessful, however.
Abstract
By comparing the colored etching A igentliche Vorstell- und Beschreibung der fü rnehmsten in Europa befindliche r Land- Vö lcker, Augsburg around 1700, and the journal Acta Comparationis Litterarum Universarum, Kolozsvár around 1880, imagology, a research area of comparative cultural and literary studies, can be discussed in a comparative manner. Based on the findings of this comparison, the article seeks answers to questions about the scientific location and the task of Hungarian studies outside of Hungary.
Abstract
At the center of the study is the motif spread in Italy and Greece, in the Middle Ages and in folklore, of Mary's search for Jesus during the Passion. The historiographical and philological reconstruction of the motif takes its cue from a medieval Italian text, the “Pianto delle Marie marchigiano”, and first investigates modern Italian songs, to show their continuity with the Middle Ages; then the observation expands to the Hellenic “moirologia”, to highlight the strong resemblance to the Italic counterparts; we therefore try to bring these similarities back to historical unity, showing that we are dealing with two forms in which a long-lasting cultural memory persists.
Abstract
This article sets out to explore different roles that the mention of zoophytes can play into some texts of Plato, Aristotle and byzantine commentators. Thus, the staging of the life of the marine lung in the Philebus represents a possible horizon of regression to be kept in mind, and not, as in John Philopon, a stage of man's formation that will necessarily be surpassed. For the latter, as for Aristotle, evoking zoophytes is a way of resolving the question of the frontier between living animals and plants by postulating the continuity between the plant and animal orders.
Abstract
Not only the relationship of the known descendants of Prince Árpád to each other, but also their existence is sometimes in question. This paper discusses the possible names of Árpád’s grandchildren, taking into account the written sources – above all the DAI. After reviewing and partially refuting previous research findings, a new solution regarding Árpád’s family tree and the possibilities of princely succession to the throne will be offered with the help of philological methods. The paper draws attention to the importance of textual criticism and the importance of researching the manuscript tradition.
Abstract
Károly Kós and Henri Godbarge were both architects with strong ideas on local roots. Following the Arts & Craft and Art nouveau movements, they respectively contributed to the Transylvanism and néo-basque styles, which have many things in commun, particularly a special connection to the Orient(s), to social and family realities and to the ancestors.
Abstract
The second part of Psellus’ poem on grammar is a glossary compiled from rare words (270–490), where the lines are ordered and linked according to the Greek alphabet. The first part (1–269) is not – as it might be expected of a didactic poem – a systematic descriptive Greek grammar, but rather a loose collection of teacher’s comments lacking a definite logical structure. The didactic comments set in verse are organised to some extent by words (e.g. ἔγκλισις, μεσότης) that refer to several different grammatical phenomena functioning as cues and thus connecting the subsequent sections. At the time the novelty of this otherwise ordinary poem might have been that Greek grammar was set in political verse (versus politicus) in order to make it easy to memorise and the fact that it discusses Psellus’ views on koine.
Abstract
This paper explores the problem of the source value of charters from the point of view of research in linguistic history. Charters written in Latin often contain elements of the vulgar language (in this case, Hungarian). Only four authentic Hungarian charters have survived from the 11th century in their original form. Therefore, we have also included the non-authentic and non-original charters of the 11th century in our research over the recent decades.
These charters may contain 4–5 chronological layers, and so our task is to separate them. Charters of uncertain status cannot be analysed using the same methodological principles as the authentic and original charters. This paper discusses the methodological principles that may facilitate the identification of the source value of these charters for historical linguistics. Although these principles are defined based on charters from Hungary, due to their universal nature a significant portion of them may also be used successfully in other regions of medieval European charter research.
Abstract
Franciscus Filelfus (Tolentino 1398 – Florenz 1481) is the author of the largest Humanistic correspondence in Latin and Greek. He is also a relevant source for the intellectual and political history of his times. In the 1420s, he gained a full knowledge of Greek in Constantinople, where he was integrated into Byzantine élite. In particular, the joint emperor John VIII Palaiologos appointed him as his personal secretary. On behalf of John, Filelfo attended in 1423 the international congress in Buda, where he met personally with the Holy Roman Emperor Sigismund and other European leaders. In his Letters to Roman popes, kings and princes, the Italian humanist proposed himself as alter Nestor, the best man to give his advice on the war against the Turks in Central and South-Eastern Europe. He is particularly interested in Hungarian history. At this respect, he mentions the most important events relating to Hungarian resistance against the Ottoman empire such as the defence of Belgrade (Nándorfehérvár) in 1456. Therefore, he praises the exploits and military successes against the Turks pursued by the regent John Hunyadi and his son, King Matthias Corvinus who is remarkably worthy of admiration. Both are praised as defensores Christianitatis. Therefore, Filelfo assigns to Hungary and Hungarian people the leading role in the crusade against the Ottomans.
Abstract
In this work we contend that studying dance syntax systematically is essential to gain a deeper understanding of dance practices. The reason is that syntax has to do with an essential aspect of dance, music and action in general, namely possibility. To the best of our knowledge, the efforts towards a systematic method to study dance syntax are scarce. Therefore, this work proposes the method of Finite-State Automata, borrowed from computer science, and presents three case studies of progressive complexity were the method is applied: (1) learning the basics of salsa, (2) diachronically comparing hip-pushing action in Afro-Ecuadorian Bomba del Chota, and (3) characterizing improvisation in Afro-Peruvian zapateo. While the first case is didactic and introduces the method progressively, the second and third cases are based on several years of fieldwork conducted by the authors with the Afro-Ecuadorian and Afro-Peruvian communities. The precondition for the application of the method we propose is structural analysis itself; that is, that the dance can be analyzed into small movement units that are combined progressively into more complex units. In regards to syntax, however, structural analysis is only the first step. The goal is a synthesis that brings forward the possibilities that arise from structural analysis; that is, the possibilities that are available to dancers and agents in a dance event. We trust that the approach to syntax this work presents will stimulate a renewed interest for researchers in dance, music and movement in general.
Abstract
In the discourse of 20th and 21st century Hungarian literary history writing the aspect of regionality is recurrently present, primarily in relation to minority/ethnic Hungarian literature. The positions and relations of these literatures can be inferred not only from the perspective of their naming and designation, but also from the way they are discussed or even represented as books. The study attempts to show the regionality formations in the history of Hungarian literature, which in mutual reflection, overlapping and displacement, have tried to gain a dominant position in the discourse on Hungarian literature. As a point of comparison, the essay also includes the regionality phenomena of Romanian literature in the field of interpretation.
Abstract
The Hungarian Playwrights' Association was founded on 7 January, 1904, with the aim of providing moral and financial protection to theatre authors and the developing Hungarian stage. In its first incarnation it lasted until March 1919, and was subsequently re-established in December 1920. Like so many associations at that time, the Association was dissolved by ministerial decree on 8 December, 1950. The legal situation of playwrights at the time, along with the lack of adequate representation of their interests, prompted the Hungarian cultural sector to protect their rights by setting up an appropriate body of self-representation, following the examples of foreign countries. The association is of great importance in the history of the self-organisation and interest representation of Hungarian artists, as it was the first such independent Hungarian representative body.
Abstract
The research project Chapters from the History of 20 th Century Hungarian Operetta: The Operetta Art of Ákos Buttykay has as its subject the operetta art of Ákos Buttykay (1871–1935), who was unjustly disqualified from the operetta canon. The subject is highly topical and necessary since the reconstruction of the history of 20th-century Hungarian operetta has been complicated by the fact that, with the exception of a few popular and well-known operetta composers – including Pál Ábrahám (Paul Abraham), Imre Kálmán (Emmerich Kálmán) and Ferenc Lehár (Franz Lehár) – the oeuvre and biography of the composers who were instrumental in the development of the Hungarian operetta style have yet to be reviewed. This shortcoming became evident to me during my research into the history of 20th century Hungarian operetta and the reconstruction of Buttykay's career and operetta works – using archival sources and contemporary press sources – is the first step towards filling this gap. I chose Buttykay mainly on the basis of my preliminary research and findings, as a composer who had written dozens of operettas and whose name was associated with the most successful operettas of the Hungarian musical stages in the first half of the 20th century.
Abstract
A fundamental segment of contemporary Hungarian prose literature has attempted to represent and textually portray the change in political regimes which took place in 1989. The dictatorship, the totalitarian system and the subsequent transition period proved to be excellent raw material; resulting in a very different kind of prose which, when compared to previous representations of Transylvania, elicits attention on the one hand by being distinctly separate from the assumption of an ideological role, and on the other hand by creating the given linguistic and fictional space through continuous transition(s), (inter-ethnic) in-betweenness and the relevance of otherness.
Weltuntergang und Doppelmonarchie •
Politische Dimensionen des Katastrophendiskurses in Kometenromanen von Maurus Jókai (1874) bis Hannes Stein (2013)
Abstract
The study mediates between two literary thematic fields: the discourse on disasters, with special attention to the comet theme, and the literature about the future or the collapse of the Austro-Hungarian Monarchy. In this context, we ask about the political issue of the comet material or motif. The topic will be explained using the works of Camille Flammarion, Vincenz Chiavacci, Karl Kraus, Hannes Stein and Maurus Jókai as examples.
Volksgruppenmedien und Digitalisierung •
Ein Onlinemedium als Gemeinschaftsprojekt
Abstract
Since 1 September 2021, the Hungarian Volksgruppe (ethnic group) in Austria has an online medium under the joint management of the four largest Hungarian associations in Vienna and Burgenland. This unique project was made possible by the new ethnic group funding of the Austrian Federal Chancellery. However, the new communication and networking opportunities offered by the new online medium to the Hungarian community in Austria also go hand in hand with several challenges that go far beyond the question of funding. For example, the editors and staff of the online medium must clarify a number of conceptual and practical issues that are of central importance, especially for minority media. The paper presents both the potentials and the challenges of minority media in the age of digitalization and demonstrates them using the example of the online medium of the Hungarian ethnic group in Austria.
Baroque tradition in early Romanticism •
Grounding the modern literary canon in Hungary
Abstract
The elaboration of a canon of literary tradition was a key issue within the renewal of Hungarian literature at the turn of the 18th and 19th centuries. The leading figures of the movement, Ferenc Kazinczy (1759–1831) and Ferenc Kölcsey (1790–1838), both saw Miklós Zrínyi's (1620–1664) poetry collection Adriai tengernek Syrenaia (Syrena of the Adriatic Sea), published in 1651, as a model that offered aesthetic value, national ideology, and an example for reforming the literary language. The present study examines the extent to which these aspirations may be linked to the poetic modernity of Zrínyi's time, the first half of the 17th century, and concludes that the Syrena volume was not simply a model for the successors, but it can be philologically proven that Kazinczy and his circle (mainly by following Francis Bacon) continued the agenda initiated by Zrínyi. In this sense, the waves of modernity do not follow one another, but are layered on top of one another in the history of Hungarian literature.
Abstract
It was in the Latin-language historical literature of medieval and Renaissance Hungary that the noble ideology was first formulated which has determined the discourse on Hungarian national and literary consciousness up to the present day. These chronicles, however, contain a great deal of information not only about the Hungarians, but also about the peoples who lived alongside them. Thus, Romanians are also important figures in this Latin-language historical literature. In the first part of this study we will discuss the depiction of the Romanians in Anonymus' and Simon Kézai's Chronicles, the Illustrated Chronicle and Antonio Bonfini's monumental work. In the second part of the study I will describe the influence of the Hungarian Reformation literature of the 16th and 17th centuries on Romanian literature. From a Hungarian perspective, the Romanian Reformation is worth studying because it is a clear demonstration of Hungarian “cultural imperialism” in the 16th to 18th centuries, so much so that Hungarian culture has been unable to repeat cultural export on such a scale ever since. This means that between 1540 and 1750 there was no other language into which so many Hungarian-language ecclesiastical works (catechisms, psalms, hymns, postulates, agendas, piety works) were translated as Romanian. In other words, no other culture has been so powerfully influenced by a Hungarian impact as was Romanian culture during these two centuries.
Abstract
This study focuses on literary mystification, which has become extremely common in Central European postmodern literature in recent decades. Mystification is essentially a game related to the authorial name, to pseudonyms, masks and various alter egos. The paper attempts to separate three procedures of postmodern text creation by considering the aspect of mystification: early postmodern text creation, based on the principle of imitation; areferential postmodernism, based on simulation, and the anthropological postmodern, which is present through a transitive strategy. The study analyses the pseudonymised works, among others, of István Baka, Árpád Tőzsér, Péter Esterházy, Lajos Parti Nagy, András Ferenc Kovács and Zoltán Csehy.
Abstract
The paper discusses two defining phenomena of recent years: transculturalism and translingualism in the context of contemporary Hungarian literature. The first part of the article deals with the theoretical basis of transculturalism and focuses on the relationship between transculturalism and literature. The second part presents the most significant translingual authors of Hungarian origin and lists some of the most typical characteristics of their works. Finally, the paper poses a question about the place of translingual writers in the canon of national literature.
Abstract
Within the regional literary canon of Transylvanian Hungarian literature, female authors had a marginal position during the last century, as a quantitative methodology can show. The objective of the paper is to point out the structural dimensions of this marginalization, through exploring patterns in the reception of women authors, and characteristics of the literary field of Transylvanian Hungarian literature. The question is whether thematic or genre issues, the prestige of certain literary and cultural forms (like memoirs, children's literature, theatre etc.) affected during the past century the canonical position of female authors. The analysis outlines a possible structure of a women's literary tradition.
Die Wiener Weltausstellung 1873. •
Die Berichterstattung von Ármin Vámbéry und Max Nordau über die orientalische Abteilung sowie den Schah-Besuch in der Kaiserstadt.
Abstract
The oeuvre of the orientalist, Turkologist and traveler Ármin Vámbéry has been well researched, his long life full of adventures and his travels made him a famous personality on several continents during the Dualism-era, and so he has not succumbed to oblivion to this day. However, his creativity and work are multi-layered, so they require the approaches of various scientific disciplines, e.g. some facets of his widely ramified and not least unexplored journalistic work can be contributed to Vámbéry research. This article is devoted to Vámbéry's publication on the occasion of the Vienna World Exhibition of 1873, which also allow a comparison with the feuilletons of his friend, who later became a writer, cultural critic and Zionist, Max Nordau (1849, Pest–1923, Paris).
Proper names have always played a significant role in the history of language and culture of any nation. Besides, research on personal names in different epochs and in local regions are important both for history and onomastics. Surnames could reflect the history of a nation almost in every country because they are passed on from one generation to the next. Surnames are particularly interesting for studying traditions and they are strictly connected to the social and historical background in the analyzed region. The study of surnames can also be of benefit to other areas of onomastics such as toponomastics and socio-onomastics.
Although the topic of surnames has been exploited in many countries and languages for a long period, there are still some new aspects that can be presented on this topic. This research examines the surnames in the mass media in the Odesa Region. Historically, the Odesa region was multicultural that is why we came across with both Slavic and non-Slavic surnames but the object of this investigation is Slavic surnames. The analyzed mass-media texts are drawn from the 19th-century newspapers Odessa Vestnik and Odessa Advertisement Sheet. About 2,000 surnames were taken for the analysis from announcements and advertisements in these newspapers. The study of the surnames has concentrated on the names of all levels of the society. The purpose of the paper is to make the typology of the surnames and present the quantity of surnames in each group. Some historical events that impact the name-giving process are mentioned and social factors which influence the name-giving process are described.
The study has revealed that 19th-century surnames were created from anthroponyms, toponyms, ethnonyms, and appellatives. The last group contains occupational surnames, surnames with the semantics of fauna and flora as well as surnames derived from other concrete or abstract nouns. An additional complicating factor was that it was not always easy to interpret and identify the origin of some surnames. The results of this paper indicated that analyzed surnames from the 19th century in this region are part of culture. The surnames derived from appellatives represent a significant part of the studied surnames (56%), among them there are occupational surnames (13%); surnames with the semantics of flora and fauna (23%) as well as surnames having other concrete or abstract meanings (20%). Personal names make up 29%, toponyms are of 11%, and the least frequent category is surnames derived from ethnonyms (4%).
From the perspective of further research, it would be interesting to compare the received results with the typology of the modern surnames in the same region.
Abstract
The paper offers a general overview of the place that Hungarian literature occupies in the polysystem of translated literature in Serbia. Unlike established philological disciplines with a longer tradition (English, German, French or Russian philology), which offer several different historical overviews of the history of a given literature, thus enabling the experts, the students and the general public to gain a more systematic insight into the respective literatures, there has only been one history of Hungarian literature published in Serbia so far. Given the fact that it was published back in 1976, and that many aspects of its methodology and insights have become outdated, it is an urgent necessity to produce a new work on the subject, specifically for the Serbian readership.
Abstract
Parallel with the emergence of modern national identity and culture, from the late 18th to the early 20th century an emphasized consciousness underlined the attempt to create a ‘national’ dress. In the court cultures of Europe, a shift in the style of representation from ‘international’ to ‘regional/ethnic’ and ‘national’ served the aim of updating the monarch's role. Royals reaffirmed their sense of belonging to their own ‒ or adopted ‒ nations through the conscious introduction of national elements into the dress code of the court. Royal courts also played a leading role in the myth-making process surrounding the so-called national style. The connection between power, prestige, and the dynamics of costume as a fashion statement is obvious in this process.
New Results of Hungarian Legal Ethnography •
Guest Editors' Foreword
O Bojničićevoj Gramatici madžarskoga jezika iz drugoga kuta: uzroci i narav mijena izdanja gramatike na razmeđu dvaju stoljeća
On Bojničić’s Hungarian Grammar from Another Angle: The Causes and Nature of Changes in its Editions at the Turn of the 20th Century
U sjeni Bojničićeva rada, obilježenoga iznimnim prinosom hrvatskoj kulturnoj povijesti i pomoćnim povijesnim znanostima, ostala je Gramatika madžarskoga jezika (1888., 1896., 1905., 1912.) koja je na razmeđu dvaju stoljeća, u vrijeme smjene filoloških škola (zagrebačke školom hrvatskih vukovaca), doživjela nekoliko izmijenjenih izdanja. Gramatiku je – točnije njezino prvo izdanje – kao udžbenik odobrio Odjel za bogoštovlje i nastavu Kr. ugarskoga ministarstva, potom ju nagradio 1889., a naposljetku je ipak negativno ocijenjena, i to u službenom glasilu istoga Odjela koji ju je i nagradio, u Nastavnom vjesniku, a gotovo jednako ocijenit će ju i neki mađarski izvori početkom 20. stoljeća.
Pritom je riječ o kritikama koje su se mahom odnosile na (hrvatski) metajezik gramatike, donošenje netočnih pravila te na njezino, po sudu određenih kritičara, nesustavno oblikovanje, a samom se Bojničiću zamjerala nedostatna filološka naobrazba. Upravo ju stoga ti kritičari između ostaloga opisuju kao priručnik neprikladan za nastavnu uporabu. Od navedenih četiriju izdanja gramatike – iako konzultirani hrvatski i mađarski izvori ustvari ne donose nedvosmislen podatak o tome koliko je točno izdanja gramatika doživjela – spomenutoj je filološkoj ocjeni također podlegnulo samo prvo, a autor je poneke ispravke uklopio u kasnija izdanja svoga gramatičkoga priručnika.
U ovom se radu uspoređuju četiri izdanja Bojničićeve gramatike, utvrđuju se jezične, nazivoslovne i leksičke mijene njezina polaznoga (hrvatskog) jezika te se propituje u kojoj su mjeri potaknute objavljenim kritikama te koliki je odraz smjene filoloških škola vidljiv u pojedinim izdanjima. U sklopu tumačenja mijena što ih izdanja gramatike sadrže, posebice se ističu jezične osobitosti svojstvene normi zagrebačke filološke škole, čime se pak nastoji potkrijepiti činjenica kako je riječ o obilježjima koja su prisutna u svim četirima izdanjima gramatike neovisno o vremenu njihova izdavanja te jezično-političkim okolnostima i utjecajima pod kojima su nastala.
U konačnici se nastoji potvrditi (ne)opravdanost negativne recepcije koju je gramatika imala u dijelu filološke javnosti svojega vremena. Drugim riječima nastoji se dati odgovor na pitanje valja li Bojničiću pridružiti epitet autora čiji rad – pa tako ni njegova gramatika – u odgovarajućoj mjeri nije stručno potkovan ili mu pak, bez obzira na njegovu naobrazbu i upućene kritike, valja odati priznanje zbog neospornih prinosa što ih je dao u području hrvatsko-mađarske gramatikografije.
In the shadow of Bojničić’s work marked by exceptional contributions to Croatian cultural history and auxiliary historical sciences remained the Hungarian Grammar (1888, 1896, 1905, 1912), which at the turn of the century, at the time of change of philological schools (Zagreb philological school was supplanted by the school of Croatian Vukovians), saw several modified editions. This grammar book (to be exact, its first edition) was approved as a textbook by the Royal Hungarian Ministry of Worship and Education and awarded by the same institution in 1889. Eventually, the grammar was nevertheless negatively reviewed in Nastavni vjesnik, the official gazette of the same Ministry, which had previously awarded the grammar, and was almost equally evaluated by some Hungarian sources at the beginning of the 20th century.
The criticism mostly concerns the grammar’s metalanguage (Croatian), deriving incorrect rules, and its unsystematic format (according to certain critics), and Bojničić himself was criticized for his deficient philological education. This is exactly the reason why those critics, amongst other things, describe it as a handbook inadequate for school use. Of the four above-mentioned editions of the grammar – although the consulted Croatian and Hungarian sources do not explicitly state exactly how many editions the grammar had – only the first edition received the above-mentioned philological evaluation, and the author made some corrections in the later editions of his grammar book.
This paper compares the four editions of Bojničić’s grammar, identifies linguistic, terminological, and lexical changes in its source language (Croatian), and examines the extent to which they had been motivated by the published criticism and the extent to which the change of philological schools is reflected in individual editions. Within the interpretation of the changes made in the different editions, linguistic features characteristic of the norm of the Zagreb philological school are highlighted, in an attempt to corroborate the fact that these features are present in all four editions of the grammar irrespective of the time of their publication as well as the linguistic-political circumstances and influences under which they came into existence.
Ultimately, the present paper seeks to confirm the (un)justification of the negative reception the grammar had in a part of the philological public of its time. In other words, we seek to answer the question of whether Bojničić is to be given the epithet of an author whose work – including his grammar – is to a certain extent not professionally grounded, or, regardless of his education and the criticism toward his work, he has to be given credit for his indisputable contribution to the field of Croatian–Hungarian grammaticography.
Гетеротопия Г. Ф. Квитки-Основьяненко «Вояжеры» в контексте теории пространственного поворота
The Voyagers by Hryhorii Kvitka-Osnovianenko: Heterotopia in the Context of the Theory of Spatial Turn
Статья посвящена не исследованной в современном литературоведении повести Г. Ф. Квитки- Основьяненко, интересной с точки зрения жанровых ресурсов, их сложного преломления в перспек-тиве художественного пространства. Рассмотрена пародия на имперское культурное пространство, которое множится, разрастается путем экспансии, трансгрессии на территорию чужого. Кумуляция фиктивных хронотопов с перенесенными на свою почву чужими идеологиями, воображаемой, отор-ванной от реальности, фальшивой европеизацией оборачивается опосредованной формой антико-лониальной критики. Мимикрия, бездумное копирование становится настоящим обезьянничаньем, удвоенным в гетеротопии как форме интенсивного «производства пространства», его лабильности, деформаций, семантических сдвигов и смещений. Продуцирование пространства осуществляется в воображении, с помощью фантазирования, которое превращается в цепочку причудливых соеди-нений, гротескных образов, зеркальных отображений.
Воссозданное Г. Квиткой-Основьяненко время и пространство построено на серии перемещений по имперским просторам, механистическом движении скульптурных поз и жестов, окаменелых тел, автоматов, кукол, марионеток вместо людей. При этом семантизация пространства непосредствен-но связана с субъективными интенциями, внутренним миром повествователя-визионера. Перед нами инверсивная, критически переосмысленная модель заряженного человеческими свойствами, чувствами, эмоциями феноменологического пространства, описанного Г. Башляром. Ее примене-ние по отношению к культурным реалиям первой половины XIX века позволяет адекватно интер-претировать весьма характерную для империи галломанию, моду на все французское, заграничное, обезьянничанье, слепое подражание образцам чужой культуры. Обращает на себя внимание соотнесенность этого поведения с культурной прецедентностью, следовательно, прочтение «вояжей» как риторических фигур, в аллегорическом ключе. Текстуальное прочтение пространственных перевоплощений обусловливает их трансгрессивный характер, выход за собственные пределы, экс-пансию, которая приводит к кризисному характеру гетеротопии без географических границ.
Отдельного внимания заслуживает то, что украинский прозаик предлагает собственную интер-претацию концептов просветительской культуры, в частности утопий психоавтоматов, механиз-мов, которые предстают аллегориями живых людей, их предсказуемого поведения. Пародийный эффект усиливается не только нанизыванием несоответствий формы и содержания, пространства действия и пространства воображения, но и полемикой с имперским травелогом, прежде всего его наиболее реакционными, оппозиционными по отношению к Квитке-Основьяненко представителя-ми. Однако антиколониальная критика подчинена все же решению жанровых задач на уровне ино-сказания, пространственного поворота, переосмысления бинарной и тернарной моделей культуры.
A parody of the imperial cultural space is considered in the paper. It is multiplied and grown through expansion and transgression into foreign lands. The accumulation of fictitious time-and-space notions with implicit foreign ideologies, which are imaginary, detached from reality, and erroneous Europeanization turns into an indirect form of anti-colonial criticism. Mimicry and mindless copying turn into real frills, doubled in heterotopy as a form of intensive space production, its lability, deformations, semantic shifts, and movements. The production of space is carried out in the imagination with the help of fantasy, which turns into a chain of bizarre combinations, grotesque, and mirror images.
The time-and-space created by H. Kvitka-Osnovyanenko is built on a series of movements through the imperial spaces, the mechanistic movement of cursed poses and gestures, petrified bodies, machines, dolls, and puppets instead of people. At the same time, the semanticization of space is related to subjective intentions and the narrator’s inner world. It is an inverted, critically rethought model of the phenomenological space charged with human qualities, feelings, and emotions described by Gaston Bachelard. Its application to the cultural realities of the first half of the 19th century allows us to adequately analyze Gallomania, which was very characteristic of the empire, and fashion for all French, frills, and blind imitation of foreign culture. The correlation of this behaviour with cultural precedent and the reading of the characters’ voyages as rhetorical figures of allegorical language is shown. Textual reading of spatial reincarnations determines their transgressive nature, going beyond their borders and expansion, which causes the crisis nature of heterotopia without geographical boundaries.
The Ukrainian novelist offers his interpretation of the concepts of educational culture, in particular the utopias of psycho-automated machines, the mechanisms that appear as allegories of people and their predictable behaviour. The parody effect is enhanced by a stringing of inconsistencies in form and content and spaces of action and imagination and by polemics with the imperial travelogue, especially the representatives most oppositional to H. Kvitka-Osnovyanenko. However, this anticolonial flow is aimed to solve genre problems at the level of allegory, spatial turn, and rethinking the binary and ternary models of culture.
Морфосинтаксические особенности русского языка в закарпатском Солотвине и приднестровском Тирасполе
Morphosyntactic Features of the Russian Language in Transcarpathian Solotvyno and Transnistrian Tiraspol
Данная работа представляет результаты нашей полевой работы, проведенной с 2004 года по 2011 год в двух трехъязычных городах: Солотвино (Закарпатская область, Украина) и Тирасполь (При-днестровье, Молдова) и направленной на выявление функционирования русского языка как язы-ка-посредника между национальными меньшинствами этих населенных пунктов: между венграми и румынами в Солотвине и между молдаванами и украинцами в Тирасполе. Мы делали письменные заметки, записи спонтанной речи, а также интервьюировали собеседников. Для выявления особен-ностей русского языка респонденты делали письменные и устные переводы, писали сочинения и заполняли тесты. Нашей целью было выявление сходств и различий между этими двумя языковыми ситуациями, а также описание местного варианта русского языка.
В первой части работы представлены изучаемые языковые сообщества, особенность которых со-стоит, с одной стороны, в том, что в обоих случаях языки национальных меньшинств относятся к разным языковым семьям. С другой стороны, русский язык в Приднестровье имеет статус госу-дарственного языка наряду с украинским и молдавским и преподается во всех учебных заведениях Приднестровья, а в Закарпатье, как и на всей Украине, он не имеет никакого официального статуса. В Солотвине еще действуют венгерская и румынская школа наряду с украинской, но русский язык уже нигде не преподается в последние 6 лет. Несмотря на это, даже местные дети продолжают поль-зоваться русским языком в общении с иноязычными соседями. Многоязычие сохранилось именно благодаря потерявшему коннотацию языка власти и ставшему «нейтральной», «сверхнациональ-ной» lingua franca русскому языку.
Во второй части работы описаны некоторые фонетические, лексические и грамматические осо-бенности солотвинского русского языка в сопоставлении с русским языком в Тирасполе. Местный русский язык подвергается всестороннему влиянию близкородственного официального украинско-го языка и, в меньшей мере, неродственных румынского и венгерского языков, которые в сознании местных говорящих резко отделяются от языков славянской группы.
В третьей части работы мы рассматриваем результаты тестов по использованию глагольного вида школьниками данных населенных пунктов. Мы уделили особое внимание глагольному виду, так как он не имеет полноценного аналога ни в румынском / молдавском, ни в венгерском языках и правильность его использования доказывает высокий уровень владения языка. В случае употреб-ления видовых пар, интерференция с украинской грамматикой может даже оказаться «положи-тельной» по сравнению с интерференциями из румынского и венгерского субстратов. Однако зна-ния солотвинских школьников не имеют теоретической основы, и, скорее всего, свидетельствуют о «панграмматическом» подходе к вопросу глагольного вида, так как они осваивают русский язык в процессе общения и спонтанной речи.
В заключение мы приводим примеры из сочинений школьников о местных языках и даем прогно-зы по поводу возможного будущего русского языка в исследуемых регионах.
This paper presents the results of our fieldwork conducted from 2004 to 2011 in two trilingual cities: Solotvyno (Transcarpathian region, Ukraine) and Tiraspol (Transnistria, Moldova) and aimed to identify the functioning of Russian as an intermediary language between national minorities in these settlements: between Hungarians and Romanians in Solotvyno and between Moldovans and Ukrainians in Tiraspol. We made written notes and recordings of spontaneous speech as well as interviewed interlocutors. In order to identify the features of the local Russian language, respondents made written and oral translations, wrote essays, and filled out tests. Our goal was to identify similarities and differences between the two linguistic situations as well as to describe the local variant of Russian.
The first part of the paper presents the language communities under study, the peculiarity of which is, on the one hand, that in both cases, the languages of the ethnic minorities belong to different language families. On the other hand, Russian in Transnistria has the status of a state language along with Ukrainian and Moldovan and is taught in all educational institutions in Transnistria, while in Transcarpathia, like the rest of Ukraine, it has no official status. In Solotvynо, there is still a Hungarian and Romanian school along with Ukrainian but Russian has not been taught anywhere for the past 6 years. In spite of this, even local children continue to use Russian in communication with their foreign-speaking neighbours. Multilingualism has been preserved thanks to the Russian language, which has lost its connotation as the language of power and has become a “neutral” or “supra-national” lingua franca.
The second part of the paper describes some phonetic, lexical, and grammatical peculiarities of Solotvyno’s Russian language in comparison with the Russian language in Tiraspol. The local Russian language is subjected to the comprehensive influence of the closely related official Ukrainian language and, to a lesser extent, of the unrelated Romanian and Hungarian languages, which in the minds of local speakers are sharply separated from the languages of the Slavic group.
In the third part of this paper, we examine the results of tests on the use of the verbal aspect by schoolchildren in these localities. We paid special attention to the verbal aspect because it has no full-fledged analogue in Romanian / Moldovan or Hungarian, and its correct use proves the high level of linguistic proficiency. In the case of the use of aspectual pairs, the interference with Ukrainian grammar may even be “positive” as compared to the interference from Romanian and Hungarian substrata. However, the knowledge of Solotvyno’s school-children has no theoretical basis, and most likely indicates a “pangrammatic” approach to the question of verbal aspect, as they master the Russian language in the process of communication and spontaneous speech.
In conclusion, we give examples from schoolchildren’s essays about local languages and some predictions about the possible future of the Russian language in the regions under study.
ABSTRACT
In the Theogony, Hesiod tells us that there was a primitive, loveless Eros at the beginning of the universe, but later in the poem Eros appears as the god of love and the follower of Aphrodite. Asian kings, Greek tyrants, and Athenian imperialists experienced a loveless desire for absolute power and sexual abuse, but the Greek poets celebrate Eros and Aphrodite as gods of love who bring happiness into their lives. Euripides will later question the benevolence of Eros and Aphrodite, and Plato will violently rejects all physical and sexual love. Plato imagines love as being a manifestation of the primitive loveless god of Hesiod, and he uses this nightmare to attack human love, and the Athenians, and their democracy.
Abstract
Investigation about Greek lexicography is very important for the Byzantine culture and for the knowledge of classical authors. The German-Danish school has studied lexicography with a historical view and in particular in the nineteenth century it reconstructed lost lexicons. In contrast, the Italian school had a functionalist and structuralist approach. In recent years, however, scholars have adopted the best aspects of both schools. Indeed, now the method of lexicographic studies is unitary.
Abstract
Love is one of the most frequent literary motifs, often differentiated in various forms. A plurality of words for love in ancient Greek corresponds to a plurality of their divine representations in particular works, and more generally in Ancient religious and philosophical images. The most famous concept is that of the two Loves which is represented in Plato's dialogue Symposium. In the paper, the author revises the standard interpretation of the ‘Two Loves Topos’, considered in Mart. 2. 144–148, literalized as the presence of Amor and absence of Cupid in Philology's suite during her journey to heaven, in terms of literary intertextuality. After a brief outline of the literary evidence of the ‘Two Loves Topos’, Martianus Capella's comprehensive picture is analysed, connecting the archaic opposition between Amor and Cupid and the Platonic division to support his compositional intention to create a ‘new’ comprehensive Love god person, who is in accordance with the unified and harmonious world of mythological, cosmological, and philosophical scholarship.
The article suggests identifying two scenes on a Gandhara slab from Karamar with plays written by Aśvaghoṣa. One, preserved in the Berlin Turfan collection, is among the oldest known Indian theatre plays (Śāriputraprakaraṇa) focusing on the conversion of Śāriputra and Maudgalyāyana, two of the most important Buddhist monks certainly belonging to the 2nd century. The second scene shows the conversion of Nanda, the half-brother of the Buddha as described in the Saundarananda attributed to the same author. Attempts shall be made to identify the art historical templates and at the same time to trace its subtle iconography.
After the Tibetan Empire lost its power over Central Asian regions in the 9th century, a group of people in North-eastern Tibet (Amdo), known as wamo 嗢末, made its way into the Chinese chronicles of the subsequent dynasties. The corresponding Tibetan name for the group of people has been disputed since the late 1950s, when scholars first put hypotheses forward on the subject. This paper contends that the correct rendering in Tibetan is ’Od-’bar ‘blazing light’, a suggestion initially offered by Hungarian Tibetologist Géza Uray. Moreover, by reviewing all the proposals Western and Chinese scholars provided, this paper presents hitherto overlooked textual and phonological evidence to settle this dispute.
The paper constitutes part of a long-range series aiming, step by step, to identify the Afro-Asiatic heritage in the etymologically little explored lexicon of Omotic (West Ethiopia), a branch displaying the least of Afro-Asiatic traits among the six branches of this ancient macrofamily.
… Quid sit Amor… •
The vision of love as destructive force in Sappho's fragments and in Vergil's Eclogues
Abstract
The paper examines the parallelisms in the poetic presentation of love as a phenomenon and Love as a divine figure in the fragments of the Aeolian poetess Sappho and in Vergil's Eclogues. Having shown the strong echoes of Sappho's opus in the Roman culture of Vergil's time, the research focuses on analogies at the semantic and expressive level. The two poets share a vision of love/Love as a deeply destructive force, which threatens human existence – a vision introduced by Hesiod – but they also share some refined models of sublimating that destructiveness. The paper particularly explores those models and the layering of thought that the motif of love acquires, thanks to them.
This paper offers a reexamination of the role of Nogai (c.1237–1300) in the Golden Horde. Commonly portrayed as an almighty khanmaker appointing the Jochid khans at will, I argue that this is a creation of the secondary literature. Instead, based on a rereading of the relevant primary sources, I argue for a far more limited role of Nogai within the Horde’s politics. While influential as both a military commander (first as beylerbeyi and then tammachi) and as the elder member of the Jochid lineage (aqa), Nogai’s power over the Horde was never as great as the scholarship has consistently portrayed.
In several Runic Yenisei inscriptions dating from the 8th and 9th centuries, there are words related to Sogdian, such as Arγu in monument E42, Čač (Tashkent) in E52, Čaγar (柘羯, ‘warrior’) in E55, Pülüs (Paulus / Paul, personal name) in E69, etc. Among them, Pülüs (Paul), the tomb owner of E69, comes from the Shi 石 Kingdom (Tashkent) in Sogdiana. This provides key historical data for understanding the relationship between the Sogdians and Kirghizs,and indicates that there was a material and cultural exchange between them in the Yenisei basin at that time.
By sorting and comparing 18 verb forms in Khitan Small Script and 7 verb forms in Khitan Large Script that denote ‘to marry, to be given as wife’, the current study deals with the relation between the Khitan Large Script and Khitan Small Script forms. Further, it analyzes problems connected with their orthography, morphological and grammatical structure, with the grammatical cases governed by the verb and considers possible etymologies of the verbal stem.
In this paper we would like to introduce two newly identified Old Uyghur fragments kept in the Research Department of Dunhuang Academy, China. The first one (D0913) is a small fragment which we identified as part of another copy of the Ci’en zhuan 慈恩轉, namely of a colophon to the 4th book of the Old Uyghur translation. The second one (D0623) written on the verso side of a Chinese Buddhist scroll of T. 643 is an Old Uyghur poem which can be compared to the Ratnasūrya avadāna.
