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-A-C-H” (B-flat–A–C–B-natural) was well known from works prior to his quartet. He certainly knew Liszt’s Fantasy and Fugue on the Theme B-A-C-H , presumably also Schumann’s Sechs Fugen über den Namen Bach , and Reger’s Fantasia and Fugue on B-A-C-H for

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significant cities in terms of artistic events (see Plate 1 ). 3 However, the idea of organizing public concerts as well as the personal encouragement of the Doppler brothers was probably Franz Liszt’s doing. During the above-mentioned summer tour, the

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Orvosi Hetilap
Authors: Imre Boncz, Andor Sebestyén, Dóra Endrei, István Ágoston, Tímea Csákvári, L. Gábor Kovács, and Attila Miseta

. Value Health 2014; 17: 487–489. 2 Kovács LG, Ajzner É, Liszt F. Current status of Hungarian laboratory diagnostics. [A magyar laboratóriumi diagnosztika helyzete.] IME 2014; 13

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of the German-language daily newspaper Pester Lloyd (1939‒1944). Following World War II, he was one of the founders of the Department of Musicology of the Liszt Academy of Music (Liszt Ferenc Zeneművészeti Főiskola, Zenetudományi Tanszék

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Recollecting his youth, which was shared with György Ligeti, in 1993 György Kurtág recounted his compulsory folk music studies at the Liszt Academy of Music, Budapest as follows: Hungarian folk music was [a] compulsory [subject] for all students at

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-Perten. PN EN ISO 3093:2010 . Pollhamer , E. ( 1981 ): A búza és a liszt minősége. (Quality of wheat and flour) . Mezőgazdasági Kiadó. Budapest . 203 pages. Posner , E.S. ( 2003 ): Principles of milling. Encyclopedia offood science, food technology

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, Márton KERÉKFY, “‘Nullapont:’ 1956 szerepe Ligeti György életében és pályáján,” in 1956 és a zenei élet [1956 and musical life], ed. by György GYARMATI and Lóránt PÉTERI (Budapest: Liszt Ferenc Zenemüvészeti Egyetem / Állambiztonsági Szol- gálatok

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funding was received to produce this article. About the Authors BH is working as a music teacher in two secondary schools specialized in music (Kecskemet, Szekesfehervar), in the Liszt Ferenc Academy of Music and in the

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Social Change, Dress and Identity

Observations on the Disintegration of Peasant Culture as Exemplified by Rural Women’s Clothing in Hungary from the First World War to the End of the Kádár Era Socialism

Acta Ethnographica Hungarica
Author: Ágnes Fülemile

csárdás-verbunk music by Liszt, Brahms, and others reached European concert halls; together with the Polish polka and mazurka, these essentially Hungarian dances were welcomed in elite European salons and even at the Viennese court balls. 24 In the

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