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- Author or Editor: Farkas Gábor Kiss x
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Abstract
The present study offers a re-evaluation of literary production in Hungary under the Jagiellonian kings Wladislas II and Louis II. Traditionally, the literary works produced in this period have been contrasted to the blossoming of humanist literature under King Matthias, and disregarded in many respects. The aim of this study is to make a survey of the main authors and other agents of the literary culture of this period and to stress that this age experienced an unseen growth and expansion in late medieval and humanist scholarly and lay culture. While János Horváth called the authors of this period “humanists with party allegiances”, I argue that their stronger “party allegiance” is, in fact, the direct result of the steady growth in the number of intellectuals with a modern, humanistic educational outlook, and of a less centralized state.
This study deals with Celtis’ practice of rewriting and recontextualizing his own poetry. His poem To the literary odality of Hungarians (Ad sodalitatem litterariam Ungarorum, Odes II.2), addressed to a Hungarian ‘coetus’ (not a ‘sodalitas’) was first published in 1492. Through a detailed analysis of the poem, I claim that this ode was not directed to an academic circle of friends in Buda, but rather to the ‘bursa Hungarorum’ at the University of Cracow. As Celtis took up teaching in Ingolstadt in the spring of 1492, he published the Epitoma, which contained his course material on rhetoric from Cracow, and contained five poems, including this poem, which he composed while still in Poland. Consequently, it cannot be regarded as a proof of the continuity of academic thought between the Neo-platonic circles of King Matthias (1485-1490) and the Vienna-centered Sodalitas Danubiana of 1497. Around 1500, to please his Hungarian aristocratic friends in the Sodalitas Danubiana, he revised the same poem in Vienna and added it to the cycle of his Odes.
