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. Bendall , Cecil 1992 . Catalogue of the Buddhist Sanskrit Manuscripts in the University Library, Cambridge . [Publications of the Nepal-German Manuscript Preservation Project, 2; Verzeichnis der Orientalischen
Introduction Whereas in traditional, closed peer review (CPR) a few, selected scientists (peers) are included in the process of manuscript review, public peer review (PPR) includes, in addition to invited reviewers, a wider
) 1 demonstrates. The manuscripts that had served as the basis of the critical edition may be traced back to at least three individuals, but there is also a fourth handwriting we need to reckon with whose source has remained unidentified to
Cultural Context The mi’raj manuscript An illustrated manuscript depicting, in a series of miniatures, the successive stages of the mi’raj , the miraculous ascent of the Prophet Mohammed through the seven
REFERENCES Primary Sources Saptaguṇavarṇanā parikathā , Sanskrit manuscript . Инв. № 804 , Tangut manuscript . Secondary Literature Bhikkhu Ñaṇamoli & Bhikkhu Bodhi . 2009 . The Middle Length Discourses of the Buddha: A Translation of the
Wissenschaften , 93 – 192 . Bhattacharya , Chhaya 1977 . Art of Central Asia (with Special reference to wooden objects from the Northern Silk Route) . New Delhi : Agam Prakashan . Boyce , Mary 1960 . A catalogue of the Iranian manuscripts in Manichean
to the discussion around the JIF. In these studies we investigated the effect of several versions of one and the same manuscript published by a journal on its JIF. Bornmann et al. ( 2011 ) took the case of the interactive open access journal
The young Gogol published a study on the teaching of geography for children in 1831. At the same time, he was writing the collection of short stories, Evenings on a Farm near Dikanka (1831–1832). We can observe interesting connections between his texts – prose fictions and pedagogical writing – of this period: motives belonging to geography, history and folklore make a specifically large context. The author’s interest in geology, as he writes, in the „underground geography” (“подземная география”) – the earth’s crust, rocks, strata – corresponds with the “underground mythology and folklore” in the Dikanka stories, with the demonic figures ( колдун, ведьма, черт ), places ( abyss, ravine, depths of the earth, swamp, churchyard ) and time ( night ). In this study, on the basis of the Gogol’s long-time unedited manuscripts ( Неизданный Гоголь , ed. by I. A. Vinogradov, Moscow, 2001) we investigate the common roots of the seemingly heterogeneous motives to discover the hidden strata and meanings of his early works.
public peer review (PPR), electronic publishing offers new possibilities of quality assurance that cannot be realized in traditional closed peer review. Whereas traditional peer review of submitted manuscripts involves the use of designated reviewers
Abstract
To examine the dynamics of incompletion that characterizes many writings by twentieth century authors, the following essay investigates the possibilities to visualize (1) switches, (2) shuffles and (3) shifts in modern multilingual manuscripts with digital philological tools. (1) Jerome McGann’s notions of the bibliographical and the linguistic codes were originally not coined in relation to manuscript studies, but they can be applied to a particular form of “code switching” between an image-based and a text-based approach. (2) Another phenomenon that typically marks the writing process of literary texts is the practice of shuffling textual segments when their definitive position has not yet been fixed. (3) Finally, transtextual shifts in multilingual manuscripts are not only limited to intertextual references, but often have a language-related dimension as well.