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the Applied Folk Arts Department (Népművészeti Módszertani Műhely, NMM) are to disseminate knowledge and ensure the sustainability of popular culture that survives in the form of cultural memory ( Assmann 2018 :19–23). In parallel with the
significance of “cultural memory of the present” 21 can be placed in the context of the “Skopje 2014” project, with its duration, that changes the daily environment of the citizens, which means that what the citizens saw one day could be changed the very next
Újabb bográcslelet Erdőszentgyörgyről (Sângeorgiu de Pădure, Ro)
A newly discovered bronze cauldron from Sângeorgiu de Pădure
Siedlung von Teleac . Analele Banatului (Timişoara) S.N. 18 , 65 – 94 . Connerton , Paul 2006 Cultural Memory . In
by M. Wu and H. He) 3 Results and discussion The railway imprints the historical and cultural memory of a city, and people repay that prosperous era with new vitality. The basis of the renovation proposal is based on the spirit of the place: respect
When people still had enough time to live
Education of girls from Hungarian aristocratic families, from the 1860s until 1947
time bygone culture, so they can be regarded as the imprints of cultural memory ( Assmann, 2013 , pp. 20–21). Education can be considered aristocracy's identity-preserving factor; however, the authors' richness of details in dwelling on this aspect
substance to this line of thinking; societies rely on processes that make their “cultural memory” ( Donald, 2018 ) accessible to new generations. But, the problem is if it is reasonable to assume that these, essentially reproductive, metaphors tell the full
. 1 THE ROLE OF MUNICIPAL MUSICAL ASSOCIATIONS IN DEVELOPING THE BEETHOVEN TRADITION Building the cultural memory of the town was strengthened by sectionalism, to which artists’ associations contributed to a large extent. Their participation in
framework of the project “Heritage formation, cultural memory, identity. Contemporary tradition-making practices and new constructions of tradition in the service of building local, regional, and national identity (ELKH SA-35/2021, BTK NTI)” implemented by
catalogue of objects of cultural memory. On the contrary, myth, as Voegelin applies it, unmasks philosophies of history as illusion once they claim history to be fully accessible. Such a symbolic relationship between past and present does not imply a higher
Baroque tradition in early Romanticism •
Grounding the modern literary canon in Hungary
, Gyöngyösi fans and Zrínyi devotees, was ultimately a struggle for the correct interpretation of tradition: it was ultimately not a linguistic-stylistic struggle, but one in the politics of cultural memory. Its archetype is the famous Querelle , the 17th
