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Using contemporary documents, the study presents the story of a scandalous exorcism that took place in 1726-27. At the heart of the Csíkszentgyörgy (Ciucsângeorgiu) case is the local parson and a non-local “possessed” woman. The supreme church authority sought to figure out the details of the months-long case retroactively through testimonies and the correspondence of the priests involved. The demonically possessed woman upset the entire village community. In many respects, the priest became “obsessed” with the case and the woman. For his exorcism, he used methods found in alternative European manuals that were by then banned in the Church. The woman’s prophecies and reports of the afterlife were taken seriously not only by the priest, but also by the wider village community. The sexual fervor of the woman did not leave the young men guarding her at night – as well as the parson himself – unaff ected. The Church authorities ultimately sought to clarify the circumstances of the woman’s pregnancy, and especially the priest’s role in it. Although there is no judgment to be found in church sources, all traces of the Padre later disappear.
In keeping with the trends of narrative history, beyond the “thick description” of the case, the author undertakes less contextualization than usual. The case is undoubtedly edifying in terms of the history of Roman Catholic exorcism in Hungary; it presents significant documentation of contemporary religious and folk demonology, contains the early traces of subsequent folk beliefs, and raises a number of cultural-historical issues (in regard to sexuality and love).
A travers un pseudo récit de voyage le long du Danube L'Œillade de la comtesse Hahn-Hahn (1990) de P. Esterházy met en cause les clichés (littéraires) attachés à l'identité nationale par rapport à une identité régionale aussi problématique et à un modèle donné comme universel et aussi démythifié (l'Europe). La réception de ce texte à l'étranger nous interroge sur la possibilité de traduire l'expression d'un spécifique étroitement lié à la langue de la création littéraire.
kilencvenes években (Neo-Conceptual art in Hungary in the nineties) , (Praesens), Budapest 2005.; András, Edit: “Transgressing boundaries (even those marked out by the predessesors) in new genre conceptual art.” In Art after conceptual art . Ed.: Alberro
movement, transgression and the crossing of boundaries. Conclusion For contemporary literary scholarship, it seems an appropriate procedure to copy different theoretical frameworks onto each other or
. What we can find out, however, is that the Choir President was the top official in the choir who not only supervised and evaluated the choir's performance, but also kept up order, sanctioned those who transgressed the rules and was in charge of the
considered to be transgressions even if they are not addressed to anyone or are not committed with offensive intent. Procedures following these transgressions pertain to administrative authorities as the police criminal court, while in the area of the
the transgression of its relevant limit ( Johanson 2000b , 29, 32–33, 2018 , 513). However, high-focal postterminals focus on the aspectual orientation point and establish a relationship between this viewpoint and the event, therefore they focus more
voix ne s’élèvent, bavardant et conversant de choses de tous les jours, de façon à entraver le bon déroulement de la liturgie ». 25 La transgression est double à lire Eustathe. Non seulement les voix latines mettent à mal la liturgie et le bon
insiders. It is liminal as it can occur between activities and can potentially transform participants' interpersonal relations. Participants observe and enforce/transgress moral order ( Garfinkel 1964 ; Kádár 2017 ) as they engage in small talk, and their
those decisional forums which had come into being in such a way that the organs recognized by the state transgress their competences in the context of customary and unwritten law or, public administration and the administration of justice do not
