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turn towards incorporating elements of the past and the non-Western in works from the Horn Trio onward. Like Zenck, Rudolf Frisius's contribution to the 1987 collection György Ligeti: Personalstil – Avantgardismus – Popularität discussed the

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not between the primary theme and a (non-existing) closing theme but it ends the exposition. György Ligeti's description in his introductory text to the pocket score 6 correctly marks the three sections simply as “first

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music in Darmstadt and the personal influence of György Ligeti are considered in several studies of the volume. The academies for new music found a place in Darmstadt from 1946 – in the beginning yearly, and later, from 1970, in each second year –, and

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Studien in Freiburg (Brian Ferneyhough, Klaus Huber) und Hamburg (György Ligeti) sah sich Rojko in zwei „parallelen Welten“ verortet: Wer bin ich überhaupt? Als Mensch? Als Künstler? Beide Welten, die slowenische und die deutsche, sind so grundverschieden

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Recollecting his youth, which was shared with György Ligeti, in 1993 György Kurtág recounted his compulsory folk music studies at the Liszt Academy of Music, Budapest as follows: Hungarian folk music was [a] compulsory [subject] for all students at

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