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Arts and Humanities journals’ primary focus is on presenting theoretical and empirical research in these respective fields. The main goal is to encourage educational research and connect academia to the scientific community. Researchers and scholars need to share their research findings with others to help better understand and act on the ongoing social changes in the field. The Arts and Humanities journals aim to provide a platform for everyone who shares a common interest in these fields and to group all the latest field findings in one place.
Arts and Humanities
Abstract
The Romans were conquerors, and it is unsurprising that they looked favorably upon the greatest conqueror of antiquity, Alexander the Great. In Livy's Ab Urbe Condita, there are several passages in which he uses the image of Alexander to help craft his own concept of Rome's place within the wider Hellenistic world, especially within the eastern Mediterranean. Livy, despite his generally positive opinion of Alexander, ultimately created scenarios where he portrayed the Romans as superior to the Macedonian king, first, because of the primary focus of Livy's history, namely the rise of Rome to Mediterranean dominance, and second, because of the political atmosphere in which Livy was writing, namely the complete submission of the Mediterranean basin under Augustus' empire. Although scattered throughout Livy's extensive writing, when analyzed together these passages illustrate a persistent and connected motif that influences Livy's larger narrative: Alexander was great, but Rome is greater.
This article provides a description, scholarly edition, and translation of an interesting variant of a well-known folk narrative entitled Qiṣṣat al-Ḥağğāğ about the famous Umayyad governor al-Ḥajjāj ibn Yūsuf and a young man. The story also appears in various other manuscripts but has rarely been studied. In this case, it is preserved in Ms. TF 136 No. 387 from the Bašagić’s Collection of Islamic Manuscripts, which is housed at the University Library in Bratislava, Slovakia. The variation of the story was also integrated into the Arabian Nights, being a part of the well-known Wortley-Montague manuscript stored in the Bodleian Library in Oxford. To preserve the authentic scribal practices, the presented edition offers the text with all its orthographic and linguistic peculiarities, regardless of how insignificant or incomprehensible they might seem. The edition is accompanied by a translation and explanatory notes. This is probably the first time that a complete text from the Bašagić’s Collection has been thoroughly studied.
Abstract
Béla Bartók's relationship with the Pro Arte Quartet was not as personal as the composer-pianist's relationship with the Waldbauer-Kerpely Quartet, the New Hungarian Quartet, or even the Kolisch Quartet. Professionally, however, it was equally fruitful. This study describes the relationship between the composer and the quartet, mainly based on the surviving correspondence between Bartók and the impresario Gaston Verhuyck-Coulon, and between Bartók and the Viennese publisher Universal Edition. It discusses in detail the circumstances surrounding the dedication of String Quartet no. 4, the commissioning of String Quartet no. 5, and the background to the surviving recordings of String Quartets nos. 1 and 5. It also takes stock of the plans that went up in smoke: the exclusive performance rights of String Quartet no. 3, a concerto for string quartet and orchestra, the studio recording of String Quartet no. 4, and the fact that the ensemble never met Bartók in person.
Abstract
Parnasso in festa (HWV 73, 1734), George Frideric Handel's festa teatrale, composed for the wedding festivities of his royal pupil Princess Anne, is a neglected piece within his oeuvre, mostly because of its hybrid nature. The fact that a considerable portion of the work was adapted from the Oxford oratorio Athalia ought not to cloud our appreciation of the newly-composed parts, since this appropriation is best understood as an act of Athalia's “repatriation” to its patrons. As a musical “centaur,” Parnasso shows intriguing multi-layered ambiguities. Was the Janus-faced Handel (Apollo/Orpheus) lamenting the departure of his favorite, or was this a bitter-sweet celebration of an unwanted marriage? Dramatically, the focus falls on Apollo's and Orpheus's loss of their loved ones, but how does this fit together with the massive vocal domain of Carestini (Apollo) and Strada (Clio)? On the vocal side, Carestini was given the most virtuosic numbers, resulting in the musical polarization of the main roles. Anna Maria Strada, as a Muse, represented the pastoral side, while Carlo Scalzi (Orfeo) added plaintive pathetic arias to the palette. Nevertheless, harmonizing points both in Carestini's and Strada's musical style and vocal tone formed a “thread” that helped sew the diverse parts of the Parnasso-centaur together.
Der Pester Lloyd als Quelle musikhistorischer Forschungen •
Ein Annäherungsversuch mit Beispielen aus dem 19. Jahrhundert
Abstract
The cultural exchange processes can also be formulated from the point of view of transfer research, because plurality and hybrid cultures are primarily characteristic of the Central European communication space. The actors of these cultural mediation processes, who had the authority to shape and transport knowledge and culture, were authors, translators, publishers, journalists, and critics. As far as the research initiative of the author of this study is concerned, which focuses on the period between 1867 and the turn of the century (around 1900), it must be stated that this period has so far been only sparsely investigated. As a result of our own wide-ranging press-historical research, a cultural-historical database of the most important German-language organs of this epoch was created, whereby the focus was primarily on the culture section, mainly on the feuilleton yield of these newspapers. In addition to literature and theater, there was also intensive reference to neighboring disciplines, since art criticism, art history and, last but not least, the musical stages in Pest and Vienna were given plenty of space in these organs. In the following, an overview of the history of the press is given in a compact form, followed by selected finds on the subject of music from the last third of the nineteenth century.
Abstract
Georges Cziffra (1921–1994) was one of the outstanding figures of Hungarian and international performing arts in the twentieth century. His adventurous life, career, fate, the virtuosity of his technical skills and his international fame have created a cult of his own, especially in recent years. However, his professional career and general biography have not yet been studied, and little to no literature has been written in the two and a half decades since his death. Thus, the reader/researcher can rely almost exclusively on his autobiography (Cannons and Flowers) and on personal reminiscences and anecdotes, which, as my research has shown, resemble a very limited extent of reality. My aim is to reconstruct and present an objective, fact-based biography in the current study, relying on the material of archives and other institutions and libraries I have collected, as well as on the complete contemporary digitized press material.
Abstract
Dénes Bartha (1908–1993), the internationally renowned Hungarian music historian, worked as a music critic for Pester Lloyd, the German-language Budapest daily newspaper between 1939 and 1944. Within the five concert seasons, I found a total of four hundred and sixty-five writings by Bartha in the columns of the newspaper, mostly reviews of concerts and opera performances but also some interviews and theoretical articles. The importance of the articles is enhanced by the fact that they commemorate the performances of such distinguished Hungarian musicians as Béla Bartók, Ernst von Dohnányi, Emil Telmányi, Ede Zathureczky, the Waldbauer–Kerpely String Quartet and the Végh Quartet among others, and they also document guest performances in Budapest by such renowned foreign performers as Herbert von Karajan, Wilhelm Furtwängler, Willem Mengelberg, Hans Knappertsbusch, Clemens Krauss, Edwin Fischer and Walter Gieseking. In 2022, one hundred and twenty articles were published in my Hungarian translation from this extremely valuable and diverse material. In this study, I present the main features of Dénes Bartha's perspective as a music critic, taking examples from the articles included in the volume.
Abstract
Jenő Hubay (1858–1937) attained his greatest stature as the founder of the Hungarian Violin School. Although Hubay's name is mostly mentioned in violin pedagogy, he was also a popular composer during his lifetime. He composed over 300 violin works, and his role as composer is underestimated unlike those of contemporaries such as Eugène Ysaÿe. The present paper focuses on the performance perspectives in Hubay's violin concertos, by examining the historical background of each concerto, followed by a systematic approach to violin and musical techniques. This includes guidelines for determining tempo, dynamics/dynamic planning, bowing/articulation, tempo rubato, and portamenti/vibrato to create a style of performance appropriate to Hubay's works.
Abstract
I propose an overview of some of the defining aspects of Ștefan Niculescu's composition, some of which link him to his much better known contemporary on the world stage, György Ligeti. The musical affinities between the two have evolved into a steadfast friendship, reflected in a newly published correspondence that is becoming significant for slices of recent music history. I do not intend a comparison or an analytical parallel between the compositions of the two: the focus will fall on Niculescu's musical springs, with some signs of his and Ligeti's compatibility. Niculescu's heterophony versus Ligeti's micropolyphony, the impulses both received from mathematics, linguistics, the natural sciences, as well as the search (since the 1980s) for a new diatonicism that would configure an alternative system to serialism, all can be examined accordingly. It is also not uninteresting that both composers are convinced that they belong neither to the avant-garde nor to postmodernism, but consistently follow modernism.
Abstract
In Pannonia from 122 sites 9867 Central Gaulish samian are recorded so far. The greatest number of this pottery has been published from the towns adjacent legionary fortress. Central Gaulish pottery is usually rare to find in cemeteries. The quantity of this ware everywhere greater than that of South Gaulish samian.
90.66% of the Central Gaulish terra sigillata are from Lezoux and 7.6% of this ware can be related to the workshops of Les Martres de Veyre. There may also have been a small number of Central Gaulish sigillata imported from Vichy, Terre Franche, Toulon sur Allier or Lubie. These samall production centres could be considered as possibilities.
The Lezoux group is represented in Pannonia by 15 plain and 2 decorated forms. The decorated ware can be chronologically divided into three large groups. The earliest ware of Trajanic period is quite rare in Pannonia; they occur only in the western part of the province.
The second chronological group, the Hadrianic–early Antonine one is in Pannonia a total of five times larger, than the Trajanic group. The total number of the third group, the Antonine samian is seven times larger, than the number of Hadrianic–early Antonine sigillata.
Hadrian founded 8 to 9 municipiums in Pannonia. The new cities, mainly the two provinial seats Carnuntum and Aquincum had a large shipment of ware from Central Gaul. After the Marcomannic wars (166–180 AD) Rheinzabern took over a leading role on the provincial markets.
Abstract
Gyula László’s theory, published in 1970, was virtually ignored and received with tacit dismissal by the Hungarian archaeological scholarship and international archaeological community was largely unaware of it. This paper aims to provide clarity for the latter research. Not a single element of the theory was accepted or was acceptable even at the time of its birth: distribution of the late Avar and the Conquest-era sites do not complement each other; István Kniezsa's map is highly discussed and is not suitable for proving that the eighth century Avars were Hungarians; Byzantine sources record the immigration of a military group and not of a people, who later moved on; the “Ugri Bjelii” mentioned in the Russian Primary Chronicle cannot be applicable to this immigration; the so-called of “griffin-tendril” population is about 30 years later as the supposed immigration; there was not a migration from the Káma region in the seventh century) connecting the “Uuangariorum marcha” with the “Onogurs” is highly uncertain; there is no trace of any immigration in the anthropological material of the Avar period.
Errare humanum est.
Abstract
The present paper describes and discusses a group of iron and copper-alloy rotary keys characterised by a moveable joint connecting the shaft and the key-ring, appearing in the seventh-century material record of the Carpathian Basin whose origins can be sought in the Mediterranean. While the few published examples of the class were in previous studies mainly regarded as Roman-period artefacts secondarily re-used as amulets by the Avar-period population of the Carpathian Basin, the present study argues that these pieces in fact have a sixth-to seventh-century production date, being thereby contemporaneous with their deposition in seventh-century mortuary assemblages. Taking this observation as a springboard for further interpretation, an overview of the possible meanings and symbolic associations attached to keys in Roman, late antique, and early medieval times is offered. The main argument presented here is that besides serving amuletic purposes, some of the Avar-period keys could in all probability have conveyed more explicit messages about their owners, such as that of their feminity and of their economic role and authority in their respective households. The Appendix supplementing the present paper seeks to provide a theoretical reconstruction of a wooden casket buried with the woman interred in Grave 119 of the Kölked-Feketekapu B cemetery, one of the burials yielding a Mediterranean hinged rotary key.
The paradigm shift in the later fourth millennium BC. •
Why did life change in the Middle Copper Age in the heartland of the Carpathian Basin?
Abstract
The fourth millennium BC, particularly its second half, saw the advent of major innovations that still affect our life today, sometimes as artefacts still used in a virtually unchanged form. Among these, the most important are wheels and wheeled vehicles, the innovations introduced as part of the Secondary Products Revolution, and the new technologies of metalworking. Initially surrounded by an aura of mystique and reverence, these innovations gradually became part of everyday life and their benefits, such as a more secure livelihood engendering new subsistence strategies, were enjoyed by a growing number of communities. Better life circumstances stimulated population growth, which in turn sparked an increase in the number of settlements as well as an incipient socio-economic hierarchy between them. Improving life circumstances, receptiveness to new ideas and increasingly dynamic contacts with distant regions brought a change in previous norms and social values. This paradigm shift can be best traced in the mortuary realm: various objects signalling the status and/or prestige of a community's prominent members began to be deposited in burials. Daily life became more predictable and was accompanied by a certain measure of wealth accumulation, which, however, also stimulated frugality. Hard-to-obtain exotic commodities were highly prized and usually only their down-scaled versions fashioned from clay accompanied the dead instead of the real-life animal or prestige item. Described and briefly discussed in the present study are certain aspects of this complex process.
Abstract
This paper deals with Muslim places of worship and their evolution during the 164 years of Ottoman rule in Timișoara (1552–1716). The analysis was carried out on the basis of written historical documentation and archaeological results. It is about religious structures such as mosques (câmii) and other places of worship (mescid), but also about monastic centres of dervishes (tekke, zâviye and türbe). The archaeological research that took place in the last decade in Timișoara offered the chance to bring to light the foundations of three mosques: Ali Bey, Cimcime and Sultan Süleyman. The results of these researches are valuable, especially since no building in Timișoara dating from the Ottoman Period has survived. From an archaeological point of view, it was found that only two of the mosques share similar characteristics. Although at all three of them wooden posts were found at the bottom of the foundation ditch, beaten into the ground, the differences were in the techniques of the foundation construction. At two of the foundation walls, was discovered a reinforcement of wooden beams, fixed with iron nails, over which a mixture of mortar with stone and broken brick was placed. At the third foundation wall, a similar mixture was framed by a row of bricks laid on the edge of the foundation ditch. Moreover, two of the mosques were built according to a rectangular plan, and in the third plan the north side was closed with an apse. Archaeological research also indicated a possible minaret, mihrab, but also parts of the floor of one of the mosques.
Abstract
The chemical composition of 42 samples of raw glass from the Komarov settlement on the Middle Dniester was studied by means of SEM-EDS, EPMA and LA-ICP-MS analyses. We singled out groups of colourless glass of Levantine and Egyptian origin, the chronology of which indicates that the workshop could be dated to the 4th – early 5th century. The data on the chemical composition of the raw glass do not confirm that glassmaking industry existed here in an earlier period, as was previously believed. The manufacturing in Komarov combines the use of high-quality perfectly decolourized raw glass with intensive use of cullet, which might point out either different levels of the glassware manufactured here, or selective recycling. The characteristic features of the workshop's raw glass supply are the absence of the HIMT glass and late spread of antimony-decolourized glass.
Abstract
In this paper, the author draws the attention of experts to a new glyphic discovery from Apulum. It is a schematic portrait of the Gorgon Medusa, depicted on a three-layered sardonyx. Based on parallels and the manufacturing technique, the author concludes that the piece originates from the workshops of Viminacium, Upper Moesia. The cameo is dated in the second half of the second century AD, prior the time when the canabae of the XIII Gemina legion rose to the status of municipium (ante AD 197). It is the only glyptic piece that bears the image of Medusa that's Dacian origin is certain. From an artistic point of view, it is a modest quality of execution, below the average provincial level. Furthermore, the author makes some remarks on the gems found in the collections of the National Museum of the Union in Alba Iulia, with a few additions and clarifications regarding the place of discovery and the possibility of the existence of a workshop of cavatores gemmarum at Apulum.
Abstract
In early 2017, an astonishing number of archaeological finds were unearthed during the excavation of two sites in Molnár Street (Budapest), led by the archaeologists of the Budapest History Museum. As the construction works of a new hotel took place on a registered archaeological site, and historical monuments of the city were expected to be found, the presence of archaeological professionals became essential. Even though the location was inhabited for centuries, the early modern and medieval layers were found unaffected.
Because of the nature of the site, the wet and muddy soil layers along the Danube provided a favourable environment for the preservation of organic materials and metals. As the climatic conditions in the Carpathian Basin are less favourable for the survival of organic material, the findings are very special both on a local and a broader regional level. In the Middle Ages, the Danube flowed over a much wider area than it does today. Today's embankment was often under water due to its proximity to the river, especially in the days before its regulation. The population, accustomed to the threat of spring floods, built their houses much further inland and along the river. Only urban landfills and, in safer times, ports and loading docks were established.
The aim of this paper is to specify past ground levels along the river, and changes in the water levels as well as the path of the Danube, with the help of as many environmental archaeological methods as possible. Similar research was already conducted on Margaret Island, in Vác and in Visegrád, so this new case study is hoped to be a useful contribution to reconstructing past landscapes along the river.
Abstract
Archaeological excavations at the site of Montessoro (660 m. a.sl.), carried out between 2009 and 2013 by the Department of Christian and Medieval Archaeology (University of Turin – Department of the Historical Studies) and currently under publication, have led to the large-scale exploration of a rural Apennine site which was inhabited between the first century BC and the fifth century AD. The late antique phase, which is the best-preserved, consists of five farm buildings made using a masonry base bound with clay, with an elevation in lathwork and a roof made of cover and pan tiles. The systematic study of almost 600 clay fragments, some of them large and mainly from the collapse levels caused by the fire in the granary, with negative impressions of plant material, has enabled considerable information to be obtained about the technique of wattle and daub used to construct the elevations: the morphology and arrangement of the wooden parts (horizontal and vertical), related to the woven lattice of the lathwork and the load-bearing structure, and the mixing and application of clay and plaster. This work, associated with a thorough analysis of the plentiful wood charcoal remains (carried out by Prof. Lanfredo Castelletti and Dr. Sila Motella – Museo Civico P. Giovio di Como), has yielded data about the choice and working of the plants and trees used for the construction of elevations and all the structural parts, enabling a fairly precise reconstruction of the buildings and the socio-economic and cultural context of the site.
Abstract
In his paper the author deals with the date of Attila's death. Several scholarly works dealt already with Attila's death and the written sources. The antique source dates his death to the year 453 shortly before Attila's planned campaign against Marcian. On the other hand, Leo the Great's letters has not been examined regarding this issue. In one of his letters written 11 March 451, the pope mentions the still existing dangers (flagella) where obviously refer to Attila and the Huns. This means nothing was known about Attila's death in the middle of March of 453 in Rome, so the Hun king must have died a little bit later.
Abstract
In this paper we present and analyse the histamena (gold coins) of Romanos III. Argyros found in the territory of the former Hungarian Kingdom. The majority of these coins are known from literary and archival sources. Only the coins from Pétermonostora (County Bács-Kiskun/H) and Székesfehérvár (County Fejér/H) had got to museums and about the others only descriptions are available. Most coins are scattered finds but we have information about some nomisma of Romanos III. Argyros from the Etyek-Bóthpuszta hoard (County Fejér/H). Here we'll analyse their role outside the Byzantine Empire as compared to the coin circulation in the medieval Hungarian Kingdom.
In the titulature, the Crimean Khans have particularly emphasized their Chinggisid origins as a proof of their legitimacy. Yasa [Chinggisid Law] and töre [tradition] also played a crucial role in domestic affairs. The political institutions and customs developed by Chinggis Khan continued to exist in the successor Khanates. The practice of demanding luxury goods as tribute from the subject peoples for the consumption of the ruling elite was one of them. In this article, I will first show that the tiş [tusk] was a developed version of the tribute dedicated for the consumption of ruling elite. Second, I will try to show why tiş should be considered as a tribute contrary to the Russian claim that it was a gift and its significance for the Crimean Tatars. Finally, I will demonstrate how the socio-political developments in the Crimean Tatar society like the growing influence of the karaçis and the service mirzas was reflected in the tiş defters [books].
Abstract
The paper investigates the relations between phonological form and information content within Latin verbal inflection from two interrelated points of view. It looks at conditional entropy relations within the present paradigm to see how these relate to the textual frequency of the individual forms; and it seeks to answer the question to what extent the phonological form of stems and endings has the potential to lead to ambiguity in morphological marking. The latter issue is approached from the angle of the information content that word forms taken in themselves have about their morphological status. The broader question of potential ambiguity is broken down into two separate questions: one concerns stems where intra-paradigmatic ambiguity would be possible; the other concerns stems that include phonological material that could itself be interpreted as a morphological marker. The absence of potential ambiguity in the first sense, and its severe restriction in the second sense is interpreted here as an emergent mechanism to enhance the information content of verb forms.
Abstract
This paper aims to answer why the Uralic languages use, or used until intensive contacts with Indo-European languages, only non-finite subordination. It argues against regarding the evolution of finite subordination language development, showing that languages with non-finite subordination and parataxis have the same expressive power as languages with finite subordination. It claims that non-finite subordination is a concomitant of SOV word order, and the growing proportion of finite subordination in the Uralic languages from east to west, and in the history of Hungarian is a consequence of the loosening of the SOV order and the emergence of SVO. The paper examines two hypotheses about the correlations between SOV and non-finite subordination, and SVO and finite subordination, the Final-Over-Final Condition of Biberauer, Holmberg & Roberts (2014, etc.), a formal principle constraining clausal architecture, and the Minimize Domains Principle of Hawkins (2004, etc.), a functional principle of processing efficiency. The two theories make largely overlapping correct predictions for the Uralic languages, which suggests that the Final-Over-Final Condition may be the syntacticization of the condition that ensures processing efficiency in SOV and SVO languages.
Abstract
Third code research has documented the distinctiveness of translated language and singled out recurrent tendencies framing them as translation universals. This paper aims to identify the interaction between interference, explicitation, implicitation and normalization and their potential relationship(s) with other variables, such as register. The focus of the study is on Spanish discourse markers (DMs) translated from English. This study uses interference, explicitation, implicitation and normalization as methodological tools to unveil these patterns. Evidence comes from a bilingual parallel corpus (P-ACTRES 2.0), a corpus of translated Spanish (CETRI), and a reference corpus of contemporary Spanish (CORPES XXI). We select the input DMs according to two criteria: first, we focus on DMs showing cross-linguistic formal correspondence, indicating the possibility of grammatical interference; second, we consider different procedural meanings for the DMs to anticipate potential regularity distortions. Results indicate that DM underuse in the target texts generally co-occurs with explicitation. Register is an important variable: implicitation is more frequent in non-fiction and, together with normalization, affects the majority of DMs. Evidence also points to the DMs' semantics influencing implicitation and explicitation.
Abstract
The ongoing COVID-19 pandemic has brought an unprecedented shift to the mode of educational programs, from face-to-face to online, all over the world. Interpreting courses, being no exception, had to face various challenges as well. This study aims to investigate the impacts of emergency remote teaching on interpreting courses from the trainers' perspectives. To this end, semi-structured interviews were conducted online with a study group consisting of 16 interpreter trainers with at least three years of experience in teaching face-to-face at the undergraduate level, who had to move their courses online during the pandemic. Observation, another qualitative method, was used for the second stage of data collection to ensure triangulation. In all, four online interpreting courses held by three different trainers at separate universities in Turkey were observed by the researchers. Data analysis in reflexive thematic form was conducted using the MaxQda software. The findings are discussed with specific emphasis on course design, student motivation, technical challenges, and the additional workload of trainers to inform both in-person and further online teaching practices.
Abstract
Language plays a key role in democracy. In fact, the role of language in democratic societies is so crucial that scholars have addressed it thoroughly through different lenses, ranging from law to language policy. This article, in turn, seeks to add to the scholarship on democracy and language rights by considering the role of translation policy in the development of linguistically inclusive public web pages. To that end, the study considers the State of Texas's translation policy as it relates to its online presence. Specifically, it approaches translation policy by looking at translation management, translation practice, and translation beliefs as observed in the efforts that state government agencies in Texas make when localizing their websites for the inclusion or integration of linguistic minorities. In so doing, it explores the relationship between written rules and the belief in providing language access in government agencies and how this affects the practice of translation in websites.
Abstract
Research on explicitation has been criticized by a lack of diachronic analyses and multi-lingual comparisons. This study, therefore, conducts a 50-year (1970–2019) comparison of referential explicitness between a 11,721,608-token corpus of English translated diplomatic discourse from 56 languages and a 11,113,036-token corpus of English original diplomatic discourse extracted from the United Nations General Debate Corpus (UNGDC) with the Multi-dimensional Analysis (MDA) framework. The findings suggest 1) a general tendency towards less explicitation for the English translated discourse in the UNGDC with time, 2) referential explicitation in Arabic, Chinese, Portuguese, and 31 other languages (more often from Sino-Tibetan, Mongolic-Khitan, and 6 other language families) and implicitation in Japanese and 21 other languages (more often from Japonic and 4 other language families), and 3) changes in referential explicitness in the discourses of China, Russia, Spain, and UAE in comparison with Britain and the United States. The potential influence of language contact and source language interference may be further taken into account. With the findings, this study calls for more dynamic views and multi-lingual comparisons on explicitation in diverse genres to present a fuller picture of the translation universal.
Abstract
Transcreation is a creative adaptation service that has been studied from the perspective of the language services industry and academia. Despite broad interest in the topic, little is known about the perceptions individual professionals have of this practice. To fill this gap, this paper aims to provide information from this point of view and focuses on the economic characteristics of transcreation. For this purpose, a sociological study based on a survey has been carried out. A total of 360 professionals from all over the world participated in this initiative. The results show that transcreation is considered as a hard-to-automate service. The practice is perceived and paid as a value-added one, and it can be defined as a form of qualified craftsmanship. Likewise, it seems to be a better-paid service than others. Finally, transcreation is demanded not only by language service providers but also by companies in industries such as marketing, advertising, public relations, and communication.
Abstract
No agreement has yet been reached as to whether translators are visible or not in translation. To answer this question, we first chose Lin Yutang and James Legge as cases, supplemented their translations with their originals, and then applied Principal Component Analysis along with N-MFW metrics to the texts for their stylistic features. In our cases, we found that (1) for each translator, the styles of their originals and translations vary; (2) for both translators, the styles of their translations converge for the same source text; (3) the two translators preserve only part of their stylistic fingerprints in their translations, suggesting the existence of a powerful compensation mechanism. Our findings bring new insights into the translator's style, help settle the (in)visibility dispute, and illustrate effective metrics for developing translator identification tools.
Abstract
This paper presents an empirical study on the proportion of cognate words (cognate ratios) in translated Dutch texts, compared to cognate words ratio in texts originally written in Dutch. To this end, we compiled a gold standard with manually verified cognate pairs for both studied language pairs, viz. English–Dutch and French–Dutch. In this study, we propose three hypotheses about how translators deal with cognates: (1) translators use the high degree of formal and semantic overlap between cognate translations to their advantage so as to produce the “easiest and fastest” translation (default translation hypothesis), (2) the higher the level of cognateness between a source and target language, the higher the cognate ratio in translated texts will be (cognate facilitation effect), (3) the higher the level of cognateness between the two languages, the more translators will be hesitant to use cognate translations (fear of false friends hypothesis). The results show a mixed picture: whereas not much evidence has been found for the first two hypotheses (depending on the respective language pair), the third hypothesis was confirmed. Further evidence, however, is needed from other language pairs, as cognate-receptiveness appears to be language-specific.
Abstract
While the Hungarian language is spoken in the heart of Europe, both scientific and pseudoscientific explanations trace its origins to the East. Also structurally, Hungarian shows many structural features more reminiscent of more Eastern languages. This paper examines the relationship of Hungarian, genealogically and contact-linguistically, with more Eastern languages, both related (e.g., Mansi, Khanty, Mari) and unrelated (i.e., the Turkic languages).
Historical records strongly imply that a variant of Hungarian, East Hungarian, was spoken in the Volga-Kama Region of European Russia until the 13th century, lexical evidence (i.e., borrowings) also strongly imply that historic migration took the linguistic ancestors of modern Hungarians through this area. Yet, much remains unknown about these processes: there are no written records of East Hungarian or of Hungarian predating the arrival in the Carpathian Basin in the 9th century, hence, all evidence is indirect.
In this paper, we give a brief overview of what is known and what is not known about the relationship of Hungarian with the languages of the Volga-Kama Region: What evidence do we have of historical contacts, from lexicon and language structure? For which structural features of Hungarian have scholars postulated a possible contact-linguistic explanation, possibly showing linguistic heritage Hungarians brought from the Volga-Kama Region to the Carpathian Basin?
Abstract
The study claims that contemporary Udmurt has two main strategies for expressing a ‘constituent negation reading’. Standard Udmurt makes use of inverse-scope constructions involving sentential negation, i.e. a morphosyntactically negated predicate and a pragmatic focus in the scope of negation. The other strategy involves the negator ńe borrowed from Russian, which immediately precedes the negated constituent and combines with a predicate in the affirmative form. Ńe-constructions are analysed as instances of focus negation, with a FocP dominated by a right-branching NegP. The evolution of transparent-scope constructions and of a head-initial NegP are analysed as concomitants of the SOV-to-SVO change of Udmurt.
Abstract
Guild migration in Hungary in the 16th to 18th centuries can be best captured by exploring the migration of young artisans. Peregrination and the migration of young artisans were a process of learning and making contacts in a foreign environment over several years. We will be looking at the life, tasks, objectives and, not least, knowledge acquisition and career strategy of one age group, young men roughly between the ages of 16–20, who in the early modern period were the main depositories of local economic and political power in Europe, including the territories of the former Kingdom of Hungary – especially in the towns – and who were entering local economic and political power after half a decade or so of studying.
This highly mobile way of acquiring knowledge abroad through university and guild migration provided an experience of leaving the familiar home base. What these young men had in common was that their learning process took place in a foreign territory, far away from their home, in the unfamiliar environment of another country, using a different language. In the case of both groups of learners, the existence of a network of family ties, which can be traversed in several directions, proved to be a key organising factor. This link between the – mainly German-speaking – urban and rural citizens in Western Europe and the Hungarian (and Transylvanian) citizens in the early modern period was always evident in the guild organisation, both economically and culturally.
Abstract
Although studies on the pagan past existed in Slovenia prior to the publications of Pavel Medvešček, his writings on pre-Christian religious practices (Staroverstvo) in the Western part of Slovenia caused some disruption within the Slovenian academic sphere. Medvešček allegedly collected the material (oral narratives on spiritual and healing practices and objects) from the 1950s to the 1980s and published it as uninterpreted material. Although some academics were often criticized for their perceived indifference towards Medvešček's works and lack of interest in the topic of this one-of-a-kind discovery of local spiritual practices, others later initiated intriguing debates. The article outlines the life and work of Pavel Medvešček as well as the broader reception of his works among Slovenian academics and the general public. Due to the frequent questioning of the research methods of Pavel Medvešček, the article highlights the longstanding question of what makes a material credible, and tries to show how this is unveiled in Medvešček's “discoveries.” The article focuses on the different approaches to studying Medvešček's materials employed by two ethnologists, Katja Hrobat Virloget and Miha Kozorog.
Abstract
Diachronic changes in phrase or clause structure are vectored rather than oscillating. A century ago, E. Sapir identified a drift towards fixed word order and another one towards the invariant word (including the levelling of the forms for subject and object marking). What is still missing is a theory that predicts such drifts. As will be argued, the theory that explains Sapir's observations and, in passing, makes the concept of Universal Grammar dispensable is the theory that grammars are targets and products of cognitive evolution. Sapir's drifts are shifts from systems based primarily on the consciously accessible declarative network to systems based on the consciously inaccessible procedural network. This also explains why the [S[VO]] clause-structure is a point of no return and why languages do not change in the reverse direction, starting from a grammar like English and eventually moving to a grammar like Sanskrit.
