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orientali in Sicilia I . Leiden 1973, 211. 5 Ciaceri , E. : La festa di S. Agata e l’antico culto di Iside in Catania . Catania 1905, 269 ss. 6 Lasareff, V. : Studies in the iconography of the Virgin. The Art Bulletin 20 (1938) 25–65 ; Mathews, T. F

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provided with a Latin ending. Classical authors, both Greek and Roman, use the epithet Φοῖβος/Phoebus resp. when they refer to Apollo, in his capacity of God of the Sun. On the other hand, it should be mentioned that, in the official iconography with the

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contemplate or manipulate current events in a rewriting and renewal process where Theseus and his adventures seem to have undergone an unparalleled process of historicization and politicization, with reflections in the character's iconography. Theseus played

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is early years, iconography, childhood studies and cross-cultural comparative analysis. She is Editor of Hungarian Educational Research Journal and of Gyermeknevelés. Her first monography was published in 2015 by Eötvös Publishing with the title

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Department of Intercultural Psychology (Faculty of Pedagogy and Psychology). Her research interest is early years, iconography, childhood studies and cross-cultural comparative analysis. She is Editor of Hungarian Educational Research Journal and of

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directions. 72 Surrounding the mushroom motifs are four rectangular forms with tiny stems, which are enclosed in circular fields. The entire composition is a repeat of the image scheme on the back mount (1660/15), but with different iconography. 73 The next

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religious environment and competitive market during the Principate. 1 The cult offered a new and attractive visual narrative combining classical Greco-Roman iconography with exotic Persianism and Hellenistic elements as a result of a religious bricolage. 2

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VII 450 (n. 24; not least on the iconography of the Furies). 50 Cf. Aeneas’ declaration at XII 948–949 that it is “Pallas” who sacrifices Turnus; notwithstanding the declensional and accentual differences in the nearly homonymous names. On the possible

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genetrix, as Lucretius addressed her in his philosophical epos, De Rerum Natura 1. 1), 16 and was thus the ancestress of the gens Julia (cf. e. g. Verg. Aen. 1. 257–288, or Suet. Jul. 6). In iconography, some of her sculptures are accompanied by a

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knucklebones, unless someone who is hoping that he will receive an inheritance from someone should observe this dream. For knucklebones come from dead bodies. For this reason they foretell dangers for the rest.» 22 As far as Greek iconography is concerned

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