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food industry continues to be innovative in the development and production of food. Since product composition, processing and preparation operations, supply chain of the modern food industry, consumers’ life-style, and eating habits have changed

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.K. , and Ötles , S. ( 2015 ). Microencapsulation of extra virgin olive oil by spray drying: effect of wall materials composition, process conditions, and emulsification method

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in advance of composing, his compositional process was a strategic one. In any case, the remainder of the program note is devoted to brief descriptions of each of the quartet’s three movements with limited explanatory value – the first movement was

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criteria: firstly, monophony as a folk music phenomenon showed striking differences to the harmonically based, often over-harmonized, polyphonic Western music; secondly, this music inspired their compositional processes. Monophony alone must have been a

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's compositional process is a musical demonstration of the same pattern of hybridity found in his writing, abstracting non-European sources and relating them to Balkan ones. As in the Horn Trio, however, the richness of the polyrhythmic textures, now multiplied

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where Ligeti delved into his compositional processes in detail, presumably because Weissmann embodied the capacity to convey his younger colleague’s stature as a composer to a broader public. On Veress’s recommendation, Alfred Schlee, director of

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themselves – and their applications by the composers – will develop and refine the theories of the musical forms involved in the compositional processes. With regard to the substantial question of meaning or signification in music, we must recognize that such

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feature of Mozart’s compositional processes. 1. Open-Air Marches Mozart composed his first march in August 1769, entitled Cassatione, for the end-of-year ceremony at the Benedictine University, Salzburg. The long-standing custom was for students to

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's hand. The composer gave this sample page during the intermediary stage of the compositional process specially to Waldbauer to ask him about the playability of the difficult part. 88 It is one of the several documented

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? Revisiting the Sources of Bartók’s Style and Compositional Process,” in The Past in the Present. Papers Read at the IMS Intercongressional Symposium and the 10th Meeting of the Cantus Planus. Budapest & Visegrád, 2000 , ed. by László DOBSZAY (Budapest: Liszt

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