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Editio Musica Budapest Kurtág must have decided to create a chromatic version from the original diatonic melody at a later phase of the compositional process. He simultaneously sought to preserve the folk song character, in a later sketch adding to

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analysis, and so better than his written text –, while the mechanical boxed measure numbers 5, 10, 15, etc. merely assist the performer at rehearsal. – As an addition to the study of the compositional process, the crossings, replacements, and insertions of

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’s Violin and Piano Sonatas nos 1–2: Compositional Process,” unpublished keynote address, “Bartók and the Violin” Musicological Symposium, Bartók World Competition and Festival 2017, 15 September 2017, Institute for Musicology, Research Centre for the

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in advance of composing, his compositional process was a strategic one. In any case, the remainder of the program note is devoted to brief descriptions of each of the quartet’s three movements with limited explanatory value – the first movement was

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criteria: firstly, monophony as a folk music phenomenon showed striking differences to the harmonically based, often over-harmonized, polyphonic Western music; secondly, this music inspired their compositional processes. Monophony alone must have been a

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where Ligeti delved into his compositional processes in detail, presumably because Weissmann embodied the capacity to convey his younger colleague’s stature as a composer to a broader public. On Veress’s recommendation, Alfred Schlee, director of

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themselves – and their applications by the composers – will develop and refine the theories of the musical forms involved in the compositional processes. With regard to the substantial question of meaning or signification in music, we must recognize that such

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feature of Mozart’s compositional processes. 1. Open-Air Marches Mozart composed his first march in August 1769, entitled Cassatione, for the end-of-year ceremony at the Benedictine University, Salzburg. The long-standing custom was for students to

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's hand. The composer gave this sample page during the intermediary stage of the compositional process specially to Waldbauer to ask him about the playability of the difficult part. 88 It is one of the several documented

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? Revisiting the Sources of Bartók’s Style and Compositional Process,” in The Past in the Present. Papers Read at the IMS Intercongressional Symposium and the 10th Meeting of the Cantus Planus. Budapest & Visegrád, 2000 , ed. by László DOBSZAY (Budapest: Liszt

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