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1 INTRODUCTION The study of Vulgar Latin has increasingly focused on geographically defined corpora and their specifics, such as an area and city. 1 In this wake, my paper searches to establish a grammar of the Vulgar Inscriptions of Trier, one of
descriptif montrera qu’en cette circonstance comme en beaucoup d’autres, les poètes latins ont laissé parler leur inventivité et leur imagination pour dépasser les limites qu’on pour-rait présumer étroites de la répétition ou de l’imitation. À ce titre, ma
I LOS RELATIVOS-INTERROGATIVOS DE LUGAR: DEL LATÍN AL ROMANCE La lengua latina presentaba en su variedad clásica un paradigma bastante complejo de adverbios relativos-interrogativos de lugar, integrado por cuatro unidades que se diferenciaban
105, on the occasion of the Dacian wars, have been recorded in epigraphy and underline the adjectives incolumis, redux and victor . 10 Graeco-Latin literature has relatively abundant examples of the importance of appeasing the gods during a journey
* The present paper has been prepared within the framework of the project OTKA (Hungarian Scientific Research Fund) No. K 108399 entitled “Computerized Historical Linguistic Database of Latin Inscriptions of the Imperial Age” (see: http
1 INTRODUCTION This paper aims at providing additional data to the framework outlined by J. N. Adams 1 for the occurrence of 〈e〉 and 〈o〉 for Classical Latin (= CL) /ĭ/ and /ŭ/ in Latin papyri and ostraca. Many studies have already been carried out
In this study the autor provides a survey on the interaction between English and the Latin, French, Italian, Spanish and Potuguese is analyses chronologically, with a special regard to the phonological modifications of loan-words.
1 Framing the problem The reshaping of the “Classical Latin” (CL) vowel system (based on quantitative oppositions involving long vs. short vowels) into the Romance vowel system (based on qualitative oppositions involving different degrees of opening
In the 15th and 16th centuries secular medieval Latin songs attracted the attention of musicians. Two examples (Vinum bonum et suave, and Potatores exquisiti), in their medieval and renaissance manifestations, highlight the differences of approach to music in the two period. Both are drinking songs but have associations with sacred repertoire; and seem to be connected to monastic culture; and the two seem to have migrated to disparate regions of Europe.
The detailed treatment of the Latin supine has been neglected both in scholarly literature and in language teaching, even though it is a very ancient form that has survived in an interesting way and was used even in late Latin. The fact that the Latin supine has a parallel in Sanskrit deserves attention. In this study I demonstrate that Priscian projected the Latin usage of his own time back to classical Latin, which fact was nevertheless not detrimental to his credibility.
